Résultats de "Katherine Mansfield" dans Toutes les catégories

Parmi les plus belles lettres de la littérature mondiale, écrites par celle que Virginie Woolf nommait "le seul auteur que j'envie". Au fil des années, de 1913 à 1921, et de ses correspondants, Katherine Mansfield nous fait suivre son douloureux combat contre la tuberculose, en même temps que sa lutte contre la page blanche. Sa vie et son œuvre étaient étroitement liées. Elle écrivait avec sa vie, son sang, ses souffrances - et aussi avec cette gaieté qui s'emparait d'elle devant un ciel clair, un arbre en fleur, un enfant qui rit.

Innovative, startlingly perceptive and aglow with colour, these 15 stories were written towards the end of Katherine Mansfield's tragically short life. Many are set in the author's native New Zealand, others in England and the French Riviera. All are revelations of the unspoken, half-understood emotions that make up everyday experience - from the blackly comic 'The Daughters of the Late Colonel' and the short, sharp sketch 'Miss Brill', in which a lonely woman's precarious sense of self is brutally destroyed, to the vivid impressionistic evocation of family life in 'At the Bay'.

Between 1922 and 1923, Katherine Mansfield wrote four volumes of short stories. This recording includes all sixty-three stories from the four collections, including a number of incomplete stories collated after Mansfield’s death.

Fifty short stories by women writers who broke the mould.

This collection brings together stories by Edith Wharton, Katherine Mansfield, Wilkie Collins and Marcel Proust, with forays into the supernatural and the comedic by Sabine Baring-Gould and Saki. Be them funny or moving, all stories are beautifully read by Harriet Walter (Atonement, Netflix’s The Crown), Juliet Stevenson (Bend it Like Beckham, The Enfield Haunting), Barbara Leigh-Hunt (Pride and Prejudice, Billy Elliot) and Rosalind Ayres (Titanic, Outnumbered).

Skyboat Media presents The Best of Katherine Mansfield, an original compilation of stories from one of the defining writers of modernist fiction. Katherine Mansfield’s stories shine a light on the duality and the overpowering nature of psychology through her delicate, nuanced, and often stream-of-consciousness narration style. None of her stories seem to settle on just one theme; like life they encompass the intersectional nature of all moments, from the most minute and mundane to the most terrific and tragic.

La felicidad es evanescente. Al momento la sientes como una explosión y, al otro, puede transformarse en desazón o simple tristeza. Bertha lo tiene todo: es joven; ella y Harry, su marido; siguen tan enamorados como el primer día; tienen un bebé hermoso; viven en una casa amplia con jardín; y sus amigos son gente moderna e interesante. Pero la sensible Bertha siente que no encaja y que su felicidad es frágil.

Katherine Mansfield is remembered as one of the great modernist short-story writers, who managed to pack a huge amount of creative work into her 34 years before she died of TB in 1923. This impressive collection includes brand-new full-cast BBC dramatisations of 'Bliss', 'Something Childish but Very Natural', 'Marriage a la Mode', 'Daughters of the Late Colonel', 'The Garden Party', 'Life of Ma Parker and Her First Ball', plus many more readings brought to life by a wealth of narrators.

Une nouvelle, extraite du recueil "Garden Party", qui décrit ou peint à petites touches la journée d'une famille en Nouvelle Zélande dans le bungalow familial, un jour d'été au début des années 1900. L'auteur récrée avec précision et amour la Nouvelle-Zélande de son enfance. Elle écrit son pays, comme si elle ne l'avait jamais quitté.

Laura, une jeune fille de bonne famille, jeune fille très sensible aide à la préparation de la fête qui va avoir lieu dans le jardin...

This anthology features a wide array of thought-provoking, genre-defining works from the 1900s, showcasing the range of modern storytelling—from existential musings to dark humour and intricate social commentary. These are the stories that have shaped modern literature, offering timeless insights into human nature and society. This collection brings together the finest modernist narratives, political reflections, and social commentaries that have shaped literature as we know it.

"Mariage à la mode" est une autre nouvelle de Katherine Mansfield (extraite du recueil "Garden party") qui aborde avec finesse la désunion, la brèche qui se creuse entre deux êtres, et ce dans un cadre idyllique par une belle journée d'été. Avec son stylo-scalpel, elle nous plonge dans les cœurs de William, époux délaissé et de sa jeune femme Isabelle, accaparée par ses nouveaux amis artistes.

Revelations is a short story by Katherine Mansfield. It was published in Bliss and Other Stories. From eight o’clock in the morning until about half-past eleven Monica Tyrell suffered from her nerves, and suffered so terribly that these hours were—agonizing, simply. It was not as though she could control them.

The Young Girl is a 1920 short story written by Katherine Mansfield. Mrs. Raddick’s and her beautiful daughter waited on the steps of the casino. The daughter was incredibly beautiful with flushed cheeks, blue eyes, and golden curls. She “might have just dropped from this radiant heaven” (79), and Mrs. Raddick seemed to think so too - if her appreciative glances were any indication. The girl; however, appeared only bored as if heaven had been full of casinos and they no longer held any interest for her.

The Stranger is a 1921 short story by Katherine Mansfield. It was first published in the London Mercury in January 1921, and later reprinted in The Garden Party and Other Stories. In Auckland, Mr. Hammond is waiting for his wife, back from Europe. After talking to some other people waiting at the harbour, she lands in but takes her time, leading him to wonder if she was sick during the voyage - she was not.

Bank Holiday is a story by Katherine Mansfield: A stout man with a pink face wears dingy white flannel trousers, a blue coat with a pink handkerchief showing, and a straw hat much too small for him, perched at the back of his head.

The Daughters of the Late Colonel is a 1920 short story by Katherine Mansfield. It was first published in the London Mercury in May 1921. In bed, Constantia suggests giving her late father's top hat to the porter, but her sister Josephine disagrees. After thinking about letters to be sent to Ceylon, they hear a noise coming from a mouse. Constantia thinks how sad it must be for the mouse with no crumbs around. The last time the sisters saw their father, Nurse Andrews was stationed by the bedside; the Colonel opened only one eye, glaring at his daughters before dying.

At the Bay is a 1922 short story by Katherine Mansfield. It was first published in the London Mercury in January 1922 in twelve sections, and later reprinted in The Garden Party and Other Stories (1922) with a short descriptive coda which is now the thirteenth section. The story represents Mansfield’s best mature work, a luminous example of her literary impressionism. While writing it at the Chalet des Sapins, she was coming to terms with her relationship with Murry and with her own origins and identity.

Life of Ma Parker is a 1921 short story by Katherine Mansfield. It was first published in The Nation and Atheneum on 26 February 1921: The gentleman opens his door to his charwoman, who tells him that her grandson has died. Through an analepsis, the grandson asks his grandmother for money, which she says she does not have.

Miss Brill is a short story by Katherine Mansfield (1888-1923). It was first published in Athenaeum on 26 November 1920, and later reprinted in The Garden Party and Other Stories. Miss Brill is an English teacher living near the Public Gardens in a French town. The narrative follows her on a regular Sunday afternoon, which she spends walking about and sitting in the park.