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One of the great novels in the Irish comic tradition, The Crock of Gold (1912) consists of six parts. Bringing together pagan gods, policemen, prisoners, leprechauns and animals, the narrative concerns a philosopher and his quest to find the most beautiful woman in the world, Cáitilin Ni Murrachu, who has been abducted by the god Pan. His journey takes him from dark forests to the spectacular heights of pagan gods, as he experiences encounters that will change him forever.

An impecunious businessman, Bedford, retreats to the Kent coast where he meets the archetypal absent-minded scientist, Dr Cavor, who is on the point of producing a gravity-defying material. His experiments prove successful, making possible one of man’s oldest dreams: a journey to the moon. The two men embark on this fantastic voyage–Bedford motivated by the prospect of wealth, and Cavor by the thirst for knowledge. However, when they arrive, they find a world of freezing nights and sweltering days, and signs of a threatening alien presence, from which they may never escape.

An unsettling tale of plague, drift and terror, The Shadow-Line documents a young seaman’s coming of age after he is recruited to captain a ship for the first time. Bad luck and disease haunt the inexperienced hero and his crew, and the evil legacy of the previous captain overshadows them with a feeling of supernatural menace.

Two unhappily married women, Rose Arbuthnot and Lotty Wilkins, respond to an advertisement offering a month’s rental of a small medieval Italian castle. In order to defray the not inconsiderable cost of such a venture, two other ladies, Lady Caroline Dester and the formidable Miss Fisher, are invited to join them, and thus the four embark on their adventure. The ill-matched companions get off to a rocky start, but the delightful and spell-binding environment of the Italian Riviera unexpectedly brings them together.

Set in the financial centres of 1820s Frankfurt and London, Jezebel’s Daughter (1880) tells the story of two widows: Madame Fontaine, who will go to any lengths to secure her daughter’s marriage, and Mrs Wagner, who devotes herself to her late husband’s social reforms. In pursuit of her endeavours, Mrs Wagner befriends Jack Straw, a former inmate of Bedlam, who plays a pivotal role as the action, full of plotting and counterplotting, unfolds, culminating in the morgue, where several lives hang in the balance.

Polish by birth, Fryderyk Chopin made his name in post-Revolutionary Paris and is often depicted as the archetypal Romantic artist–blessed with extraordinary talent but consumed by the flame of genius, tormented by intense and tempestuous relationships and doomed to an early death. But how much of this story is based on fact? This account of Chopin’s life and times separates myth and reality and, illustrated with numerous musical examples, takes us from his youthful beginnings as ‘a second Mozart’ to the darkness and light of his life and the brilliance of his work.

Lovers of legends know that this is the finest retelling of the story of King Arthur and his Knights of the Round Table; lovers of literature know that this is the greatest of all 19th-century narrative poems. In Tennyson’s gloriously written tale of swashbuckling feats on and off the jousting field, the honour of maidens, knights, queens and kings is won or lost. Above all, the Quest for the Holy Grail spurs the bravest of knights on to deeds of terrifying foolhardiness and courage.

Little Women, closely based on Louisa May Alcott’s own experience of family life, was first published in 1869 and follows the lives of the four March sisters and their mother, "Marmee". With the heartrending story of gentle Beth, the humorous adventures of tomboyish Jo, Meg’s vain attempts to cut a fashionable figure in "society", and the artistic ambitions of the youngest sister Amy, it has never lost its extraordinary power to move and delight.

Wieland (1798) is an early American novel set in 1760s Pennsylvania. Based on a real case of a New York farmer who murdered his family, the story is imbued with suspense and intrigue, adopting Gothic devices such as ventriloquism and spontaneous combustion. The satanic interloper Carwin exercises his power over the narrator, Clara Wieland, wreaking havoc over the Wieland family with disastrous consequences. A central theme in the novel is the issue of the values that formed the basis of a new democratic and republican America.

Part novel, part philosophical treatise, part satire, Sartor Resartus is a masterpiece of 19th-century literature, following in the footsteps of Swift’s Tale of a Tub and Sterne’s Tristram Shandy and a key influence on Melville’s Moby-Dick. Bubbling over with ideas, humour and inventiveness, it is—on the surface—a long-suffering British editor’s skeptical account of a German philosopher’s book, Clothes: Their Origin and Influence, which itself is steeped in German idealism.

