Résultats de "Katherine Mansfield" dans Toutes les catégories

"Mariage à la mode" est une autre nouvelle de Katherine Mansfield (extraite du recueil "Garden party") qui aborde avec finesse la désunion, la brèche qui se creuse entre deux êtres, et ce dans un cadre idyllique par une belle journée d'été. Avec son stylo-scalpel, elle nous plonge dans les cœurs de William, époux délaissé et de sa jeune femme Isabelle, accaparée par ses nouveaux amis artistes.

La felicidad es evanescente. Al momento la sientes como una explosión y, al otro, puede transformarse en desazón o simple tristeza. Bertha lo tiene todo: es joven; ella y Harry, su marido; siguen tan enamorados como el primer día; tienen un bebé hermoso; viven en una casa amplia con jardín; y sus amigos son gente moderna e interesante. Pero la sensible Bertha siente que no encaja y que su felicidad es frágil.

Parmi les plus belles lettres de la littérature mondiale, écrites par celle que Virginie Woolf nommait "le seul auteur que j'envie". Au fil des années, de 1913 à 1921, et de ses correspondants, Katherine Mansfield nous fait suivre son douloureux combat contre la tuberculose, en même temps que sa lutte contre la page blanche. Sa vie et son œuvre étaient étroitement liées. Elle écrivait avec sa vie, son sang, ses souffrances - et aussi avec cette gaieté qui s'emparait d'elle devant un ciel clair, un arbre en fleur, un enfant qui rit.

Contes du quotidien, les quatorze histoires réunies dans cet écrin conjuguent reviviscences d'enfance en Nouvelle-Zélande, échappées oniriques, portraits saisissants, émotions brutes et découverte de la mort et de ses avatars. Dans "Prélude", "Félicité", ou encore "Je ne parle pas français", le ressenti prend le pas sur l'action et se mettent à nu d'inquiétants rapports de force au sein même des relations les plus familières. Ce recueil a assis la réputation de Katherine Mansfield comme la plus grande virtuose de la nouvelle moderniste.

Brimming with intensity, shrewd psychological insight and quiet epiphanies, Bliss and Other Stories compellingly explores the emotional complexity lying just beneath the surface of day-to-day niceties. Mansfield’s flair and impressionistic prose provides a poignant lens into the inner worlds of her characters.

Step into the enchanting world of At the Bay by Katherine Mansfield—a luminous novella that captures life’s fleeting beauty and quiet dramas with unparalleled grace. Follow the residents of the idyllic coastal town, including the thoughtful and gentle Mrs. Fairfield, her children and husband, and their neighbors, as Mansfield explores their joys, disappointments, and secret desires. From the playful curiosity of children on sunlit beaches to the tender reflections and inner conflicts of adults, every moment is infused with emotional depth and quiet insight.

Katherine Mansfield is remembered as one of the great modernist short-story writers, who managed to pack a huge amount of creative work into her 34 years before she died of TB in 1923. This impressive collection includes brand-new full-cast BBC dramatisations of 'Bliss', 'Something Childish but Very Natural', 'Marriage a la Mode', 'Daughters of the Late Colonel', 'The Garden Party', 'Life of Ma Parker and Her First Ball', plus many more readings brought to life by a wealth of narrators.

A young English woman travels alone for the first time, eager to begin a new position abroad and convinced of her independence. Armed with good intentions and polite trust, she navigates foreign streets, unfamiliar customs, and her own expectations of kindness and respect. As the journey unfolds, small encounters and seemingly harmless gestures begin to carry an undercurrent of unease. The governess’s idealism is quietly tested, and her innocence leaves her vulnerable to misunderstandings she is not yet equipped to recognize.

Two former lovers meet again in a quiet drawing room, where politeness masks longing, hesitation, and unspoken desire. Every pause, every gesture, every carefully chosen word becomes charged with meaning as memory and emotion press against the fragile calm of the present moment. Beneath the surface of casual conversation, old feelings stir—regret, attraction, and the ache of what was never fully said.

