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Benjamín Labatuts neuer Roman über John von Neumann, einen der genialsten und wegweisensten Denker des 20. Jahrhunderts. Er ist ein so bewundertes wie gefürchtetes Ausnahmetalent: John von Neumann. Vom frühen 20. Jahrhundert bis in die Nullerjahre reichend, erzählt MANIAC die Geschichte John von Neumann, der zunächst in Berlin und Budapest lebte und in den 30er Jahren vor den Nazis in die USA floh, der maßgeblich am Manhattan Project, dem Bau der US-amerikanischen Atombombe in Los Alamos, beteiligt war und durch seinen Computer MANIAC den Bau der Wasserstoffbombe ermöglichte und Vordenker für Künstliche Intelligenz war.

Newlyweds Cora and Archie set out on their honeymoon to Los Angeles in 1926. A Londoner, Archie has a love for American films, especially if they include archeology, his specialty. Cora’s passions are adventure and jumping in with both feet. During a tour of a movie studio, Cora gets the harebrained idea for Archie to use his amateur acting skills to pretend he is a famous English actor in order to finagle an in-depth tour of the studio. While touring an active movie set for a western film, they witness an actor walk off the set, leaving the director in a bind.

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It is 1926. Cora Gudmundson is determined not to yield to pressure to marry and settle down like a proper lady should. Cora wants a life of adventure, so she saves her money and books a cruise to London on her own. Her mother is appalled, but her father agrees to let her go.

Ein rätselhafter Brief wirbelt das Leben von Rike Kehrmann durcheinander. Ein Unbekannter schreibt, er habe jahrelang nach ihrer verstorbenen Mutter gesucht, denn sie sei die Liebe seines Lebens gewesen. In der Hoffnung, mehr zu erfahren, fährt Rike nach Amsterdam, in die Stadt ihrer Kindheit - und lernt dort nicht nur Hendrik Rhee und seine fidele Senioren-WG kennen. Es wird auch eine Reise in ihre eigene Vergangenheit, und sie bleibt nicht ohne Folgen für Rikes zukünftiges Leben... Ein Roman über die Macht der Erinnerung - und die Enthüllung einer neuen Wahrheit.

Magic is real. People just don't like to talk about it. As far as most humans know, magic is confined only to the world of fairies, elves, and witches, but the staff at the museum know better. There is so much more.

Each of the stories in this collection is spun from a simple, if typically wry and bleak, idea. In "Gaspar Ruiz", a South American general who has fought in a war of independence tells his guests a long tale about a notorious strong man that explains the origin of his current domestic arrangements. "The Informer" leads the reader into the depths of a political conspiracy, dealing very slyly indeed with questions of truth and pretence.

This is a pre-1923 historical reproduction that was curated for quality. Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide.

Mr Verloc, the secret agent, keeps a shop in London's Soho where he lives with his wife Winnie, her infirm mother, and her idiot brother, Stevie. When Verloc is reluctantly involved in an anarchist plot to blow up the Greenwich Observatory things go disastrously wrong, and what appears to be "a simple tale" proves to involve politicians, policemen, foreign diplomats, and London's fashionable society in the darkest and most surprising interrelations.

A brave Malay chieftain suffers from a surprising vulnerability. After giving birth to a series of unfortunate children, a farmer's wife is determined to bear no more. A spoonful of sugar brings a neophyte ivory trader to a moment of Nietzschean self-realisation. A pompous ass discovers that his wife has run off with another man. Secluded in an eerie lagoon, a Malay carries a guilty secret in his heart. "Tales of Unrest" was the first volume of short fiction Joseph Conrad published in his own lifetime.

In these four stories, written between 1900 and 1902, Joseph Conrad bid gradual farewell to his adventurous life at sea and began to confront the more daunting complexities of life on land in the twentieth century. In 'Typhoon' Conrad reveals, in the steadfast courage of an undemonstrative captain and the imaginative readiness of his young first mate, the differences between instinct and intelligence in a partnership vital to human survival.

In Nostromo, Joseph Conrad has transformed an apocryphal anecdote about a sailor who got away with stealing a boat loaded with silver into a grandly panoramic, yet deeply unsettling, narrative that sees every conceivable type of political person — from the laughably oafish and brutal to various shades of the well-meaning — caught up in an episode of revolutionary upheaval in the fictional South American country of Costaguana.

Acclaimed as one of Joseph Conrad's finest literary achievements, this gripping novel deftly depicts the political turmoil of nineteenth-century Russia and follows the dramatic developments in the life of a student, Razumov, as he prepares for a career in the czarist bureaucracy. In a plot that twists and turns, Razumov unwittingly becomes embroiled in a revolutionary conspiracy when he gives refuge to a fellow student who assassinated a public official. Increasingly enmeshed in the radical's political intrigue, he betrays the anarchist who had placed blind faith in him.

Conrad began dictating the series of loose autobiographical sketches that would become 'A Personal Record' in 1911, when he was half way through writing 'Under Western Eyes'. His avowed aim was to give his readers a sense of 'the man behind the work', and he certainly succeeded in creating a vivid impression of the kind of Joseph Conrad he would have liked to have been seen as: a man capable of wry humour and self-deprecation, but a sober, serious man too, prepared to face life as he found it.

In the 1870s, supporters of the pretender to the throne of Spain take advantage of a young man's attraction to the sea to persuade him to run dangerous missions on their behalf, with the financial support of a beautiful but exceedingly baffling young heiress, with whom the young man is soon giddily in love. Told largely in the first person, the novel is unusual, for Conrad, in focusing largely on the evolving psychology of a young man in the throes of a great romantic passion.

Jim, a young British seaman, becomes first mate on the Patna, a ship full of pilgrims travelling to Mecca for the hajj. When the ship starts rapidly taking on water and disaster seems imminent, Jim joins his captain and other crew members in abandoning the ship and its passengers. A few days later, they are picked up by a British ship. However, the Patna and its passengers are later also saved, and the reprehensible actions of the crew are exposed. The other participants evade the judicial court of inquiry, leaving Jim to the court alone.

Today, we're likely to react to the title of this novella, on whose 'sincerity of expression' Conrad was willing to stake his artisitic reputation, with visceral disgust. There is a sad irony in this, for Conrad's title originally alluded to a rather complex set of meanings, implying that, by virtue of our human nature, we all carry within the fragile vessel that is our idealised image of ourselves a darker being we find troubling, even despicable, but with whom we must eventually come to terms.