Résultats de "Katherine Mansfield" dans Toutes les catégories

Parmi les plus belles lettres de la littérature mondiale, écrites par celle que Virginie Woolf nommait "le seul auteur que j'envie". Au fil des années, de 1913 à 1921, et de ses correspondants, Katherine Mansfield nous fait suivre son douloureux combat contre la tuberculose, en même temps que sa lutte contre la page blanche. Sa vie et son œuvre étaient étroitement liées. Elle écrivait avec sa vie, son sang, ses souffrances - et aussi avec cette gaieté qui s'emparait d'elle devant un ciel clair, un arbre en fleur, un enfant qui rit.

"En somme, un temps idéal. Quand ils l'auraient fait faire sur commande, ils n'auraient pas pu avoir une journée plus parfaite pour leur garden-party. Pas de vent, l'air doux, le ciel sans nuage. Le bleu seulement était voilé d'une brume d'or léger, comme il l'est quelquefois au début de l'été." La famille Sheridan prépare une garden-party. L'hautaine Laura est chargée de diriger les travailleurs, tandis que sa sœur, Jose, teste le piano. C'est alors que la famille apprend le décès de leur voisin, Mr Scott. Faut-il annuler la réception ?

Contes du quotidien, les quatorze histoires réunies dans cet écrin conjuguent reviviscences d'enfance en Nouvelle-Zélande, échappées oniriques, portraits saisissants, émotions brutes et découverte de la mort et de ses avatars. Dans "Prélude", "Félicité", ou encore "Je ne parle pas français", le ressenti prend le pas sur l'action et se mettent à nu d'inquiétants rapports de force au sein même des relations les plus familières. Ce recueil a assis la réputation de Katherine Mansfield comme la plus grande virtuose de la nouvelle moderniste.

Katherine Mansfield is remembered as one of the great modernist short-story writers, who managed to pack a huge amount of creative work into her 34 years before she died of TB in 1923. This impressive collection includes brand-new full-cast BBC dramatisations of 'Bliss', 'Something Childish but Very Natural', 'Marriage a la Mode', 'Daughters of the Late Colonel', 'The Garden Party', 'Life of Ma Parker and Her First Ball', plus many more readings brought to life by a wealth of narrators.

In this volume our authors explore the terrors of the mind rather than the horrors of reality, although with their pens the difference makes little difference. We twist this way and that as their talents shape our path towards endings of the nerve-shredding kind.

A collection of short stories by Katherine Mansfield, widely recognized as one of the greatest writers of her period, that capture with accuracy those emotionally-charged moments when an individual is most revealing. Prelude / Je ne Parle pas Français / Bliss / The Wind Blows / Psychology / Pictures / The Man without a Temperament / Mr. Reginald Peacock’s Day / Sun and Moon / Feuille d’Album / A Dill Pickle / The Little Governess / Revelations / The Escape.

A garden bathed in sunlight, tables laid with fine china, the hum of polite laughter—everything is in place for the perfect afternoon. The Sheridans' party is effortless, untouched by worry, floating on a breeze of privilege. But just beyond the garden's edge, life is different—harsh, unpolished, shaped by struggle. Laura Sheridan stands between these two worlds, drawn in by beauty yet unsettled by something she can't quite name. A hat, a voice, a fleeting hesitation—small moments that carry unexpected weight. Can innocence survive once you glimpse what lies outside the gates?

La felicidad es evanescente. Al momento la sientes como una explosión y, al otro, puede transformarse en desazón o simple tristeza. Bertha lo tiene todo: es joven; ella y Harry, su marido; siguen tan enamorados como el primer día; tienen un bebé hermoso; viven en una casa amplia con jardín; y sus amigos son gente moderna e interesante. Pero la sensible Bertha siente que no encaja y que su felicidad es frágil.

The Garden Party is a 1922 short story by Katherine Mansfield. It was first published (as "The Garden-Party") in three parts in the Saturday Westminster Gazette on 4 and 11 February 1922, and the Weekly Westminster Gazette on 18 February 1922. It later appeared in The Garden Party: and Other Stories. Its luxurious setting is based on Mansfield's childhood home at 133 Tinakori Road (originally numbered 75), the second of three houses in Thorndon, Wellington that her family lived in. The wealthy Sheridan family prepares to host a garden party.

