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The "Call of Cthulhu" is one of H.P. Lovecraft's best-known short stories. Written in the summer of 1926, it was first published in "Weird Tales", February 1928. It is the only story written by Lovecraft in which the extraterrestrial entity Cthulhu himself makes a major appearance. It is written in a documentary style, with three independent narratives linked together by the device of a narrator discovering notes left by a deceased relative

"Hypnos" is a first-person narrative, written from the perspective of an unnamed character living in Kent and later London, England. The narrator writes that he fears sleep, and is resolved to write his story down lest it drive him further mad, regardless of what people think after reading it. The narrator, a sculptor, recounts meeting a mysterious man in a railway station. The moment the man opened his "immense, sunken, and widely luminous eyes", the narrator knew that the stranger would become his friend--"the only friend of one who had never possessed a friend before."

"Ibid" is a parody by American horror fiction writer H. P. Lovecraft. Ibid is a mock biography of the Roman scholar Ibidus (486-587), whose masterpiece was Op. Cit., "wherein all the significant undercurrents of Graeco-Roman thought were crystallized once and for all." The piece traces the skull of Ibidus, once the possession of Charlemagne, William the Conqueror and other notables, to the United States, where it travels via Salem, Massachusetts and Providence, Rhode Island to a prairie dog hole in Milwaukee, Wisconsin.

The story revolves around a Bostonian painter named Richard Upton Pickman who creates horrifying images. His works are brilliantly executed, but so graphic that they result in the revocation of his membership in the Boston Art Club and he is shunned by his fellow artists. The narrator is a friend of Pickman, who, after the artist's mysterious disappearance, relates to another acquaintance how he was taken on a tour of Pickman's personal gallery, hidden away in a run-down backwater slum of the city.

"The Book" is an unfinished short story by American horror fiction writer H. P. Lovecraft, believed to have been written in late 1933. It was first published in the journal "Leaves" in 1938, after Lovecraft's death. In the story fragment, the narrator is given an ancient book by a strange bookseller, and when he takes it home and examines it, weird and sinister events ensue. In October 1933, Lovecraft wrote in a letter: I am at a sort of standstill in writing disgusted at much of my older work, and uncertain as to avenues of improvement.

With the onset of Prohibition, the Sheehan Billiard Room in Chicago became a sordid haunt for hard drinkers. A certain Old Bugs, a mature man corroded by vices but capable of showing, at long intervals, the typical sensitivity of educated people works as a kitchen cleaner. When the young Alfred Trever, initiated by his friend Pete Schultz on the way of drinking, arrives at the Sheehan's tavern, Old Bugs will try to convince him not to make the same mistake as he did.

"Herbert West - Reanimator" is a horror short story by American writer H. P. Lovecraft. It was written between October 1921 and June 1922. It was first serialized in February through July 1922 in the amateur publication "Home Brew".

"Pickmans Modell" erzählt die Geschichte von dem skurrilen Künstler Richard Pickman, der den Hang zur Realität verliert, und der Bekanntschaft zwischen ihm und Thurber, mit dem er einst Mitglied eines Kunstclubs in Boston war. Nach dem Austritt Pickmans aus dem Club, lädt er eines Tages Thurber zu seinem abgelegenen Grundstück ein und gewährt ihm somit Zutritt in eine düstere, makabre Welt, wo die Grenzen zwischen Fantasie und Realität ineinander zu verschwimmen scheinen.

Robert Blake—a young man with an interest in the occult—becomes fascinated by a large disused church set on a hill which he can see from his lodgings. His researches reveal that the church has a sinister history and is dreaded by the local inhabitants as being haunted by a primeval evil.

