Résultats de "Katherine Mansfield" dans Toutes les catégories

What if the person you love finally returned home… but something about her felt quietly, disturbingly different? In "The Stranger", tension doesn’t explode—it builds. A reunion meant to be warm and joyful slowly turns uncertain… then uneasy… then quietly haunting. Small details begin to matter. Silences stretch too long. Emotions shift in ways that can’t quite be explained. With her signature psychological precision, Katherine Mansfield draws you into an intimate moment where love, perception, and reality begin to blur.

"En somme, un temps idéal. Quand ils l'auraient fait faire sur commande, ils n'auraient pas pu avoir une journée plus parfaite pour leur garden-party. Pas de vent, l'air doux, le ciel sans nuage. Le bleu seulement était voilé d'une brume d'or léger, comme il l'est quelquefois au début de l'été." La famille Sheridan prépare une garden-party. L'hautaine Laura est chargée de diriger les travailleurs, tandis que sa sœur, Jose, teste le piano. C'est alors que la famille apprend le décès de leur voisin, Mr Scott. Faut-il annuler la réception ?

Oh, how delightful it is to fall in love for the first time! How exciting to go to your first dance when you are a girl of 18! But life can also be hard and cruel, if you are young and inexperienced and travelling alone across Europe . . . or if you are a child from the wrong social class . . . or a singer without work and the rent to be paid. Set in Europe and New Zealand, these nine stories by Katherine Mansfield dig deep beneath the appearances of life to show us the causes of human happiness and despair.

Todas las niñas del colegio están invitadas a conocer la nueva casa de muñecas de las Burnell, menos las hermanas Kelvey. Su pobreza no es bien vista por sus compañeras. Una tarde, sin embargo, Lil y Else Kelvey, se llevan una gran sorpresa.

Discover the captivating world of New Zealand modernist Katherine Mansfield in her first collection of short stories. Drawing inspiration from her travels, Mansfield skillfully captures the essence of German life on the eve of World War I, weaving a tapestry of tales that reflect the complexities of human experience. (Introduction by S. Kovalchik)

Laura, une jeune fille de bonne famille, jeune fille très sensible aide à la préparation de la fête qui va avoir lieu dans le jardin...

Step into the quietly mesmerizing world of The Garden Party and Other Stories by Katherine Mansfield, a landmark of classic literary fiction that reveals the beauty, tension, and emotional depth hidden in everyday life. This acclaimed collection explores family, social class, childhood, love, and inner awakening through luminous prose and subtle psychological insight. From a garden party shadowed by loss to intimate domestic scenes shaped by unspoken thoughts, each story captures ordinary moments that become unforgettable.

"Mariage à la mode" est une autre nouvelle de Katherine Mansfield (extraite du recueil "Garden party") qui aborde avec finesse la désunion, la brèche qui se creuse entre deux êtres, et ce dans un cadre idyllique par une belle journée d'été. Avec son stylo-scalpel, elle nous plonge dans les cœurs de William, époux délaissé et de sa jeune femme Isabelle, accaparée par ses nouveaux amis artistes.

Katherine Mansfield is remembered as one of the great modernist short-story writers, who managed to pack a huge amount of creative work into her 34 years before she died of TB in 1923. This impressive collection includes brand-new full-cast BBC dramatisations of 'Bliss', 'Something Childish but Very Natural', 'Marriage a la Mode', 'Daughters of the Late Colonel', 'The Garden Party', 'Life of Ma Parker and Her First Ball', plus many more readings brought to life by a wealth of narrators.

What does it mean to escape when love, obligation, and habit quietly close in? In “The Escape” by Katherine Mansfield, a quiet domestic moment becomes the stage for an unspoken emotional reckoning between a husband and wife. As they prepare for an evening out, small gestures, clipped remarks, and inner reflections reveal the tensions beneath their long-standing marriage. What appears outwardly calm is charged with resentment, fatigue, and the desire—felt by both—for freedom from roles that no longer bring comfort.

What if a single day could strip away every comforting illusion? In “Revelations” by Katherine Mansfield, a woman’s carefully constructed sense of self is quietly undone as she moves through a series of encounters that force her to confront truths she would rather avoid. Set against the routines of social obligation and polite interaction, the story follows an emotional shift that unfolds not through dramatic action, but through subtle perception and inward reckoning.

Two former lovers meet again in a quiet drawing room, where politeness masks longing, hesitation, and unspoken desire. Every pause, every gesture, every carefully chosen word becomes charged with meaning as memory and emotion press against the fragile calm of the present moment. Beneath the surface of casual conversation, old feelings stir—regret, attraction, and the ache of what was never fully said.

Two young siblings—Sun and Moon—eagerly await a grand evening party held by the adults in their home, convinced it will be the most exciting event of their lives. As preparations unfold and the house fills with lights, music, and unfamiliar guests, the children drift between anticipation and confusion. Their innocent expectations slowly collide with the rules and indifference of the adult world, reshaping how they see the celebration—and each other.

The Advanced Lady is a short story by Katherine Mansfield: “Do you think we might ask her to come with us,” said Fräulein Elsa, retying her pink sash ribbon before my mirror. “You know, although she is so intellectual, I cannot help feeling convinced that she has some secret sorrow. And Lisa told me this morning, as she was turning out my room, that she remains hours and hours by herself, writing; in fact Lisa says she is writing a book! I suppose that is why she never cares to mingle with us, and has so little time for her husband and the child.”

The Modern Soul is more about characters than action. The story begins with the stereotype of the pompous German music professor explaining to the young English narrator why he incessantly eats cherries: “There is nothing like cherries for producing free saliva after trombone playing, especially after Grieg’s ‘Ich Liebe Dich’” He’s cherry eating is connected with a consuming desire for women. The two older Germans, the Professor and the German actress’ mother, talk incessantly of food and soul. They agree that the English are “fish blooded,” cold and without soul.

In Frau Brechenmacher Attends a Wedding by Katherine Mansfield we have the theme of gender roles, domination, submission, control, struggle, identity and tradition. Taken from her In a German Pension collection the story is narrated in the third person by an unnamed narrator and after reading the story the reader realises that Mansfield may be exploring the theme of control. Throughout the story Frau Brechenmacher is at the beck and call of her husband.

"The Lady's Maid" is a story by Katherine Mansfield: Eleven o'clock. A knock at the door... I hope I haven't disturbed you, madam. You weren't asleep - were you? But I've just given my lady her tea, and there was such a nice cup over, I thought, perhaps...

"Miss Brill" is a short story by Katherine Mansfield (1888-1923). It was first published in Athenaeum on 26 November 1920, and later reprinted in The Garden Party and Other Stories. Miss Brill is an English teacher living near the Public Gardens in a French town. The narrative follows her on a regular Sunday afternoon, which she spends walking about and sitting in the park.

"Life of Ma Parker" is a 1921 short story by Katherine Mansfield. It was first published in The Nation and Atheneum on 26 February 1921: The gentleman opens his door to his charwoman, who tells him that her grandson has died. Through an analepsis, the grandson asks his grandmother for money, which she says she does not have.

En los pocos libros de cuentos que escribió, y que caben en un pequeño rincón de la biblioteca de sus lectores incondicionales, recogió y supo expresar - siempre en tercera persona y con un lenguaje muy depurado, transido de sensibilidad poética y con un sentido del ritmo y del suspense tan admirable como envidiable - las experiencias de su corta vida, los recuerdos de su infancia, todo lo que “sucedía, vibraba, se agitaba o moría a su alrededor”.