Brimming with intensity, shrewd psychological insight and quiet epiphanies, Bliss and Other Stories compellingly explores the emotional complexity lying just beneath the surface of day-to-day niceties. Mansfield’s flair and impressionistic prose provides a poignant lens into the inner worlds of her characters.

Innovative, startlingly perceptive and aglow with colour, these 15 stories were written towards the end of Katherine Mansfield's tragically short life. Many are set in the author's native New Zealand, others in England and the French Riviera. All are revelations of the unspoken, half-understood emotions that make up everyday experience - from the blackly comic 'The Daughters of the Late Colonel' and the short, sharp sketch 'Miss Brill', in which a lonely woman's precarious sense of self is brutally destroyed, to the vivid impressionistic evocation of family life in 'At the Bay'.

"Mariage à la mode" est une autre nouvelle de Katherine Mansfield (extraite du recueil "Garden party") qui aborde avec finesse la désunion, la brèche qui se creuse entre deux êtres, et ce dans un cadre idyllique par une belle journée d'été. Avec son stylo-scalpel, elle nous plonge dans les cœurs de William, époux délaissé et de sa jeune femme Isabelle, accaparée par ses nouveaux amis artistes.

Written in the tradition of her other works, this stunning anthology of short stories features narratives of great emotional depth, nuance and complexity. Exploring social class, family dynamics and failed romances, these stories offer powerful meditations on the profundity of everyday life.

אוסף סיפורים קצרים מאת קתרין מנספילד, סופרת ומשוררת, שנודעה בסגנונה הייחודי, בפרוזה פואטית, וביכולתה לשקף קיום חברתי והמיות נפש עמוקות במילים ספורות. היא נחשבת...

Exploring themes such as class, identity and the human experience, The Garden Party and Other Stories captures several moments of emotional revelation and self-discovery. From unveiling the horrors of the disparity of wealth in the title story, 'The Garden Party', to the devastating effects of loneliness and misogyny in 'Miss Brill', Mansfield's narratives never fail to leave their emotional stamp on their reader.

Set in colonial New Zealand, The Aloe captures a moment of transition for the Burnell family as they move into a new home. At the heart of it all is Kezia, a perceptive young girl whose sharp eyes and quiet curiosity offer a child's view of adult tension, familial love, and the quiet dramas of everyday life. Through lush, lyrical prose, Mansfield explores the unspoken complexities of women's roles, family expectations, and inner longing—all from the inside out.

Katherine was born on the 14th October 1888 into a prominent family in Wellington, New Zealand, the middle child of five. At 19 Katherine left for England, where she met and befriended the modernist writers D.H. Lawrence and Virginia Woolf, amongst others. She then travelled to Europe before returning to New Zealand. There she began to write the short stories that she would later become so famous for. But there was another less-heralded side to Katherine’s writings; that of poetry. Her verse certainly reflects much of the themes of her life and interests.

Katherine Mansfield verlässt mit zwanzig Jahren ihre neuseeländische Heimat, um in London Schriftstellerin zu werden. Doch erst einmal landet sie schwanger in der Pension eines bayerischen Kurorts. Dort kann sie ihre Beobachtungsgabe literarisch ausleben, vor allem wenn sie auf Menschen trifft, die während der Kur das enge Korsett gesellschaftlicher Zwänge ablegen. Entstanden sind messerscharfe und sehr amüsante Erzählungen. Über scheinbare Banalitäten verdeutlichen sie tief verankerte Verhaltensmuster, Vorurteile und Klischees im beginnenden 20. Jahrhunderts. Nina Hoss leiht der Pionierin der modernen Short Story ihre Stimme.

Loss in any form seems to burden us with more weight than anything that can possibly be gained or learnt from. The loss of a person, a loved one, is often overwhelming. Lives so interwoven that the severing or loss of one life leaves the other weakened, unable to function for some time. Recovery comes in a myriad of forms but is usually debilitating, slow and, in the end, we are not as whole as we once were.It is a subject that authors return to again and again.

When we read or listen, words can have a transforming effect. Our mood can alter in the space of a few sentences from joy to sadness. And not just our mood. These words can affect us physically, they can engage our emotions and even in their sadness bring a lump to our throat and tears to our eyes. Sometimes the relief can be palpable. Our authors, from Anton Chekhov, Stephen Crane, Willa Cather, Katherine Mansfield and a wealth of others, are well aware of what their talents will evoke. Genius has many names.