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Before throwing himself from the window of his attic, the untitled protagonist writes some notes related to his mental state. Then, he begins to recall an old story that happened in the years of the First World War: suddenly, he finds himself a prisoner of a German ship in the Pacific Ocean. After only five days, the protagonist manages to escape with a raft. Wandering for days, adrift in the sea, one afternoon he finds himself stranded on a disquieting and apparently deserted island and, from there, things only get stranger.

The story is told from the first person perspective of an unnamed narrator and details his experiences with a scientist named Crawford Tillinghast. Tillinghast creates an electronic device that emits a resonance wave, which stimulates an affected person’s pineal gland, thereby allowing them to perceive planes of existence outside the scope of accepted reality.

In the Vault was based on a suggestion made in August 1925 by Charles W. Smith, editor of the amateur journal Tryout, which Lovecraft recorded in a letter: 'an undertaker imprisoned in a village vault where he was removing winter coffins for spring burial, and his escape by enlarging a transom reached by the piling up of the coffins'.

A very young woman's first job: governess for two weirdly beautiful, strangely distant, oddly silent children, Miles and Flora, at a forlorn estate...an estate haunted by a beckoning evil. Half-seen figures who glare from dark towers and dusty windows—silent, foul phantoms who, day by day, night by night, come closer, ever closer. With growing horror, the helpless governess realizes the fiendish creatures want the children, seeking to corrupt their bodies, possess their minds, own their souls. But worse, the governess discovers that Miles and Flora have no terror of the lurking evil.

An unnamed narrator pieces together the story of an area known by the locals as the "blasted heath" in the wild hills west of the fictional town of Arkham, Massachusetts. The narrator discovers that many years ago a meteorite crashed there, poisoning every living being nearby; vegetation grows large but foul tasting, animals are driven mad and deformed into grotesque shapes, and the people go insane or die one by one.

It is a fictionalised account of the first expedition across the Western Wilderness, crossing the Rocky Mountains. The journal chronicled a 1792 expedition led by Julius Rodman up the Missouri River to the Northwest. This 1792 expedition would have made Rodman the first European to cross the Rocky Mountains. The detailed journal chronicles events of the most surprising nature and recounts '[T]he unparalleled vicissitudes and adventures experienced by a handful of men in a country which, until then, had never been explored by "civilised man"'.

This rousing sea adventure follows New England boy Pym, who stows away on a whaling ship with its captain’s son, Augustus. The two boys repeatedly find themselves on the brink of death or discovery and witness many terrifying events, including mutiny, cannibalism and frantic pursuits. Poe imbued this deliberately popular tale with such allegorical richness, biblical imagery and psychological insights that the tale has come to influence writers as various as Melville, James, Verne and Nabokov.

First published in January 1845, the poem is noted for its musicality, stylised language and supernatural atmosphere. It tells of a talking raven's mysterious visit to a distraught lover, tracing the man's slow descent into madness. The lover, often identified as a student, is lamenting the loss of his love, Lenore. Sitting on a bust of Pallas, the raven seems to further distress the protagonist with its constant repetition of the word nevermore. The poem makes use of folk, mythological, religious and classical references.

Edgar Allan Poe was a writer, poet, editor and literary critic. Poe is best known for his poetry and short stories, particularly his tales of mystery and the macabre, and is widely regarded as a central figure of Romanticism in the United States and of American literature. Poe was one of the country's earliest practitioners of the short story and considered to be the inventor of the detective fiction genre, as well as a significant contributor to the emerging genre of science fiction.

'The Pit and the Pendulum', one of Poe's most well-renowned short stories, is centred around the torments endured by a prisoner of the Spanish Inquisition. The narrator of the story describes his experience of being tortured. The story is especially effective at inspiring fear in the listener because of its heavy focus on the senses, such as sound, emphasising its reality, unlike many of Poe's stories, which are aided by the supernatural.

The tale of murder and terror, told by a nameless homicidal madman, influenced later stream-of-consciousness fiction and helped secure the author’s reputation as master of the macabre. The narrator relates with relish his murder and dismemberment of an old man. Poe’s revelation of the narrator’s madness is a classic study in psychopathology.

The complete collection of Edgar Allan Poe's poems, read by Audie Award-winning actor Peter Noble. Edgar Allan Poe was a writer, poet, editor and literary critic. Poe is best known for his poetry and short stories, particularly his tales of mystery and the macabre, and is widely regarded as a central figure of Romanticism in the United States and of American literature. Poe was one of the country's earliest practitioners of the short story and considered to be the inventor of the detective fiction genre, as well as a significant contributor to the emerging genre of science fiction.

First published in 1931 by The Adelphi, this essay describes the execution of a criminal during Orwell's time in Burma. Britain ruled over Burma for 62 years (1824-86), during which three Anglo-Burmese Wars were fought and Britain incorporated it into its Indian Empire. Britain administered Burma as an Indian province until 1937, when it became a separate, self-governing colony. Burma declared independence in 1948.

A young, scientifically minded college professor finds an old bronze whistle while exploring the ruins of a Knights Templars' preceptory. That night, he blows on the whistle and a vision comes to him of a dark expanse with a lonely figure in its midst. The sound also appears to call up a gust of wind, but the sensible professor dismisses it as a coincidence. More strange incidents follow, however, to shake his disbelief in the supernatural.

In A Clergyman's Daughter, Orwell leads us through a landscape of unemployment, poverty and hunger, where Dorothy's faith is challenged by a social reality that changes her life.

In April 1945, as Hitler’s Third Reich was unravelling, George Orwell published 'Anti-Semitism in Britain'. The short essay sketches the contours of British anti-Semitism, an essentially non-virulent, though a tenaciously pervasive, societal attitude that ran deep and cut across class and ideological differences.

Books v Cigarettes is a funny and irreverent essay comparing the costs of reading to other forms of recreation including smoking. Originating from the experience of an editor friend who was firewatching during the Second World War, who was told by factory workers that they had no interest in literature because they could not afford books, the essay first appeared in Tribune in 1946.

Looking Back on the Spanish War contains George Orwell's reminiscences of the sights, smells and politics of the Spanish Civil War (1936-39) in which he almost lost his life.

During The Blitz of 1941, as Nazi bombers flew overhead, George Orwell penned this stirring analysis of England and its people. Whilst not shying away from the difficulties of the nation, and the fractuous nature of its divisions, Orwell places a premium on the country's ability to come together in a time of crisis and protect its democratic values, even in the most dire of circumstances.

According to biographer D. J. Taylor, the young Orwell displayed ‘an enthusiasm for poetry that in [his] formative years seems to have been as least as strong as any desire to write fiction’. Orwell’s poetry is not among his best known - or most highly praised - work but nonetheless shares similar concerns to (and displays the dry sense of humour present in) his prose. Mere foothills in the range of Orwell’s work perhaps - but building up to the summits later scaled.