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Bing Crosby and Bob Hope each had long careers in radio, the movies, and on television. They each had their own radio programs and often appeared together. This collection contains 10 radio broadcasts, some with Bing and Bob together and others with them appearing separately. Some of the supporting players include Penny Singleton and Arthur Lake, Judy Garland, Orson Welles, Virginia Bruce, Mel Blanc, Ralph Bellamy, Carole Lombard, and Cecil B. DeMille!

Like its predecessor Dragnet, Tales of the Texas Rangers adapted actual police case files for its broadcasts. Leading each week’s investigation of an actual Texas Ranger case was the same Texas Ranger, Jayce Pearson, portrayed by movie star Joel McCrea. Because the stories were set in the present day, Pearson used the latest scientific techniques to identify criminals. Unlike Joe Friday, Pearson didn’t have a regular partner, typically working with the local sheriff instead (who was usually portrayed by Parley Baer).

Sir Arthur Conan Doyle’s detective genius, Sherlock Holmes, came to NBC radio in 1930 starring Richard Gordon. By 1939, Basil Rathbone was heard as Holmes with Nigel Bruce as Doctor Watson. The duo were simultaneously starring in a popular series of Sherlock Holmes features for Fox, and later for Universal. By the end of the feature run in the mid 1940s, Rathbone was eager to separate himself from the radio show to avoid being typecast. Tom Conway took over with Nigel Bruce continuing as Watson (in this pairing Nigel Bruce received top billing).

In 1952, radio program creator Lawrence Klee brought The Chase to NBC radio. Developed as a psychological drama, the premise was that many life situations place their subjects in a chase of one type or another. A chase for fame. A chase from peril. A chase to beat the clock. A chase to escape death. The added twist was the question of, who is the hunter or the hunted in these situations? The scripts were fast-paced, starring top New York talent. The plots focused primarily on fear-inducing pursuits of one form or another.

In 1952, radio program creator Lawrence Klee brought The Chase to NBC radio. Developed as a psychological drama, the premise was that many life situations place their subjects in a chase of one type or another. A chase for fame. A chase from peril. A chase to beat the clock. A chase to escape death. The added twist was the question of, who is the hunter or the hunted in these situations? The scripts were fast-paced, starring top New York talent. The plots focused primarily on fear-inducing pursuits of one form or another.

Humphrey Bogart began his screen career mostly playing gangsters due to his resemblance to John Dillinger. Bogart’s breakthrough from supporting roles to A-list stardom came with his performances in High Sierra and The Maltese Falcon. In between film work, he enjoyed appearing on radio, often with his wife, Lauren Bacall. Here are 14 examples of his radio work spanning 1943 until 1952.

Suspense was a radio series of epic proportion. It aired on CBS from 1942 to 1962 and is considered by many to be the best mystery/drama series of the golden age. Known as Radio’s Outstanding Theater of Thrills it focused on suspenseful stories starring the biggest names in Hollywood. Early in the run, the episodes were hosted by the “Man in Black” who, from an omniscient perch, narrated stories of people thrown into dangerous or bizarre situations with plots that, at the very end, usually had an unseen twist or two.

The Screen Director’s Playhouse came to NBC in 1949 and became one of the top drama anthologies featuring Hollywood actors reprising their screen roles a la Lux Radio Theater. The primary focus of the program was the original movie’s director, who not only served as a guest host but also participated in an interview towards the end of the broadcast. Unlike Lux, which featured Cecil B. DeMille as a regular host, The Screen Director’s Playhouse had a different director every week. Alfred Hitchcock, Frank Capra, and Lewis Milestone were among those appearing.

Created by Blake Edwards (of Pink Panther fame), Richard Diamond, Private Detective came to NBC radio in 1949 starring film actor and crooner Dick Powell. Powell had recently played Philip Marlowe in the popular RKO film Murder, My Sweet and jumped at the chance to play a suave detective on radio. Richard Diamond was a light-hearted New York-based private eye who enjoyed ribbing the cops and singing songs to his millionairess girlfriend, Helen Asher (played by Virginia Gregg). It’s theme, “Leave it to Love,” was whistled by Powell at the top of each episode.

The Cisco Kid was a popular film, radio, television, and comic book series based on the fictional Western character created by O. Henry in his short story “The Caballero’s Way,” published in 1907 in the collection Heart of the West. The Cisco Kid came to radio October 2, 1942, with Jackson Beck in the title role and Louis Sorin as Pancho. With Vicki Vola and Bryna Raeburn in supporting roles and Michael Rye announcing, this series continued on Mutual until 1945.

