Résultats pour "Hilary Mantel" dans Toutes les catégories

In Hilary Mantel's Wolf Hall trilogy, one of our very best writers brings the opulent world of the Tudors to bloody, glittering life. It is the backdrop to the rise and rise of Thomas Cromwell: lowborn boy, charmer, bully, master of deadly intrigue, and, finally, most powerful of Henry VIII's courtiers. But the bloody theatre of Cromwell's ascension will leave no one unscathed. This collection includes expertly adapted versions of Wolf Hall, Bring up the Bodies and The Mirror and the Light alongside The World of Wolf Hall.

England, May 1536. Anne Boleyn is dead, decapitated in the space of a heartbeat by a hired French executioner. As her remains are bundled into oblivion, Thomas Cromwell breakfasts with the victors. The blacksmith's son from Putney emerges from the spring's bloodbath to continue his climb to power and wealth, while his formidable master, Henry VIII, settles to short-lived happiness with his third queen. Cromwell is a man with only his wits to rely on; he has no great family to back him, no private army.

England, the 1520s. Henry VIII is on the throne but has no heir. Cardinal Wolsey is his chief advisor, charged with securing the divorce the pope refuses to grant. Into this atmosphere of distrust and need comes Thomas Cromwell, first as Wolsey's clerk and later his successor. Cromwell is a wholly original man: the son of a brutal blacksmith, a political genius, a briber, a charmer, a bully, a man with a delicate and deadly expertise in manipulating people and events.

A tour-de-force of historical imagination, this is the story of three young men at the dawn of the French Revolution. Georges-Jacques Danton: zealous, energetic, debt-ridden. Maximilien Robespierre: small, diligent, and terrified of violence. And Camille Desmoulins: a genius of rhetoric, charming, handsome, but erratic and untrustworthy. As these key figures of the French Revolution taste the addictive delights of power, they must also come to face the horror that follows.

By 1535 Thomas Cromwell is chief minister to Henry VIII, his fortunes having risen with those of Anne Boleyn, the king’s new wife. But Anne has failed to give the king an heir, and Cromwell watches as Henry falls for plain Jane Seymour. Cromwell must find a solution that will satisfy Henry, safeguard the nation and secure his own career. But neither minister nor king will emerge unscathed from the bloody theatre of Anne’s final days.

By 1535 Thomas Cromwell, the blacksmith's son, is far from his humble origins. Chief Minister to Henry VIII, his fortunes have risen with those of Anne Boleyn, Henry’s second wife, for whose sake Henry has broken with Rome and created his own church. In Bring Up the Bodies, Hilary Mantel explores one of the most mystifying and frightening episodes in English history: the destruction of Anne Boleyn.

From her unique childhood to her all-consuming fascination with Thomas Cromwell that grew into the Wolf Hall Trilogy, Hilary Mantel had a celebrated career as a novelist. Alongside this, she long contributed to newspapers and journals, unspooling stories from her own life and illuminating the world as she found it. This strand of Hilary's writing was an integral part of how she thought of herself. 'Ink is a generative fluid,' she explains. 'If you don't mean your words to breed consequences, don't write at all.' A Memoir of My Former Self collects the finest of this writing over four decades.

England, the 1520s. Henry VIII is on the throne, but has no heir. Cardinal Wolsey is his chief advisor, charged with securing the divorce the pope refuses to grant. Into this atmosphere of distrust and need, comes Thomas Cromwell, first as Wolsey's clerk, and later his successor.

One of the 21st century's most celebrated authors, Hilary Mantel won the Booker Prize twice: for 2009's Wolf Hall, the first in her phenomenally successful Thomas Cromwell trilogy, and its 2012 sequel Bring Up the Bodies. The third novel in the series, 2020's The Mirror and the Light, won the Walter Scott Prize for Historical Fiction. This collection includes three of her best works of contemporary fiction, ranging from the Gothic to the blackly comic.

Frances Shore is a cartographer by trade, a maker of maps, but when her husband's work takes her to Saudi Arabia she finds herself unable to map the Kingdom's areas of internal darkness. The regime is corrupt and harsh, and the streets are not a woman's territory; so she becomes confined in her flat. As her days empty of certainty and purpose, her life becomes a blank – waiting to be filled by violence and disaster.