Written in the summer of 1926, it was first published in Weird Tales, February 1928. It is the only story written by Lovecraft in which the extra terrestrial entity Cthulhu himself makes a major appearance. It is written in a documentary style, with three independent narratives linked together by the device of a narrator discovering notes left by a deceased relative. The narrator pieces together the whole truth and disturbing significance of the information he possesses

The story is told by Albert N. Wilmarth, an instructor of literature at Miskatonic University in Arkham. When local newspapers report strange things seen floating in rivers during a historic Vermont flood, Wilmarth becomes embroiled in a controversy about the reality and significance of the sightings, though he sides with the skeptics. Wilmarth uncovers old legends about monsters living in the uninhabited hills who abduct people who venture or settle too close to their territory.

The dark and twisted story of Wilbur Whateley and the strange events surrounding his birth and precocious development. Wilbur matures at an abnormal rate, reaching manhood within a decade—all the while becoming indoctrinated into dark rituals and witchcraft by his grandfather.

This audiobook includes unabridged recordings of 13 of H. P. Lovecraft's most well-renowned stories, read by Audie-Award winner Jonathan Keeble. The stories included here are: 'The Colour Out of Space', 'The Dunwich Horror', 'The Whisperer in the Darkness', 'The Haunter of the Dark', 'Call of Cthulhu', 'The Rats in the Walls', 'From Beyond; Dagon', 'At the Mountains of Madness', 'In the Vault', 'The Shadow Over Innsmouth', 'The Dreams in the Witch House', 'The Dream-Quest of Unknown Kadath'.

The story follows Walter Gilman, who takes a room in the Witch House, an accursed house in Akham, Lovecraft's fictional New England town. The house once harbored Keziah Mason, a witch who disappeared mysteriously from a Salem jail in 1692. Gilman discovers that over the centuries most of its occupants have died prematurely. In his dreams while at the house, Gilman travels to the city of Elder Things and communes with the evil witch and her henchmen.

The narrator travels through the nearby decrepit seaport of Innsmouth which is suggested as a cheaper and potentially interesting next leg of his journey. There he interacts with strange people and observes disturbing events that ultimately lead to horrifying and personal revelations. It forms part of the Cthulhu Mythos, using its motif of a malign undersea civilization. It references several shared elements of the Mythos, including place-names, mythical creatures and invocations.

Long acknowledged as a master of nightmarish vision, H.P. Lovecraft established the genuineness and dignity of his own pioneering fiction in 1931 with his quintessential work of supernatural horror, At the Mountains of Madness. The deliberately told and increasingly chilling recollection of an Antarctic expedition's uncanny discoveries—and their encounter with an untold menace in the ruins of a lost civilization—is a milestone of macabre literature.

The story is narrated by the scion of the Delapore family, who has moved from Massachusetts to his ancestral estate in England, known as Exham Priory. On several occasions, the protagonist and his cats hear the sounds of rats scurrying behind the walls. Upon investigating further, he finds that his family maintained an underground city for centuries and that the inhabitants of the city fed on human flesh, even going so far as to raise generations of human cattle, who eventually began to de-evolve due to their sub-human living conditions.

Before throwing himself from the window of his attic, the untitled protagonist writes some notes related to his mental state. Then, he begins to recall an old story that happened in the years of the First World War: suddenly, he finds himself a prisoner of a German ship in the Pacific Ocean. After only five days, the protagonist manages to escape with a raft. Wandering for days, adrift in the sea, one afternoon he finds himself stranded on a disquieting and apparently deserted island and, from there, things only get stranger.

The story is told from the first person perspective of an unnamed narrator and details his experiences with a scientist named Crawford Tillinghast. Tillinghast creates an electronic device that emits a resonance wave, which stimulates an affected person’s pineal gland, thereby allowing them to perceive planes of existence outside the scope of accepted reality.

In the Vault was based on a suggestion made in August 1925 by Charles W. Smith, editor of the amateur journal Tryout, which Lovecraft recorded in a letter: 'an undertaker imprisoned in a village vault where he was removing winter coffins for spring burial, and his escape by enlarging a transom reached by the piling up of the coffins'.