In 1935, the DuPont Company chose to enhance its image by dramatizing great events in American history to an audience of millions each week on The Cavalcade of America. “Cavalcade” is a term used to describe pioneers who shaped the way America operates today. DuPont’s motto, “maker of better things for better living through chemistry,” was read at the beginning of each program, and the dramas emphasized humanitarian progress, particularly improvements in the lives of women, often through technological innovation.

On March 19, 1928, Freeman Gosden and Charles Correll introduced Amos ‘n’ Andy, which went on to become one of the most popular and longest-running programs in radio history. During the height of its popularity, almost the entire country listened to the 15-minute, Monday-through-Friday adventures of Amos ‘n’ Andy. Department stores piped in the broadcasts so shoppers wouldn’t miss an episode, and movie theaters scheduled their features to end just prior to the start of Amos ‘n’ Andy so they too could pipe it in.

In 1949, NBC brought mustachioed Irish-American actor Brian Donlevy to the radio microphones as international troubleshooter Steve Mitchell in the spy series Dangerous Assignment. Mitchell worked for an unnamed US government intelligence agency whose boss, The Commissioner, dispatched him to world trouble spots. Mitchell’s assignment was to solve problems in record time and in accordance with US interests.

Whitehall 1212 was the famous telephone number for Scotland Yard - the headquarters of the London Metropolitan Police Force - and also an exciting true crime drama from the golden age of radio! Whitehall 1212 was a crime drama that aired on NBC from 1951 until 1952. It was hosted by Chief Superintendent John Davidson, curator of the Black Museum, Scotland Yard’s repository of death. Similar to The Black Museum, starring Orson Welles, Whitehall 1212 dramatized true-crime cases solved by Scotland Yard.

Groucho Marx is your quizmaster and host to one of the funniest and most popular quiz shows from radio and television, You Bet Your Life! Enjoy 16 fun-filled comedy episodes from the long-running radio series! Created by John Guedel, You Bet Your Life was one of the best-loved quiz shows to air on both radio and television. It was hosted by Groucho Marx of the Marx Brothers, with announcer and assistant George Fenneman. It debuted on radio in 1947 and lasted until 1960. For much of this time it was also seen on television.

Tired of the everyday grind? Ever dream of a life of romantic adventure? Want to get away from it all? We offer you...Escape! Escape, designed to free you from the four walls of today for a half-hour of high adventure! Escape was radio’s leading anthology series of mystery and high-adventure, airing on CBS from July 7, 1947 until September 25, 1954. Many story premises, both originals and adaptations, involved a protagonist in dire life-or-death straits.

From the pens of the world’s best-known and respected supernatural fiction authors comes The Weird Circle - tales of mystery, suspense, horror, and the macabre! Now, enjoy sixteen of the greatest mysteries of all time! The Weird Circle was an anthology of classic thrillers from the pens of the world’s best-known and respected fiction authors of the 19th century. The focus was horror and suspense stories by Edgar Allan Poe, Robert Louis Stevenson, and Mary Shelley (among others), with the occasional drama by Emily Bronte, Charles Dickens, and George Eliot.

Father Knows Best was a situation comedy built around the Anderson family and life on Maple Street in the fictitious Midwestern town of Springfield. Robert Young starred as Jim Anderson, head of the household, husband of Margaret, and an insurance man by occupation. The couple had three children. The weekly radio script, although played for laughs, offered words of wisdom and “recipes for domestic happiness” that American families could identify with. Jim’s understanding wife Margaret was the picture of domesticity as mother to Betty (aged 18), Bud (16), and Kathy (10).

Information Please was a quiz show that aired on NBC radio from 1938 until 1951. Moderated by Clifton Fadiman, the show featured a panel of experts who would attempt to answer questions mailed in by audience members. Panel regulars included writer-actor-pianist Oscar Levant and newspaper columnists and renowned intellectuals Franklin P. Adams and John Kieran. Often, there was a fourth "guest" panelist, usually either a celebrity, politician, or writer. Guest panelists included Fred Allen, Boris Karloff, Rex Stout, Deems Taylor, Jackie Robinson, Orson Welles, and Basil Rathbone.

The Whistler was one of radio's top mystery programs, airing from May 16, 1942, until September 22, 1955. Airing on CBS radio and sponsored by the Signal Oil Company, the Whistler (played by Joseph Kearns, Gale Gordon, and Bill Forman) was an ominous narrator who knew the killer's every move even before they did. The Whistler often commented directly upon the action in the manner of a Greek chorus, taunting the criminal from an omniscient perspective. One of the show's trademarks was the ironic twist endings that helped serve as a payoff for the listener.