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"The Sound of War" was an 18-episode radio series, produced by the Westinghouse Broadcasting Company, that documented World War II using actual radio broadcasts from the era. The program combined these historical recordings with orchestral music and narration to provide a chronological account of the conflict, featuring voices like Hitler, Roosevelt, and Churchill.

The "Dear Adolf" radio podcast refers to a series from 1942 produced by the Council for Democracy, inspired by letters written to Hitler by ordinary Americans after the Pearl Harbor attack. It is also the title of a BBC "Archive on 4" program from 2012 that examined these historical recordings and their background. More recently, historical podcasts have also released similar content, such as the World War 2 Radio Podcast episode titled "Dear Adolf - Letter from an American Soldier" and Harold's Old Time Radio's "Dear Adolf 42-07-12 (4) Letter From An American Housewife".

During WWII, American radio served two primary functions: to keep the domestic audience informed about the war through news and commentary, and to boost the morale of troops abroad through dedicated broadcasts. Programs like "America Looks Abroad" and the "CBS World News Roundup" informed the public about the crisis in Europe, while the Armed Forces Radio Service (AFRS) provided entertainment to soldiers overseas. The Voice of America also began broadcasting U.S. war news to European audiences.

"What Are We Fighting For?" was a 1942 World War II radio show produced by the War Department and CBS, featuring interviews with soldiers and commentary from correspondents like Edward R. Murrow. The goal was to inform and inspire American servicemen, making them the best-informed fighting men in the world, by explaining the causes and issues of the war through remote broadcasts from military bases. There are also modern podcasts and radio shows that use this title to discuss themes of war, morality, and social issues.

"Eyes Aloft" was a radio show produced during WWII for the volunteers of the Aircraft Warning Service. The show provided information and updates to the volunteers who were responsible for watching the skies for enemy planes entering American airspace. It was a half-hour weekly broadcast that was also transcribed for broadcast by the Armed Forces Radio Service (AFRS).

"Forth for the Fifth" is a mishearing of "Four for the Fifth," a series of World War II radio programs that were part of the Fifth War Loan Drive in 1944. The shows were produced by the U.S. Treasury Department to boost national morale and sell war bonds to help fund the war effort.The title "Four for the Fifth" referred to the four radio shows produced to support the fifth war loan drive, which began on June 12, 1944, just six days after the D-Day landing.The episodes were written by notable radio dramatists Arch Oboler and William Robson.Four for the Fifth was produced by the US Treasury...

World War II radio broadcasts were crucial for propaganda, news, and morale, used by both Allied and Axis powers. Examples include the British Broadcasting Corporation (BBC) for news and entertainment like It's That Man Again, the U.S. Armed Forces Radio Service (AFRS) for entertainment, and Axis broadcasts from "Axis Sally". Propaganda efforts also included radio stations like Radio Londres broadcasting to occupied France and German networks like the Reichs-Rundfunk-Gesellschaft. Voice of America (VOA or VoA) is an international broadcaster funded by the United States government ...

"Soldiers of the Press" was a weekly WWII radio drama series created by the United Press news agency to dramatize the real-life adventures of its war correspondents. The show ran from 1942 to 1945, with each episode being a 15-minute production that used actors, sound effects, and sometimes the actual voice of a correspondent to tell a story based on a recent news wire story. The series was offered for free to local radio stations that subscribed to the United Press news service.

World War II radio broadcasts were crucial for propaganda, news, and morale, used by both Allied and Axis powers. Examples include the British Broadcasting Corporation (BBC) for news and entertainment like It's That Man Again, the U.S. Armed Forces Radio Service (AFRS) for entertainment, and Axis broadcasts from "Axis Sally". Propaganda efforts also included radio stations like Radio Londres broadcasting to occupied France and German networks like the Reichs-Rundfunk-Gesellschaft. Voice of America (VOA or VoA) is an international broadcaster funded by the United States government ...

During WWII, American radio served two primary functions: to keep the domestic audience informed about the war through news and commentary, and to boost the morale of troops abroad through dedicated broadcasts. Programs like "America Looks Abroad" and the "CBS World News Roundup" informed the public about the crisis in Europe, while the Armed Forces Radio Service (AFRS) provided entertainment to soldiers overseas. The Voice of America also began broadcasting U.S. war news to European audiences.