Old Michael Snowdon returns to London with an inheritance that he determines should go towards helping the poor—but goodness and charity are not to play a part here. Everyone has an agenda, and scheming spreads through the story like a disease. Gissing’s own experience of London as an outsider in a vast city that both fascinated and appalled him gave him the tools and the drive to create a visceral sense of place. Life is unremittingly grim for just about everyone, from the weak and well-intentioned Jane to the coarse, cunning Clem Peckover and her feckless rival Pennyloaf Candy.

Blending fact and fiction, this trilogy by a very young Tolstoy centres on the inner life of Nikolai as he navigates the universal challenge of growing up. In relating his thoughts and feelings, his self-awareness and embarrassing mistakes, the work is timeless: regardless of era, location and environment, we are given an unvarnished portrait of one boy—both self-important and self-deprecating—as he tries to find his place in the world. The sense of nostalgia, with its strange blend of sadness and solace, is tangible as the years pass and the child becomes a young man.

Lucy Entwhistle and Everard Wemyss, both recovering from recent unhappiness, meet and quickly fall in love. However, over their new-found bliss looms the spectre of Vera, Wemyss’s first wife who died in mysterious circumstances. After their wedding the couple return home and Lucy really does begin to be troubled by what happened to Vera. Considered a high-water mark by the author, the story is an extraordinarily black vision of a young wife who gradually begins to understand that her husband will accept nothing less than total intellectual and emotional servitude.

Dating from the third century AD, Artemidorus’ The Interpretation of Dreams (Oneirocritica) is the only dream-book from Graeco-Roman antiquity that has survived intact. It represents the most influential pre-Freudian treatment of dreams and the theory of their interpretation. In the ancient world it was widely believed that some dreams had allegorical significance that, if correctly interpreted, offered insight into the future. Artemidorus makes a clear distinction between predictive and non-predictive dreams, setting out the general principle of interpretation.

The Charterhouse of Parma is a twisting tale of passion and intrigue following the adventures of Fabrizio del Dongo, a young Italian nobleman who dreams of glory on the battlefields of Europe and finds himself fighting alongside Napoleon at Waterloo. After returning home, Fabrizio becomes entangled in Machiavellian scheming, an ill-advised romance, and a fatal duel that lands him in prison, where he begins a star-crossed love affair with the ethereal Clelia, the commandant’s daughter.

When we think of Ludwig van Beethoven images of a stormy and passionate but tortured genius are brought to mind, alongside the transformative effect of his work on musical history. All of these things are true, but no artist lives in a vacuum, and even music that opens a portal onto 'the infinite realm of the spirit' has its wider context.

Claude Debussy is regarded by many as the quintessential French composer, with music that invited both warm applause and frosty criticism in his day. While our ears no longer hear him as controversial, his works heralded the dawn of an artistic period founded on innovation and experiment, and a desire to break with the past in search of new expressive means. With never a dull moment, Debussy went from being a musical misfit at the Paris Conservatoire to bohemian life amongst the Symbolist poets and some scandalous love affairs.

Johann Sebastian Bach today has a reputation as the Godfather of Western European music, as a fountainhead of classical music theory and the creator of some of the greatest works the world has ever produced. Better known as a keyboard virtuoso, Bach was not regarded as a genius in his day, so how did this headstrong and belligerent but ambitious young musician become so extremely productive? What were his influences? How did he end up in jail and what did he get up to in Café Zimmerman?

Famous today for his Trois Gymnopédies, Erik Satie was an eccentric and solitary figure who was nevertheless viewed by some as a prophet of French musical modernism, his striking creativity championed by Ravel and Debussy.

Tchaikovsky declared that Mozart was 'full of divine beauty', and Schubert's wonder at the 'countless images of a brighter and better world' that Mozart was able to conjure up through his music knew no bounds. Many of us carry the image of Mozart as a transcendent genius, but what do we really know about his life and career, and indeed his music? This entertaining and informative biography takes us from Mozart's beginnings as a child prodigy to his greatest successes and cruellest setbacks.