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Sexy, platinum-blonde movie siren Gertrude Hurd had it all - fame, men, and riches. But now she's dead. A fallen angel whose broken body and tarnished halo lie on a hillside behind her beachfront cafe. It's 1931, and private detective Tom Logan is back, once again immersed in a perplexing mystery that has him racing against time to track down a merciless killer.

When the American Film Institute assembled its top 100 actors of all time at the close of the 20th century, Jimmy Stewart ranked third, behind only Humphrey Bogart and Cary Grant. There is a certain inevitability to these three actors ranking at the top of the list; after all, they were the dominant faces of Hollywood during the height of the era known as classical Hollywood cinema, a time before the onset of television when the movies still enjoyed relatively uncontested supremacy over American entertainment.

Virtually all famous actors are regaled by the public, but even still, Fred Astaire occupies a privileged position in American pop culture. The specific films in which Astaire acted may not be especially famous in their own right - most people likely cannot recall the title of Top Hat (1935), his most decorated film - but Astaire's dancing prowess invariably creates a lasting impact on viewers.

Howard Hughes lived a life that was quintessentially American, and his personal history was so varied, improbable, and extraordinary that he practically resembled a living folk hero. Hughes was barely in his 20s during America's Roaring Twenties, but he had already begun to command the nation's headlines as a multitalented millionaire, and the varied pastimes that his talents and wealth afforded him made him nearly impossible to ignore.

If it's anything short of murder, Logan's interested! The minute the dame walked up to Logan, he smelled trouble. A real looker, with tons of money and a daddy who liked to spoil her. She asked him to investigate a threatening note whose message was clear: Keep your mouth shut or die. The first day on the job its fatal warning comes true, and the woman is murdered, or so it seems. Very shortly he discovers that it wasn't the woman at all but someone who looked very much like her.

King Sparrow is a noble ruler, but his flock is tired, and winter is fast approaching. When a cunning rival betrays him, the King is left for dead, stranded in the freezing wilderness with a broken wing and a hunger for revenge. Hunted by beasts and left to brave the elements alone, King Sparrow must draw on every ounce of his cunning and courage to survive. But survival is only the beginning. He must reclaim his throne, and in doing so, face the ultimate trial: a transformation that will change him, and his world, forever.

Americans have always loved movie stars, and there have been no shortage of Hollywood icons, but one man has long been considered the greatest male star. From the time he first became a leading man, Humphrey Bogart's screen image has resonated with viewers more than perhaps any other actor.

Of all the screen legends whose names remain synonymous with Hollywood, few took as long to become a star as Spencer Tracy, who is today recognized as one of the greatest actors ever, but whose career did not truly take off until he was already in his mid-30s. However, after joining MGM in 1935, Tracy catapulted to fame with one of the most impressive runs in Hollywood history, winning Oscars for Best Actor in 1938 and 1939 after already being nominated in 1937.

When the American Film Institute assembled a list of its top 100 actors, one of the top 10 was James Cagney, an actor whose acting and dancing talents spawned a career that spanned over five decades and once compelled Orson Welles to call him "maybe the greatest actor to ever appear in front of a camera." Ultimately it was portraying tough guys and gangsters in the 1930s that turned Cagney into a massive star, the kinds of roles he was born to play after growing up rough in Manhattan at the turn of the 20th century.

Among all of Hollywood's iconic leading men, arguably none proved as versatile at acting as Henry Fonda, whose career spanned six decades and earned him Academy Awards for roles in various genres. After breaking into Hollywood in 1935, Fonda quickly rose the ranks, earning an Academy Award nomination in the classic Twelve Angry Men (1940), but Fonda had the kind of staying power that most actors could only dream of.

Serial Killer Max Baxter escapes from federal prison and has struck again. Three young women have gone missing from malls across the Midwest and are feared dead. But Max wants to play. He has challenged the best of the best, modern day United States Marshal Jake Mathews, to find and kill him within 48 hours or the girls die a horrible death. Deputy Mathews is plunged into a nightmare of treachery, violence and non-stop action until one of them is dead. This is the second book in the Jake Mathews series.

Ed Lowry joined the vaudeville circuit in 1910 at the age of 14. He never achieved stardom equal to the likes of Fred Allen, Jack Benny, George Burns, Buster Keaton, or Eddie Cantor, and he never considered himself an "artiste". Instead, he saw himself as a hoofer and comic simply trying to make a living on the vaude scene. My Life in Vaudeville recounts Lowry's long career in entertainment from the viewpoint of a foot soldier with a big dream.

Capitalism v. Democracy offers the key to understanding why corporations are now citizens, money is political speech, limits on corporate spending are a form of censorship, democracy is a free market, and political equality and democratic integrity are unconstitutional constraints on money in politics. Supreme Court opinions have dictated these conditions in the name of the Constitution, as though the Constitution itself required the privatization of democracy.

For an era in which Darwin is more talked about than read, Daniel Duzdevich offers a clear, modern English rendering of Darwin's first edition. Neither an abridgement nor a summary, this version might best be described as a "translation" for contemporary English listeners. A monument to reasoned insight, the Origin illustrates the value of extensive reflection, carefully gathered evidence, and sound scientific reasoning.

With the possible exception of the expatriate writers living in Paris in the 1920s, no single group of American literary figures has achieved as much fame or notoriety as the New York sophisticates who met to match wits and attempt to outshine each other as members of what came to be called the Algonquin Round Table. The humorists Robert Benchley and S. J. Perelman, playwrights Marc Connelly and George S. Kaufman, novelists Edna Ferber and Alexander Woollcott, and most famously, Dorothy Parker, were the literary luminaries who made up this group....

This volume, a collection of 11 original essays by many of the foremost US military historians, focuses on the transition of the army from parade ground to battleground in each of nine wars the United States has fought. Through careful analysis of organization, training, and tactical doctrine, each essay seeks to explain the strengths and weaknesses evidenced by the outcome of the first significant engagement or campaign of the war. The concluding essay sets out to synthesize the findings and to discover whether or not American first battles manifest a characteristic "rhythm".

With the US in chaos, the government, ensconced in the Cheyenne Mountain Complex, enacts Presidential Directive 40, declaring a national emergency. FEMA, now a militarized police force, rules over the remnants of society with an iron fist, establishing civilian work camps and enforcing martial law to maintain control.

Tobias didn’t mind not being the oldest. He was actually glad. He got all the advantages of being a Carmichael without all the obligations. He wasn’t a slacker by any means. But he didn’t carry around the weight of the Starlight Ranch on his shoulders. While Deacon kept everything running smoothly, Tobias was out in the trenches, so to speak. He was a working cowboy and proud of it.

Kalen McDonald knows the depravity of those responsible for his imprisonment, but he doesn’t know all the players in the entity they operate. He also knows that only the deaths of these vicious people will eliminate the kidnapping of more innocent men and women. Using the extra sense that has always been a part of his life, he is guided closer and closer to the shocking truth and those responsible. As he pursues them, he is surprised to find another killer operating close to home, and he’s even more shocked to find who this new killer is stalking.

1931. As Thomas Edison was dying, he left test tubes of what he believed would be his final breath, until it was. His intent was to leave his “last breath,” for his protégé, friend, and confidant, Henry Ford. But forty-two tubes were lost after he died. Then, year after year, one of the tubes of Edison’s breath would arrive at Ford’s Florida winter home where Ford would open it and breathe in the breath of his dead friend. He thought it brought him strength and wisdom.