Résultats de "George Eliot" dans Toutes les catégories

Here is a tale straight from the fireside. We are compelled to follow the humble and mysterious figure of the linen weaver Silas Marner on his journey from solitude and exile to the warmth and joy of family life. His path is a strange one - and from desolate misery comes triumphant joy.

Penguin Classics presents George Eliot's The Mill on the Floss, adapted for audio and now available as a digital download as part of the Penguin English Library series. Read by the actress Irene Sutcliffe. If life had no love in it, what else was there for Maggie? Tragic and moving, The Mill on...

This novel is based on George Eliot's own experiences of provincial life, is a masterpiece of ambiguity in which moral choice is subjected to the hypocrisy of the Victorian age. As the headstrong Maggie Tulliver grows into womanhood, the deep love which she has for her brother Tom turns into conflict, because she cannot reconcile his bourgeois standards with her own lively intelligence. Maggie is unable to adapt to her community or break free from it, and the result, on more than one level, is tragedy.

Silas Marner is a member of a small Christian congregation in Lantern Yard who is accused of stealing the congregation's funds while sitting with a very ill elder of the group. Embittered by the false accusation, Silas retreats to his loom and to count his hoard of gold. The loss of his treasure and the arrival of a foundling child eventually teaches him what being truly rich means.

An absorbing, semi-philosphical tale of love and people driven to extremes. Our hero, a carpenter, loves Hetty Sorel, but she loves Arthur Donnington, a local squire. The story soon progresses onto powerful themes, such as: who has the right to determine who lives and who dies?

Although set in the heart of rural England, in a place still untouched by industrial development or social upheaval, Silas Marner is no idyllic country tale. Eliot depicts village life good and bad: Silas’s suspicious neighbours are far from perfect and both the squire’s sons are deeply flawed characters. The hero himself is a naïve individual and – in his unhappiness – becomes a miser.

For 15 years the weaver Silas Marner has plied his loom near the village of Raveloe, alone and unjustly in exile, cut off from faith and human love, he cares only for his hoard of golden guineas. But two events occur that will change his life forever; his gold disappears and a golden-haired baby girl appears. But where did she come from and who really stole the gold? This moving tale sees Silas eventually redeemed and restored to life by the unlikely means of his love for the orphan child Eppie.

The weaver Silas Marner is a member of a small Calvinist congregation in Lantern Yard, a slum street in an unnamed city in Northern England in the early 19th century. He is falsely accused of stealing the congregation's funds, leaves the city in disgrace, and accumulates a small fortune in another town…only to lose it to theft. But he soon adopts an orphan child quite by accident. The exchange of one treasure for another is the heart of the story.

Novelists Egan ( The Keep), Hustvedt ( The Sorrows of an American), and Livesey ( The House on Fortune Street) along with actress Hope Davis --the group that entertainingly and illuminatingly explored Jane Eyre and Pride and Prejudice at this book club--return by popular demand to revisit George Eliot's classic.

First published in 1861 it tells the tale of the lonely weaver Silas Marner who, after suffering betrayal and rejection, leaves his community to become a recluse obsessed only with accumulating money. One day Silas's money is stolen by Dunstan Cass, a dissolute son of Squire Cass, the town's leading landowner. The loss of his gold drives Silas into a deep gloom, until one day a little golden-haired orphan girl wanders into his home to change his life forever.

In a hole under the floorboards Silas Marner the linen-weaver keeps his gold. Every day he works hard at his weaving, and every night he takes the gold out and holds the bright coins lovingly, feeling them and counting them again and again. The villagers are afraid of him and he has no family, no friends. Only the gold is his friend, his delight, his reason for living. But what if a thief should come in the night and take his gold away?

The Mill on the Floss, first published in 1860, tells the story of Maggie Tulliver and her brother Tom as they grow from children to young adults in the small rural town of St. Ogg's, England. Intelligent and passionate, Maggie yearns to develop her mind and break free of the constraints of her provincial village. Though she loves her brother above anyone else, Tom's rigid, pragmatic personality often conflicts with Maggie's headstrong nature, with increasingly tragic consequences.

In this humorous, richly symbolic, meticulously plotted novel, a solitary and simple-hearted weaver has worked his loom in Raveloe and devoted himself to amassing a hoard of golden guineas. However his life is changed forever when tragedy intervenes and he finds himself responsible for the care of a small golden-haired girl.

Maggie Tulliver, whose father owns a mill perched on the banks of the River Floss, is intelligent and imaginative beyond the understanding of her community, her relatives, and particularly her brother Tom. Despite their opposite temperaments, Maggie and Tom are united by a strong bond. But this bond suffers when Tom's sense of family honor leads him to forbid her to associate with the one friend who appreciates her intelligence and imagination.

Relinquishing thoughts of a materially rewarding life, the respectably educated Felix Holt returns to his native village in North Loamshire and becomes an artisan. He is a forceful young man of honor, integrity, and idealism, burning to participate in political life so that he may improve the lot of his fellow artisans.

Silas Marner is a gentle linen weaver who is framed for a heinous theft by his best friend. Exiled from the sphere of human trust and love, he becomes a recluse, caring only for the gold he receives for his work. But when an abandoned child mysteriously appears at his cottage one New Year's Eve, Silas discovers an unselfish love that will ultimately lead to his redemption.

Silas Marner: The Weaver of Raveloe, published in 1861, is the third novel by George Eliot, the pen name of Mary Anne Evans. The seemingly simple story of the weaver Silas Marner deals with issues like community, industrialization, and positive transformation in sophisticated and engaging ways. Silas, a weaver in a city in the north of England, is falsely accused of theft and cast out by his circle of friends. He moves to a city in the Midlands where he lives as a loner for many years. His hoarded wealth is stolen but he soon finds a far greater treasure.

Bright, willful Maggie Tulliver longs for acceptance from Tom, her obstinately responsible brother whom she cherishes above all. As their father falls ill and loses Dorlcote Mill in a lawsuit, Maggie and Tom are forced down two divergent paths in life, each dictated by familial and societal expectations. Wasting away in the Tullivers' home, Maggie is soon inspired to follow her heart and lead a life of passion and impulse, which results in her brother renouncing her. As the siblings drift apart, only tragedy along the River Floss can bring them together again.

For the female poet there was always the confining hand of men to instruct that their time was perhaps spent more productively elsewhere. These lines, these gilded verses often protest otherwise. The contribution of women in these earlier centuries is immense, and in this series we bring together poets who have created some of the most beautiful and expressive verses ever written. And remember these words, these telling lines, have been written against the grain of society's male bias. With their remembered words these female poets have given us a history that we can all now share.

Set in the turbulent years following the death of Lorenzo de' Medici, George Eliot's fourth novel, Romola, moves the stage from the English countryside of the 19th century to an Italy four centuries before her time. It tells the tale of a young Florentine woman, Romola de' Bardi, and her coming of age through her troubled marriage to the suave and self-absorbed Greek Tito. Slowly Tito's true character begins to unfurl, and his lies and treachery push Romola toward a more spiritual path, where she transcends into a majestic, Madonna-like role.