Résultats de "Smilla" dans Toutes les catégories

At the turn of the last century, the Guggenheim family ran the most powerful mining conglomerate on earth. Decades later came the Guggenheim museum, which became the hub of the world’s most powerful art brand. In between, the Guggenheim name was uttered in every field from aviation to politics, from journalism to rocketry.

Before the Warmaster's betrayal, the primarchs and their Legions were a warrior brotherhood without equal. At Calth, a planetary jewel in Ultramar's crown, a great mustering is taking place. Two proud Legions gather in hopes of healing the discord after the notorious shaming of the Word Bearers at Monarchia. Captain Alcaeus of the Ultramarines plans on joining the muster but will not rest until the remnants of the Ghaslakh Empire are purged utterly from the galaxy, For honour and glory, he has sworn an oath to succeed.

For many long years, Gabriel Seth has led the Flesh Tearers to war. Master of a dwindling Chapter, he has made many enemies in his unceasing battle to keep his warriors alive - and now those enemies conspire against him, luring him to a remote world in order to end his leadership and life in the most violent and bloody way possible: Gabriel Seth is to be assassinated. But can even an Eversor Assassin kill one of the deadliest warriors in the entire Imperium?

For more than 200 years, the armies of the Emperor of Mankind fought to reconquer the galaxy - led by the superhuman primarchs, the Space Marine Legions brought countless worlds back under the rule of ancient Terra. Now Horus, once honoured Warmaster and favoured son of the Emperor, has been corrupted by the whispered promises of Chaos. At his command the Imperium is torn apart by a terrible and bloody civil war, the likes of which the galaxy has never seen....

When the battle is done and the Space Wolves celebrate their many victories in the feasting halls of the Fang, many sagas are told, old and new, of heroes long gone and legends in the making. This collection contains three such tales of heroism and sacrifice. Contains the audio dramas 'Thunder From Fenris', 'Doomseeker' and 'Deathwolf'.

The masters of the Doom Eagles Space Marines Chapter descend upon the world of Tranzia to honour a batch of new recruits who will lead the Chapter into the next generation. As they make planetfall, the world rises up against them in a rebellion organised by the alien Tau. But something else lurks behind the xenos, a horror that has haunted the Imperium since its very beginnings. The Doom Eagles and their Adepta Sororitas allies are thrust into a race against time to discover the true architect of the Tranzia Rebellion.

In the heavens above Luetin Hive, Erik Morkai's Space Wolves clash with dark eldar raiders, jump-pack clad Blood Claws taking the battle to the aliens' own infernal airships. But the war will be decided by Morkai himself as he challenges the aliens' sinister leader to single combat.

There is a village that sits at the edge of lush rainforest, its stilted huts face the ocean, its children plunge below the water's surface with spears to learn the ways of their elders. This is the Surin Islands, on Thailand's Andaman coast, and home to the Moken, the world's last sea nomads. For centuries, the Moken roamed Burma's Mergui archipelago, diving for shellfish to trade for rice, taking shelter on land only during the monsoon season.

Dating from the last decade of the 19th century, Pelléas et Mélisande points the way into the 20th century. The score is hauntingly beautiful, but there is more to the work than shifting panels of elusive, impressionistic sound. Debussy retains the text of Maeterlinck’s play, and the linguistic subtleties of the French text are matched perfectly by the musical detail. Taking a little time to explore the romantic, elusive world of this opera is particularly rewarding.

La sonnambula was written by Bellini as a vehicle for two of the supreme singers of his age and accordingly is a fine example of the school we call bel canto, where beauty of voice and the virtuosity of the singers is integral to conveying the emotions in the soul of the composer. The fact that Bellini was one of the great melodists, writing long, beautiful vocal lines, that he was a master orchestrator and that he could write stirringly for the chorus all conspire to make La sonnambula extremely enjoyable.

Tosca is Puccini at the peak of his theatrical power. The story of the jealous, impassioned opera singer Floria Tosca and her doomed love for the painter Mario Cavaradossi is played out against backgrounds both historically and geographically overwhelming. It is set in three great and historical locations of Rome during the Napoleonic era. Spectacle, sensuality, and cruelty battle for our attention in one of the most truly "action-packed" works of theatre. Enticing us with just a couple of the "great tunes" from this deeply affecting opera, David Timson then begins setting the biographical and operatic scene.

Fidelio is a work like no other. Beethoven’s only opera is about the joy of married love - by a man who never knew that pleasure. It is about heroism by a man who was often mean and petty in his human relations; it is about freedom by a man who was a prisoner of his own deafness; and ultimately it is about joy by a man who experienced precious little of it.

L’elisir d’amore, or The Elixir of Love, has remained popular for almost two centuries because of a touching tale and a galaxy of comic characters adapted from the traditional commedia dell’ arte. Above all Donizetti poured into the score all the warmth and tenderness of the Italian temperament.

Rossini’s comic operas, like The Barber of Seville, are better known than his tragedies though he wrote in fact many more tragedies than comedies. One of them, his last, William Tell, is actually credited with launching the whole age of Grand Opéra. Tancredi is an early work - indeed his first smash hit - and it established his international fame.

Based on the simple yet deeply moving legendary tale of Orpheus, who loses his beloved wife to death but is able to restore her through the power of his music, Orfeo ed Euridice is among the earliest operas to hold a secure place in the repertory. Gluck lavishes a wealth of beautiful melody on this tale, whose appeal to composers is obvious; yet the abiding strength lies in the power and majesty of his inspiration, whether in the solos, the choruses, or the ballet music.

Verdi’s Falstaff repays careful study with real pleasure. It is opera’s happiest irony that the great Italian master should cap a career - distinguished for its blood-and-thunder tragic masterpieces - with the greatest comic opera in the Italian repertory. The genius of Shakespeare is harnessed (in a miracle of compression) by master-librettist Boito to give the 80-year-old Verdi a superb libretto, on which he lavished more wonderful tunes than most composers manage in a lifetime.

Pagliacci may be the most completely compelling short opera in the repertory and owes much of its impact to a brilliant story based, it is said, on true life and told through the device of a play-within-a-play. The action is set in Calabria in the deep south of Italy where the jealousies and illicit passions of a troupe of strolling actors precisely intersect with the play they are performing - to both touching and tragic effect.

Massenet’s Werther combines a deeply tender story with music of beauty and eloquence. One act alone contains two of the greatest arias in the repertoire: the mezzo-soprano aria "Va! Laisse couler mes larmes" and the tenor’s "Pourquoi me rèveiller". In their sentimental power and melodic richness these arias encapsulate the qualities that account for the universal popularity of this great work.

La Traviata owes its enduring popularity to a superb story of young love and fatal sacrifice, set to music by Italy’s master melodist at the peak of his powers. Interest and poignancy are added by the fact that this is a true story - the baritone ‘heavy’ is Alexander Dumas who wrote The Count of Monte Cristo. But it is the central figure, the heroine Violetta, the archetypal ‘whore with the heart of gold’ who dominates the piece. It is her opera and we love her for it.

Many opera-lovers would name The Marriage of Figaro as their favorite opera. It appeals to the most intellectual listener, but also to music-lovers seeking great melodies and ensembles (while it remains accessible through its fascinating plot and memorable characters) and to those seeking only entertainment. One of three operas by Mozart to libretti by Lorenzo da Ponte, it represents one of the pinnacles not just of operatic but of human achievement.