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As Catholics, we believe in the resurrection of the body. We profess it in our creed. We're taught that to bury and pray for the dead are corporal and spiritual works of mercy. We honor the dead in our Liturgy through the rite of Christian burial. We do all of this, and more, because when Jesus Christ took on flesh for the salvation of our souls he also bestowed great dignity on our bodies. In Hope to Die: The Christian Meaning of Death and the Resurrection of the Body, Scott Hahn explores the significance of death and burial from a Catholic perspective.

In the early 20th century, few women in China were to prove so important to the rise of Chinese nationalism and liberation from tradition as the three extraordinary Soong sisters: Eling, Chingling, and Mayling. As told with wit and verve by Emily Hahn, a remarkable woman in her own right, the biography of the Soong sisters tells the story of China through both world wars. It also chronicles the changes to Shanghai as they relate to a very eccentric family that had the courage to speak out against the ruling regime. Greatly influencing the history of modern China, they interacted with their government and military to protect the lives of those who could not be heard, and they appealed to the West to support China during the Japanese invasion.

An in-depth biography of the towering 20th-century Chinese military and political figure who led the government, first on the mainland and then in exile in Taiwan, from the acclaimed New Yorker correspondent who lived in China when he was head of state.

For centuries China's code of behavior was incomprehensible to Westerners, whom the Chinese viewed as irredeemable barbarians. Presenting historical events with an immediacy that makes you feel as if you were there, Hahn takes listeners through isolationist China's difficult and often costly adaptations to the invasions of Western "foreign devils".

Deemed scandalous at the time of its publication in 1944, Emily Hahn's now classic memoir of her years in China remains remarkable for her insights into a tumultuous period and her frankness about her personal exploits. A proud feminist and fearless traveler, she set out for China in 1935 and stayed through the early years of the Second Sino-Japanese War, wandering, carousing, living, loving - and writing. Many of the pieces in China to Me were first published as the work of a roving reporter in the New Yorker. All are shot through with riveting and humanizing detail.