Résultats de "Lawrence Block" dans Toutes les catégories

In seinem vierten Abenteuer nimmt sich Matthew Scudder - nun in deutscher Neuübersetzung - eines ungelösten Falles an, mit dem er schon Jahre früher als Detective beim NYPD befasst war. Louis Pinell, der vor Kurzem gefasste Eispickel-Mörder, gibt freiherzig zu, vor neun Jahren sieben junge Frauen ermordet zu haben - aber er schwört, dass ein Nachahmer für den Mord an Barbara Ettinger verantwortlich war. Scudder glaubt ihm. Die Spur zu Ettingers wirklichem Mörder ist verworren, dunkel und voller Gefahren ... und sogar noch kälter als die Leiche, der er Gerechtigkeit verschaffen will.

“She was just a little freshman / Victim of Admission’s whim / Then she met an upperclassman—we won’t name him— / And she had a child by him. / Now he’s off in New York City / Rescued by the co-op plan. / While she walks the streets of Yellow Springs, Ohio, / Looking for another man.” Ah, they don’t write ‘em like that anymore, and it’s not hard to see why. And the sad story recounted in the song is not entirely unlike that of Linda Shepard, titular (so to speak) heroine of Campus Tramp.

I can trace the origin of A Week as Andrea Benstock to two distinct sources. The first inspired my attempting the book, while the second inspired its form. Let me consider the second first. In 1949, the Belgian author Georges Simenon published a novel called - well, who knows what he called it, but the English translation bore the title - Four Days in a Lifetime. I must have read it sometime in the late 1950s, because what I recall of the experience is that I was in my parents’ house on Starin Avenue at the time.

In the 1980s, Lawrence Block developed an interactional seminar that adapted elements of the human potential movement specifically for writers. For several years, he and his wife, Lynne, traveled the country conducting seminars that focused on the inner game of writing and designed to enable participants to get out of their own way and put their best work on paper.

Broadway Can Be Murder started out to be a novel based on Johnny Midnight, a TV series which everyone has long since forgotten. Except, of course, that nothing manages to be forgotten in the Internet Age. I, whose job it was to knock out 50,000 words of Johnny Midnightish prose and dialogue, had forgotten when it ran and who was in it, but Google took no time at all to remind me that the title role was played by Edmund O’Brien, and that the series ran during the first nine months of 1960. I was in New York, newly married, living at 110 West 69th Street.

Sound interesting? The author thinks so too! Listen to Born to Be Bad and experience the compelling world of erotica.

Jeff Flanders has a perfectly good life. Until Candace Cain sashays into it, and turns it upside-down. Jeff’s got a good-looking wife; he loves her, and she loves him. He’s got a job, swinging a desk at a semi-shady finance company, signing off on usurious loans to losers; he doesn’t love it and it doesn’t love him, but it’s easy work and it pays the bills. Until a girl called Candy applies for a $1000 loan - with no job, no bank account, no security.

Cold War superspy Evan Tanner lost the ability to sleep on a battlefield in Korea. So where the heck has he been since the '70s? Frozen. Cryogenically. A Tanner-sicle. Which he never thought would happen when he walked into a basement in Union City, New Jersey, more than a quarter century ago. Now he's unthawed and ready to rumble, and his somewhat addled, former super-secret boss, "the Chief", is glad his favorite operative's active again.

MWA Grand Master Lawrence Block presents 23 stories, all of them on the dark side, and all of them set in the city that never sleeps.

Ein Mann kommt in eine Bar und ab da nimmt sein Leben eine Kehrtwendung. Der Mann bringt eine Frau um, flieht vor dem Gesetz und fängt ein neues Leben an, in einer anderen Stadt, und unter einem anderen Namen. Wird ihn seine Vergangenheit irgendwann wieder einholen? Oder schafft er es, mit einem Mord davonzukommen?

The ménage a trois in its many forms has fascinated both observers and participants throughout history. John Warren Wells provides in-depth interviews with all the participants in a manner designed to make the dynamics of these relationships readily comprehensible - but no less intriguing.

In the third installment of his acclaimed anthology series, master of crime fiction Lawrence Block has gathered together the best talent from popular fiction to produce an anthology of short stories based on masterpieces of American art. Among the star-studded lineup of writers you'll find Jerome Charyn, Jane Hamilton, Christa Faust, John Sandford, Sara Paretsky, Walter Mosley, Charles Ardai, Barry Malzberg, and Janice Eidus.

Even before Lawrence Block could rest on his laurels from "In Sunlight or In Shadow", a question arose. What would he do for an encore Suppose each author was invited to select a painting from the whole panoply of visual art - from the cave drawings at Lascaux to a contemporary abstract canvas on which the paint has barely dried. And what a dazzling response!

A Writer Prepares, an examination of the first quarter century of one writer's life, is arguably the work of two writers. There's the middle-aged fellow who wrote about half of it at a blistering pace in 1994, and there's the octogenarian who finished the job another quarter century later. The older fellow brought less raw energy to the task, and his memory is a long way from infallible, but one can only hope he's offset these losses with a slight edge in judgment, in perspective, in maturity.

In A Woman Must Love, Barbara, a young widow, has vowed to be true to her husband’s memory (even though he’d wished otherwise). She’s courted, and she has a couple of adventures.

The Cold War's boiling over. Global tensions are near the breaking point. So, what's the perfect assignment for a super-spy who hasn't slept since the Korean conflict? A fun-filled trip to the Montreal World's Fair! The adorable little girl he's escorting - who, under different circumstances, would be sitting on the Lithuanian throne - can hardly contain her excitement, but it isn't all playtime for Evan Tanner.

And at one point we decided it might be fun to do a novel together. Not by thinking it out and talking through it and, you know, collaborating in a serious artistic manner. Our method was simpler. One of us would write a chapter, and then the other would write a chapter to come after it, and back and forth, like that, until we had a book. It worked, and by God it was fun. The first of our efforts was A Girl Called Honey, and it started when I wrote a chapter and sent it to Don. And so on, and we stopped when we had a book and sent it to Henry Morrison.

After spending her girlhood writing gentle and thoughtful novels of the lesbian experience (Shadows, Warm and Willing, Enough of Sorrow), Jill Emerson reinvented herself in the early 1970s, just when contemporary literature was experiencing an enormous flowering of sexuality.

There's no glass slipper in this fairy tale - just a damsel in distress, a bag of cash, and a whole lot of dead bodies. Reporter Ted Lindsay is trying to forget his ex-wife, and New York City's tough streets are just what the doctor ordered. They're also filled with alluring women, but only one catches Ted's eye. Cinderella Sims is not only beautiful, she's on the run and she needs Ted's help. She's got a bag full of cash and some very angry people staking out her apartment.

Struggling folksinger Ellen Cameron can't believe her luck. Not only is the State Department sponsoring her trip to West Berlin, but her agent has arranged for her to tour Ireland. It's just the break she needs. And better yet, she's meeting the friendliest and most interesting people on her trip, from a kind priest on the plane to a handsome American studying abroad.