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Alberto Ruiz-Tagle was once the quiet, unknowable, unpromising member of Chile's young poetry scene. But the military coup of 1973 sees Alberto reborn as Chile's leading celebrity poet, Carlos Wieder. Told from across the years in exile in Europe, the narrator's attempts to trace the fate of his old circle will lead him to one last confrontation with the brutality of their generation.

Alberto Ruiz-Tagle was once a quiet, unknowable, unpromising member of Chile’s young poetry scene. But the military coup of 1973 sees Alberto reborn as the new regime’s leading poet, Carlos Wieder. Known for his daring sky poems, penned in smoke high above the cities, Weider’s dazzling trajectory is a cause for astonishment and speculation among his old poetry friends. Where did this monstrous talent suddenly spring from? And how is it connected to the disappearance of the beautiful Garmendia twins?

In 1938 Paris, Pierre Pain, a lonely bachelor and a beleaguered mesmerist, receives a telegram from his friend Madame Reynaud. An acquaintance of hers lies in a hospital bed with a mysterious—and apparently terminal—case of the hiccups, and she entreats Pain to cure him. Quietly in love with Reynaud, and buoyed by her faith in him, he agrees to see the patient, the exiled Peruvian poet César Vallejo. So sets off a nightmarish and labyrinthine chain of events that sees Pain racing, breathless, through the umbrous streets of Paris: He finds himself barred from approaching Vallejo’s bedside.

Father Sebastian Urrutia Lacroix is dying. A priest, a member of Opus Dei, a literary critic and a poet, in his feverish delirium the crucial events of his past swell around him. From glimpses of the great poet Pablo Neruda, the German writer Ernst Junger and his one-time student, General Pinochet, to nightmarish flashes of falcons and falconers, the Chilean landscape and faces of those now dead, reality and imagination crowd and clamber in pursuit of the 'wizened youth' who still haunts Father Lacroix all these years later.

Last Evenings on Earth by Roberto Bolaño is a forthcoming title from Farrar, Straus and Giroux.

Auxilio Lacouture is the mother of Mexican poetry. Uruguayan by birth, Mexican by destiny, the vagrant poetess serves as guardian, confidant, literary mentor, and occasional lover to a generation of Mexico City’s mad young poets, a fixture in their heady bohemian swirl. On the infamous day in 1968 when the military invades the campus of the city’s main university, Auxilio is in the women’s bathroom of the department of literature and philosophy, reading the poetry of Pedro Garfias on the toilet.

Composed of thirteen indelible stories, Roberto Bolaño’s The Return is preoccupied with ghosts: troubled souls haunting society’s margins, lovers lost to the ages, young men who no longer recognize themselves in the mirror, fresh corpses afforded no peace, departed poets who visit us in dreams. These tales capture the extremes of human experience—sex, violence, death—and the mundane acts that linger in between, with Bolaño’s inimitable mordant humor and trenchant insight into what drives us.

An aging Buenos Aires judge retires to the family ranch in the Pampas to battle feral rabbits and reclaim the dignity of the gaucho life. A detective investigates a series of grisly murders—among his fellow sewer rats. An obscure Argentinian novelist journeys to Paris to face down the filmmaker who has been plagiarizing his work for years. Riffing on Borges and Kafka yet utterly and inimitably Bolaño, the stories of The Insufferable Gaucho are a testament to his mastery of the short form.

The Skating Rink by Roberto Bolaño is a forthcoming title from Farrar, Straus and Giroux.

The book that catapulted Roberto Bolaño into international literary stardom, By Night in Chile is the final testimony of Sebastián Urrutia Lacroix—Chilean priest and member of Opus Dei, eminent literary critic and failed poet—as he is haunted by a shadowy figure from his past. In Urrutia’s feverish last hours, a deluge of memories pours from him: of hobnobbing with Santiago’s most unctuous literati; of undertaking a mission to save Europe’s decaying cathedrals from existential threat by pigeon excrement; and more.

Mass-murdering authors. Writers at the head of a football-hooligan ring. A pilot who crafts his poetry in the sky. A tour de force of black humor and imaginary erudition, Nazi Literature in the Americas presents itself as a biographical dictionary of pan-American writers who espoused extreme right-wing ideologies in the twentieth and twenty-first centuries. Terrifyingly witty and remarkably inventive, Nazi Literature in the Americas is the virtuosic, one-of-a-kind masterpiece that brought Bolaño fame throughout the Spanish-speaking world.

Posthumous Stories by Roberto Bolaño is a forthcoming title from Farrar, Straus and Giroux.

The Wind That Lays Waste begins in the great pause before a storm. Reverend Pearson is evangelizing across the Argentinian countryside with Leni, his teenage daughter, when their car breaks down. This act of God or fate leads them to the workshop and home of an aging mechanic called Gringo Brauer and a young boy named Tapioca. As a long day passes, curiosity and intrigue transform into an unexpected intimacy between four people.