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In these four stories, written between 1900 and 1902, Joseph Conrad bid gradual farewell to his adventurous life at sea and began to confront the more daunting complexities of life on land in the twentieth century. In 'Typhoon' Conrad reveals, in the steadfast courage of an undemonstrative captain and the imaginative readiness of his young first mate, the differences between instinct and intelligence in a partnership vital to human survival.

In Nostromo, Joseph Conrad has transformed an apocryphal anecdote about a sailor who got away with stealing a boat loaded with silver into a grandly panoramic, yet deeply unsettling, narrative that sees every conceivable type of political person — from the laughably oafish and brutal to various shades of the well-meaning — caught up in an episode of revolutionary upheaval in the fictional South American country of Costaguana.

Acclaimed as one of Joseph Conrad's finest literary achievements, this gripping novel deftly depicts the political turmoil of nineteenth-century Russia and follows the dramatic developments in the life of a student, Razumov, as he prepares for a career in the czarist bureaucracy. In a plot that twists and turns, Razumov unwittingly becomes embroiled in a revolutionary conspiracy when he gives refuge to a fellow student who assassinated a public official. Increasingly enmeshed in the radical's political intrigue, he betrays the anarchist who had placed blind faith in him.

Conrad began dictating the series of loose autobiographical sketches that would become 'A Personal Record' in 1911, when he was half way through writing 'Under Western Eyes'. His avowed aim was to give his readers a sense of 'the man behind the work', and he certainly succeeded in creating a vivid impression of the kind of Joseph Conrad he would have liked to have been seen as: a man capable of wry humour and self-deprecation, but a sober, serious man too, prepared to face life as he found it.

In the 1870s, supporters of the pretender to the throne of Spain take advantage of a young man's attraction to the sea to persuade him to run dangerous missions on their behalf, with the financial support of a beautiful but exceedingly baffling young heiress, with whom the young man is soon giddily in love. Told largely in the first person, the novel is unusual, for Conrad, in focusing largely on the evolving psychology of a young man in the throes of a great romantic passion.

Jim, a young British seaman, becomes first mate on the Patna, a ship full of pilgrims travelling to Mecca for the hajj. When the ship starts rapidly taking on water and disaster seems imminent, Jim joins his captain and other crew members in abandoning the ship and its passengers. A few days later, they are picked up by a British ship. However, the Patna and its passengers are later also saved, and the reprehensible actions of the crew are exposed. The other participants evade the judicial court of inquiry, leaving Jim to the court alone.

Today, we're likely to react to the title of this novella, on whose 'sincerity of expression' Conrad was willing to stake his artisitic reputation, with visceral disgust. There is a sad irony in this, for Conrad's title originally alluded to a rather complex set of meanings, implying that, by virtue of our human nature, we all carry within the fragile vessel that is our idealised image of ourselves a darker being we find troubling, even despicable, but with whom we must eventually come to terms.

Henry Whalley is a true sailor, earning years of experience as a ship’s captain before his retirement. Faced with unexpected financial problems and a desire to help his married daughter earn her place in the world, Whalley is forced to sell his boat and buy his way back into service on a trade vessel. But Whalley is living so close to financial ruin that any small deviation from his course will put him over the edge . . . The End of the Tether is one of the many books that author Joseph Conrad wrote about sailors and the sea.

I have been called a writer of the sea, of the tropics, a descriptive writer - and also a realist. But as a matter of fact all my concern has been with the 'ideal' value of things, events and people. That and nothing else - Joseph Conrad When Willems stepped off the straight and narrow path of his own peculiar honesty he thought it would be a short episode - a sentence in brackets, so to speak - in the flowing tale of his life. But Willems was wrong, for he was about to embark on a voyage of discovery and self-discovery that would change, if not destroy, the reset of his life.

"Here speaks the man of masts and sails, to whom the sea is not a navigable element, but an intimate companion. The length of passages, the growing sense of solitude, the close dependence upon the very forces that, friendly to-day, without changing their nature, by the mere putting forth of their might, become dangerous to-morrow, make for that sense of fellowship which modern seamen, good men as they are, cannot hope to know."

Heart of Darkness, a novel by Joseph Conrad, was originally a three-part series in Blackwood's Magazine in 1899. It is a story within a story, following a character named Charlie Marlow, who recounts his adventure to a group of men onboard an anchored ship. The story told is of his early life as a ferry boat captain. Although his job was to transport ivory downriver, Charlie develops an interest in investing an ivory procurement agent, Kurtz, who is employed by the government.