World War II radio broadcasts were crucial for propaganda, news, and morale, used by both Allied and Axis powers. Examples include the British Broadcasting Corporation (BBC) for news and entertainment like It's That Man Again, the U.S. Armed Forces Radio Service (AFRS) for entertainment, and Axis broadcasts from "Axis Sally". Propaganda efforts also included radio stations like Radio Londres broadcasting to occupied France and German networks like the Reichs-Rundfunk-Gesellschaft. Voice of America (VOA or VoA) is an international broadcaster funded by the United States government ...

World War II radio broadcasts were crucial for propaganda, news, and morale, used by both Allied and Axis powers. Examples include the British Broadcasting Corporation (BBC) for news and entertainment like It's That Man Again, the U.S. Armed Forces Radio Service (AFRS) for entertainment, and Axis broadcasts from "Axis Sally". Propaganda efforts also included radio stations like Radio Londres broadcasting to occupied France and German networks like the Reichs-Rundfunk-Gesellschaft. Voice of America (VOA or VoA) is an international broadcaster funded by the United States government ...

Words at War was a 30 minute dramatic anthology series dealing with stories condensed from books written about World War II. The series started in the middle of the war and at the most crucial time of the war for the allies, somewhat heightening its debut. Not only that, it was supported by Johnson's Wax in the Fibber McGee and Molly time slot as Jim and Marian Jordan went on vacation. And if that wasn't enough, the music for the series was done by NBC's own Frank Black, a master at orchestration and the shows were often directed by Anton M. Leder of Suspense fame. Adding to all of that ...

Wings to Victory is an American WWII era show created to boost morale on the home front and encourage enlistment to the American Air Force. Stories of battles, heroes, great flying men and colonels abound in these fantastic stories of the air.Each show focuses on the personal experiences of a single individual in the Air Force. In "Lt. Roddy Johns Howard Duff" tells an intimate tale of Air Force flyer wanting to see more action while stationed in Tunisia in WWII. During this episode Lt. Johns worries about hitting the donkeys and chickens on the makeshift air landing and is distressed about ...

"You Can't Do Business With Hitler" was a World War II propaganda radio series produced by the U.S. Office of War Information (OWI). It was based on Douglas Miller's book, which detailed his experiences as the American commercial attaché in Berlin and warned against the dangers of Nazi Germany's economic and social policies. The program aired on hundreds of stations to help the war effort by exposing the Nazi regime's deceitful trade practices and human rights abuses, according to WNYC, The Unwritten Record, and Old Time Radio Catalog.

The battle is won, the enemy driven out, and everyone can breathe again. Many field generals thought this - but generals often make mistakes. Throughout World War II, specially trained soldiers made sure that the enemy never rested in peace. Command units struck anywhere and at any time: a German general was kidnapped in the middle of Crete, while commandos liberated Benito Mussolini from his prison on a mountain top. And British units blew up factories in a Norwegian town to deprive Germany of important raw materials.

The Germans and their Japanese allies have gone from victory to victory since the start of the war, but in the autumn of 1942, that begins to change. On the small Pacific island of Guadalcanal, US forces drive back the Japanese to capture a key airfield. Meanwhile, on the Eastern Front, Hitler’s blitzkrieg slams to a halt at Stalingrad, stopped by the Russian winter and a Red Army determined to defend every street. As the war enters its fourth year, the conflict becomes ever more brutal.

On September 1, 1939, Hitler invaded Poland. The country needed to be subjugated quickly before Britain and France could intervene. Germany’s Panzer divisions proved unstoppable. Backed by the Luftwaffe, they smashed through Poland’s defences, destroying roads, bridges, and radio stations. The Polish defended valiantly, but were eventually forced to surrender. By 6th of October, Poland was in German hands.

In August 1940, Berlin was hit by British bombers. Hitler immediately ordered a series of gigantic air defences be built - each one more expensive than the city’s entire Olympic facilities - but they’re ineffective and resources are wasted. The Führer also has an opportunity to force the British out of North Africa and gain control of the Middle East’s valuable oil. But he rejects his generals’ advice, just as he unnecessarily draws the United States into the war in Europe.