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Kim Ronyoung (Gloria Hahn, 1926-1987) tells the story of Haesu and Chun, immigrants who fled Japanese-occupied Korea for Los Angeles in the decade prior to World War II, and their American-born children. First published in 1986, Clay Walls offers a portrait of what being Korean in California meant in the first half of the twentieth century and how these immigrants’ nationalist spirit helped them withstand racism and poverty.

Every day, more and more people fleeing war in the north show up at Kyung Tak and her family’s house on the southeastern shore of Korea. With nowhere else to go, the Taks' home is these migrants' last chance of refuge “before falling into the sea,” and the household quickly becomes crowded, hot, and noisy. Then war sirens cry out over Kyung's city too, and her family and their guests take shelter underground. When the sirens stop, Kyung is upset—she wishes everything could go back to the way it was before: before the sirens, before strangers started coming into their home.