1961. What a milestone year that would prove to be. Spook was happy before that time, with a creek to play in and Grandpa Doc to spoil him. But then, his mum has to drag him down to Melbourne, to a crappy flat above a dress shop, and the dreadful Mrs. Green, their landlady

Jeremy takes a job as keeper of a lighthouse reputed to be haunted. In the aftermath of trauma, he's seeking solitude and an escape, and the six-month stint at the lighthouse seems like an answer to his prayers. After all, ghosts aren't real. But his beliefs are put to the test when he begins to suspect he's not alone.

Bursa in der Türkei, 1760: Die junge Sophie ist von außergewöhnlicher Schönheit, und schon bald merkt sie, dass diese Schönheit ebenso nützlich wie gefährlich für sie ist. Nach dem Tod ihres Vaters landet sie als Konkubine einer Sultana in Istanbul. Doch Sophie ist nicht nur charmant, sondern auch gewitzt, kann aus dem Harem fliehen, und schließlich verschlägt es sie in die Arme eines polnischen Grafen, den sie heiratet.

In 19th-century America, making sense of mysterious events often perplexed citizens of the small Southern town of Juniper, South Carolina. Especially the three Chadwick households. Brothers Laurence, Brodie, and Angus Chadwick lost their parents shortly after sailing from England to the New World. Each young man, in turn, would meet the woman of his dreams. Lacey. Fiona. Guinevere. Beautiful, intelligent, sensitive creatures all. And yet, despite their noble virtues, the three Chadwick women are cursed, it seems, for reasons only the occult can provide.

Katie is a young researcher who dedicated most of her life to finding out how people fall in love, how they choose their romantic partners, and how to make that love last forever. During one of her set of interviews, she finds a subject that calls her attention, so she decides to research more about it. Later, she finds out that her subject is a pretty audacious, sarcastic, and cute guy who is determined to prove that she is capable of loving someone. This mysterious guy will shake her entire world in so many different ways.

Maike ist Mutter einer fünfzehnjährigen Tochter und geschieden. Sie kommt gut zurecht, vollkommen zufrieden ist sie aber nicht mit ihrem Leben. Da erhält sie eine überraschende Nachricht. Die Tante ihres Exmannes vermacht ihr das Strandfliederhaus auf Spiekeroog. Das beherbergt neben Tante Hildes Wohnung noch zwei Ferienapartments und einen kleinen Laden, der allerdings kurz vor dem Aus steht. Denn die Besitzer Famke und Jarik sind zwar kunsthandwerklich geschickt, aber buchhalterisch eher unbegabt. Soll Maike einen Neubeginn auf der Insel wagen, um das Strandfliederhaus zu retten? Ist sie dort willkommen?

Even as a child growing up in a small Southern city, Jon Wren frequently faced death. Before he’d even started school, he had played in the family parlor, where first an uncle, then a grandfather, lay in repose, their caskets positioned in front of the picture window. With their Instamatic cameras, several family members took photographs of well-dressed corpses. In his 30s, Jon fell in love with Ryan Armstrong. When you’re head over heels, who thinks of death? And when you make a commitment for the long haul, death feels remote. Something that happens to other people.

Sie kennen sich seit der Kindheit und beginnen gerade, ihre eigenen Wege zu gehen, als plötzlich einer von ihnen als Mörder festgenommen wird. Er soll seinen Onkel aus Habgier erschlagen haben. In einem schier endlosen Indizienprozess wird das Unterste zuoberst gekehrt. Die Freunde kämpfen für den Angeklagten, denn er kann, er darf kein Mörder sein. Doch als 15 Jahre nach dem Urteil eine Journalistin sich der Sache noch mal annimmt, stellt sich die Frage der Loyalität wieder neu.

Ingrid often said that one could find anything and everything they needed at yard sales. Perhaps she was right. In retirement, she laid her hands on the biggest yard sale find of all. The love of her life, Jerome Prioleau. Now, there was a wedding to plan. Meanwhile, strange things were happening in Juniper. A woman was murdered, her body found deep beneath Lake Murray by one of Ingrid’s former students. Later, the woman’s husband, none other than Juniper’s mayor, was found dead. A victim of his own poisoning.