Opening with "A Second Home", in which Mantel describes the death of her stepfather, Giving Up the Ghost is a wry, shocking, and beautifully written memoir of childhood, ghosts (real and metaphorical), illness, and family. Finally, at the memoir's conclusion, Mantel explains how a series of medical misunderstandings and neglect left her childless, and how the ghosts of the unborn have come to haunt her life as a writer.

Drei junge Männer in den Wirren der Französischen Revolution. Da ist Georges Danton: ehrgeizig, energisch, hoch verschuldet. Maximilien Robespierre: gewissenhaft und furchtsam. Und schließlich Camille Desmoulins: ein Rhetorikgenie, aber auch wankelmütig und unzuverlässig. Während die drei in den berauschenden Sog der Macht geraten, erkennen sie, dass ihre Ideale auch eine dunkle Seite haben. Das monumentale elfstündige WDR-Hörspiel - bis in die kleinste Rolle erstklassig und prominent besetzt - erzählt packend und hochemotional von einem der erschütterndsten Ereignisse der Weltgeschichte.

In 1987, when Hilary Mantel was first published in the London Review of Books, she wrote to the editor, Karl Miller, ‘I have no critical training whatsoever, so I am forced to be more brisk and breezy than scholarly.’ This collection of 20 reviews, essays and pieces of memoir from the next three decades tells the story of what happened next.

A brilliant collection of short stories from the double Man Booker Prize-winning author of Wolf Hall and Bring Up the Bodies.Hilary Mantel is one of Britain's most accomplished and acclaimed writers. In these ten bracingly subversive tales, all her gifts of characterisation and observation are fully engaged, summoning forth the horrors so often concealed behind everyday façades.

Since childhood, Hilarie Burton Morgan has felt the call to record, keep and catalogue life in all its strange wonder. It was a whimsical habit, with no clear goal. And then, when she became a mother, the importance of all that collecting snapped into focus.

England 1520: Henry VIII. ist noch immer ohne männlichen Thronfolger, was für ihn eine persönliche wie politische Katastrophe ist. Ohne einen Erben droht dem Königreich ein verheerender Bürgerkrieg. Henry VIII. will daher seine Ehe mit Katharina von Aragón annullieren lassen und seine Geliebte Anne Boleyn heiraten. Das sorgt für heftigen Widerstand in Rom und in Europa. In dieser heiklen Situation sind nun die Fähigkeiten Thomas Cromwells gefragt. Mit Bestechung, Einschüchterung und Charme steigt er zum wichtigen Vertrauten Henrys auf. Der Emporkömmling sieht sich bald von Feinden umgeben wie von einem Rudel Wölfe.

Ralph and Anna Eldred live in the big Red House in Norfolk, raising their four children and devoting their lives to charity. But the constant flood of 'good souls and sad cases' welcomed into their home hides the growing crises in their own family. From the violent townships of South Africa to the windswept countryside of Norfolk, this is an epic yet subtle family saga about what happens when trust is broken...

This sharp, funny collection of stories begins in the 1950s in an insular northern village 'scoured by bitter winds and rough gossip tongues.' The title story sees our narrator ironing out her northern vowels with the help of an ex-actress with one lung and a Manchester accent. In Third Floor Rising' she watches, dazzled, as her mother carves out a stylish new identity. With a deceptively light touch, Mantel locates the transforming moments of a haunted childhood.

It is London, 1970. Carmel McBain, in her first term at university, has cut free of her childhood roots in the north. Among the gossiping, flirtatious girls of Tonbridge Hall, she begins her experiments in life and love. But the year turns. The mini-skirt falls out of style and an era of concealment begins. Carmel's world darkens, and tragedy waits in the wings.

From the double Man Booker Prize-winner, a savagely funny tale that revisits the characters from the much-loved Every Day is Mother’s Day. Muriel Axon is about to re-enter the lives of Colin Sidney and Isabel Field. It is ten years since her last tangle with them, but for Muriel this is not time enough. There are still scores to be settled, truths to be faced and vengeance to be wreaked.