You step into the fragile inner life of Ada Moss, a woman clinging to dignity, memory, and fading hopes as her world quietly closes in around her. Once surrounded by admiration and applause, Ada now drifts through a city that feels increasingly cold and indifferent, where familiar faces blur and kindness becomes uncertain. As she moves from place to place, moments of pride, desperation, and self-deception flicker like scenes in a fading film.

In A Dill Pickle by Katherine Mansfield, a chance meeting in a café brings together two former lovers whose lives have taken very different paths. As they sit across from one another, polite conversation gives way to memory, regret, and subtle emotional power shifts. What begins as nostalgia slowly reveals deeper truths about ego, control, and the quiet wounds left by emotional neglect. Through fragmented dialogue and unspoken tension, Mansfield exposes how love can be distorted by self-absorption, and how one voice can dominate while another fades into silence.

follow Robert Salesby, a man who has carefully set aside his own desires in order to care for his fragile, demanding wife. In a quiet European hotel meant for rest and recovery, daily routines unfold with delicate precision—meals, walks, silences—each masking an undercurrent of exhaustion and unspoken resentment. As Robert moves through his days with practiced patience, the strain of self-denial begins to surface, revealing the quiet cost of love built on sacrifice alone.

What if the brightest charm hid the darkest truths beneath it? In Je ne Parle pas Français by Katherine Mansfield, you step into the mind of Raoul Duquette, a cynical Parisian narrator whose sharp observations, moral contradictions, and unsettling humor reveal far more about himself than about the people he judges.

Rich in atmosphere and delicately observed detail, Prelude invites reflection on love, relationships, and the beauty hidden in ordinary moments. Press play and immerse yourself in Mansfield’s luminous prose—a captivating journey where every thought, gesture, and moment resonates with timeless insight and emotional depth.

Germans at Meat is a short story by Katherine Mansfield: Bread soup was placed upon the table. – “Ah,” said the Herr Rat, leaning upon the table as he peered into the tureen, “that is what I need. My ‘magen’ has not been in order for several days. Bread soup, and just the right consistency. I am a good cook myself”—he turned to me. – “How interesting,” I said, attempting to infuse just the right amount of enthusiasm into my voice...

The Advanced Lady is a short story by Katherine Mansfield: “Do you think we might ask her to come with us,” said Fräulein Elsa, retying her pink sash ribbon before my mirror. “You know, although she is so intellectual, I cannot help feeling convinced that she has some secret sorrow. And Lisa told me this morning, as she was turning out my room, that she remains hours and hours by herself, writing; in fact Lisa says she is writing a book! I suppose that is why she never cares to mingle with us, and has so little time for her husband and the child.”

The Baron is a short story by Katherine Mansfield: "Who is he?" I said. "And why does he sit always alone, with his back to us, too?" - "Ah!" whispered the Frau Oberregierungsrat, "he is a Baron." - She looked at me very solemnly, and yet with the slightest possible contempt - a "fancy-not-recognising-that-at-the-first-glance" expression.

The Swing of the Pendulum is a short story by Katherine Mansfield: The landlady knocked at the door. - “Come in,” said Viola. - “There is a letter for you,” said the landlady, “a special letter” - she held the green envelope in a corner of her dingy apron. - “Thanks.” Viola, kneeling on the floor, poking at the little dusty stove, stretched out her hand. “Any answer?”

In The Sister of the Baroness by Katherine Mansfield we have the theme of appearance, identity, self-importance, class and escape. Taken from her In a German Pension collection the story is narrated in the first person by an unnamed English woman and after reading the story the reader realises that Mansfield may be exploring the theme of appearance. With the exception of the narrator all the visitors at the Pension are in awe of the Baroness’ sister.

The Luft Bad is a short story by Katherine Mansfield: I think it must be the umbrellas which make us look ridiculous. – When I was admitted into the enclosure for the first time, and saw my fellow-bathers walking about very nearly “in their nakeds,” it struck me that the umbrellas gave a distinctly “Little Black Sambo” touch...