Titres dans Vie en ville

Nothing’s more exclusive than Noire Underground. Serving the wicked and reaping rewards. Secrets. Lies. Soot and cinders. Rhythm. Blades. Games and gore. A knife like a claw and the strike of a needle. This hidden haven is a throne of chains.

""American literature today begins and ends with the meaning of what Miller has done."" — Lawrence Durrell ""There is nothing like Miller when he gets rolling. . . . One has to take the language back to Marlowe and Shakespeare before encountering a wealth of imagery equal in intensity."" —...

Crush Hour: A Musical presents a series of heart-warming and hilarious chance encounters via London’s transport links, in the run up to Christmas.

Die kleinen Dinge, das sind der Streifen auf einem Wespenflügel, roter Nagellack auf den Fingern eines Schreiners, die geballte Faust auf einer Motorhaube. Die großen Dinge dagegen lauern unausgesprochen im Innern. Das wissen die siebenjährigen Zwillinge Rahel und Estha, und sie wissen auch, dass sich alles an einem einzigen Tag verändern kann. Und sie werden recht behalten. Als Rahel nach vielen Jahren zurückkehrt in ihr Heimatdorf im südindischen Kerala, ist nichts mehr, wie es einst war. Die Konservenfabrik der Familie verfallen, die geliebte Mutter tot, der Zwillingsbruder verstummt.

“Narrator Kristolyn Lloyd expertly uses accents, emotional cues, and vocal effects in this vivid audiobook set in 1999.” — Kirkus (Earphones Award Winner) A fast-paced, juicy debut novel that peeks behind the curtain at the cutthroat world of hip-hop music and the glamorous magazine scene...

From a bestselling novelist, this "cultural phenomenon" is a fascinating foray into the hearts, minds, and mating habits of modern-day New Yorkers and the inspiration behind the television series (Oprah). Enter a world where the shocking and hilarious dating rituals of the privileged are exposed...

Seit seiner Kindheit ist Simon Leyland von Sprachen fasziniert. Gegen den Willen seiner Eltern wird er Übersetzer und verfolgt unbeirrt das Ziel, alle Sprachen zu lernen, die rund um das Mittelmeer gesprochen werden. Von London folgt er seiner Frau Livia nach Triest, wo sie einen Verlag geerbt hat. In der Stadt bedeutender Literaten glaubt er, den idealen Ort für seine Arbeit gefunden zu haben - bis ihn ein ärztlicher Irrtum aus der Bahn wirft.

Ally Hawkins has never had a Valentine’s Day date—but this is her year. She can feel it in her endlessly optimistic heart. So when she stumbles upon a love potion at a county fair, she figures…why not? It’s silly, it’s smelly, and she’s a grown woman. But then—bam—the very guy she’s been crushing on asks her to lunch. Coincidence? She thinks not.

Eight-year-old TC skips school to explore the city’s overgrown, forgotten corners. Sophia, 78, watches with concern as he slips past her window, through the little park she loves. She’s writing to her granddaughter, Daisy, whose privileged upbringing means she exists in a different world from TC - though the two children live less than a mile apart.

The narrator of Rob Doyle's Threshold has spent the last two decades traveling, writing, and imbibing drugs and literature in equal measure, funded by brief periods of employment or "on the dole" in Dublin. Now, stranded between reckless youth and middle age, his travels to far-flung places have acquired a de facto purpose: to aid the contemporary artist's search for universal truth.

1979. In the vast and often unforgiving city of London, two Irish outsiders seeking refuge find one another: Milly, a teenage runaway, and Pip, a young boxer full of anger and potential who is beginning to drink it all away. Over the decades their lives follow different paths, interweaving from time to time, often in one another's sight, always on one another's mind, yet rarely together.

Dans une petite rue de l’élégant quartier de Ginza à Tokyo se dresse la célèbre papeterie Shihodo, où ceux qui entrent sont sûrs de trouver ce qu’ils sont venus chercher, des papiers washi les plus fins aux encres les plus colorées. Loin de la frénésie urbaine, Ken Takarada, le propriétaire, a aménagé un espace où les clients peuvent coucher sur le papier leurs émotions les plus intimes. Le contact de la plume sur la feuille, le tracé délicat des lettres et des idéogrammes, l’odeur du papier… Dans ce havre de paix, chacun redécouvre le pouvoir de l’écriture.

Elizabeth Gaskell was one of Victorian England's pre-eminent female novelists. Admired by Charles Dickens, who described her as his 'dear Scheherazade', she mingled storytelling and social realism to superb effect in her highly acclaimed fiction. This comprehensive collection comprises dramas and readings of her finest works and some lesser-known pieces.

Asher Banks, with his honey-brown colored eyes and cocky attitude, has been at the top of my shit list since college. Nothing has changed in thirteen years. They call him the Boogeyman of Business because his marketing firm has single-handedly bankrupted several corporations with little to no effort. And because of my jealous ex, I’m now in Banks’ crosshairs.

Storie viste dal marciapiede, dal basso di chi nei luoghi sta. Cartoline, brevi lettere, trenta racconti scritti come si fa quando si parte per davvero e si racconta una storia a qualcuno che si ama. Con lo stesso titolo era già uscito un altro racconto di Erri De Luca, alla fine degli anni Novanta. In quell'edizione c'erano le storie dei suoi viaggi nella Bosnia in guerra, nel pieno della Guerra civile jugoslava. In questo altro Pianoterra quelle storie non ci sono quasi più. Resta però identica la prospettiva di chi guarda. Perché questo audiolibro è un "atto di residenza".

Twenty-six-year-old Nicole Najim is struggling to find herself after a painful breakup, just when she thought she was going to settle down. Working a dead-end job in the family car dealership and at a loose end, she picks up her camera and returns to the melting pot of Sydney’s West to rediscover her roots. When she catches up with childhood friend, Danny, who makes his living in a shadowy underworld, their relationship intensifies just as the law starts to close in.

Élie Mestenapeo sort de prison après avoir purgé sa peine pour le meurtre de son père, un homme alcoolique et violent. Sa communauté innue de Nutashkuan l'a banni. Il débarque à Montréal et se retrouve très vite dans la rue. Il y croisera des personnes d'autres nations, Inuit, Cris, Atikamekw, venues comme lui s'échouer dans la métropole, et il fera des rencontres déterminantes, qui l'aideront à se reconstruire.

Stefan Zweig was born on the 28th November 1881 in Vienna, then part of the Austro-Hungarian Empire, and into a wealthy Jewish family with interests in banking and textiles. Zweig first published in 1900 and two decades later was a popular and highly regarded author in many parts of the world, although not in England. He was also the librettist with Richard Strauss of two operas and a keen collector of autographed musical manuscripts. His collection of over two hundred pieces was later donated to the British Library.

Kitty Wilson, who, after losing her father, rejects the unsuitable suitor her mother has chosen. Abandoned by her mother, Kitty faces the challenges of navigating life alone. Amidst the turmoil, Kitty finds solace and support from friends, securing a promotion at Harpers Emporium. However, tragedy looms, threatening to shatter her newfound stability. Sally and Ben Harper face their own challenges. A decision by Ben regarding the restaurant, made without consulting his partner Jack Burrows, jeopardizes not only their friendship but also the stability of Harpers itself.

When Margaret Hale is forced to leave her home in the tranquil rural South of England for the industrial Northern town of Milton, she finds herself in a very different country run by men, like mill owner John Thornton, with very different beliefs to her own. Margaret is sickened by the working conditions she witnesses and, sympathetic to the poor workers, clashes with their boss, Thornton.