Résultats Éditeur "HarperCollins Publishers Limited" dans Détectives traditionnels

In utter disbelief Miss Marple read the letter addressed to her from the recently deceased Mr Rafiel—an acquaintance she had met briefly on her travels. Recognising in Miss Marple a natural flair for justice, Mr Rafiel had left instructions for her to investigate a crime after his death. The only problem was, he had failed to tell her who was involved or where and when the crime had been committed. It was most intriguing.

Lymstock is a town with more than its share of shameful secrets—a town where even a sudden outbreak of anonymous hate-mail causes only a minor stir. But all that changes when one of the recipients, Mrs Symmington, commits suicide. Her final note said ‘I can't go on'. Only Miss Marple questions the coroner's verdict of suicide. Was this the work of a poison-pen? Or of a poisoner? 

A classic Christie mystery. Read by Hugh Fraser who plays Hugh Fraser in the popular TV series. At a Hallowe’en party, Joyce – a hostile thirteen-year-old – boasts that she once witnessed a murder. When no-one believes her, she storms off home. But within hours her body is found, still in the house, drowned in an apple-bobbing tub. That night, Hercule Poirot is called in to find the ‘evil presence’. But first he must establish whether he is looking for a murderer or a double-murderer…

It's seven in the morning. The Bantrys wake to find the body of a young woman in their library. She is wearing evening dress and heavy make-up, which is now smeared across her cheeks. But who is she? How did she get there? And what is the connection with another dead girl, whose charred remains are later discovered in an abandoned quarry?

Lucy Angkatell invited Hercule Poirot to lunch. To tease the great detective, her guests stage a mock murder beside the swimming pool. Unfortunately, the victim plays the scene for real. As his blood drips into the water, John Christow gasps one final word: "Henrietta". In the confusion, a gun sinks to the bottom of the pool. Poirot's enquiries reveal a complex web of romantic attachments. It seems everyone in the drama is a suspect, and each a victim of love.

Nick Buckley was an unusual name for a pretty young woman. But then she had led an unusual life. First, on a treacherous Cornish hillside, the brakes on her car failed. Then, on a coastal path, a falling boulder missed her by inches. Later, an oil painting fell and almost crushed her in bed. Upon discovering a bullet-hole in Nick's sun hat, Hercule Poirot decides the girl needs his protection. At the same time, he begins to unravel the mystery of a murder that hasn't been committed. Yet.

Luke Fitzwilliam could not believe Miss Pinkerton's wild allegation that a multiple murderer was at work in the quiet English village of Wychwood, or her speculation that the local doctor was next in line. But, within hours, Miss Pinkerton had been killed in a hit-and-run car accident. Mere coincidence? Luke was inclined to think so, until he read in The Times of the unexpected demise of Dr Humbleby.

Recently, there had been some strange goings on at Styles St Mary. Evelyn, constant companion to old Mrs Inglethorp, had stormed out of the house muttering something about "a lot of sharks". And with her, something indefinable had gone from the atmosphere. Her presence had spelt security; now the air seemed rife with suspicion and impending evil.

The tranquillity of a cruise along the Nile was shattered by the discovery that Linnet Ridgeway had been shot through the head. She was young, stylish, and beautiful. A girl who had everything...until she lost her life. Hercule Poirot recalled an earlier outburst by a fellow passenger: "I'd like to put my dear little pistol against her head and just press the trigger." Yet in this exotic setting nothing was ever quite what it seemed.

There's a serial killer on the loose, bent on working his way through the alphabet. And as a macabre calling card he leaves beside each victim's corpe the ABC Railway Guide open at the name of the town where the murder has taken place.

As instructed, stenographer Sheila Webb let herself into the house at 19 Wilbraham Crescent. It was then that she made a grisly discovery: the body of a dead man sprawled across the living-room floor. What intrigued Poirot about the case was the time factor. Although in a state of shock, Sheila clearly remembered having heard a cuckoo clock strike 3.00. Yet, the four other clocks in the living room all showed the time as 4.13. Even more strange: only one of these clocks belonged to the owner of the house.

From seat No.9, Hercule Poirot was ideally placed to observe his fellow air passengers. Over to his right sat a pretty young woman, ahead, across the gangway in seat No.8, a detective writer was being troubled by an aggressive wasp. What Poirot did not yet realize was that behind him, in seat No.2, sat the slumped, lifeless body of a woman.

One minute, silly Heather Badcock had been gabbling on at her movie idol, the glamorous Marina Gregg. The next, Heather suffered a massive seizure. But for whom was the deadly poison really intended? Marina's frozen expression suggested she had witnessed something horrific. But, while others searched for material evidence, Jane Marple conducted a very different investigation—into human nature. 

First, the mystery man in the church with a bullet-wound. Then, the riddle of a dead man's buried treasure...the curious conduct of a caretaker after a fatal riding accident...the corpse and a tape-measure...the girl framed for theft...and the suspect accused of stabbing his wife with a dagger. Here are six gripping cases with one thing in common: the astonishing deductive powers of Miss Marple.

Late one night, two teachers investigate a mysterious flashing light in the sports pavilion, while the rest of the school sleeps. There, among the lacrosse sticks, they stumble upon the body of the unpopular games mistress, shot through the heart from point blank range.

Beautiful young Elinor Carlisle stands serenely in the dock, accused of the murder of Mary Gerrard, her rival in love. The evidence is damning: only Elinor had the motive, the opportunity, and the means to administer the fatal poison. Yet, inside the hostile courtroom, one man still presumes Elinor is innocent until proven guilty: Hercule Poirot, who is all that stands between Elinor and the gallows.

It was not unusual to find the beautiful bronzed body of the sun-loving Arlena Stuart stretched out on a beach, face down. Only, on this occasion, there was no sun...she had been strangled. Ever since Arlena's arrival at the resort, Hercule Poirot had detected sexual tension in the seaside air. But could this apparent 'crime of passion' have been something more evil and premeditated altogether?

For an instant the two trains ran together, side by side. In that frozen moment, Elspeth witnessed a murder. Helplessly, she stared out of her carriage window as a man remorselessly tightened his grip around a woman's throat. The body crumpled. Then the other train drew away. But who, apart from Miss Marple, would take her story seriously? After all, there were no suspects, no other witnesses… and no corpse.

Thirteen guests arrived at dinner at the actor's house. It was to be a particularly unlucky evening for the mild-mannered Reverend Stephen Babbington, who choked on his cocktail, went into convulsions and died. But when his martini glass was sent for chemical analysis, there was no trace of poison, just as Poirot had predicted. Even more troubling for the great detective, there was absolutely no motive.

Agatha Christie's most famous murder mystery, recorded by the director and star of the blockbuster film adaptation, Kenneth Branagh. Just after midnight, a snowdrift stops the Orient Express in its tracks. The luxurious train is surprisingly full for the time of the year, but by the morning it is one passenger fewer. An American tycoon lies dead in his compartment, stabbed a dozen times, his door locked from the inside. Isolated and with a killer in their midst, detective Hercule Poirot must identify the murderer - in case he or she decides to strike again.