Titres dans Femmes

Wie Frauen Geschichte schrieben – und Männer dafür den Ruhm bekamen. Muse, Sekretärin, Ehefrau – es gibt viele Bezeichnungen für Frauen, deren Einfluss aus der Geschichte radiert wurde. Für deren Leistungen Männer die Auszeichnungen und den Ruhm bekamen. Männer, wie Karl Marx, Bertolt Brecht oder Albert Einstein, deren Bekannte, Töchter oder Geliebte an ihren Werken mitwirkten – und deren Namen damals wie heute kaum jemand kennt.

In the waning years of the 19th century, women journalists across the United States risked reputation and their own safety to expose the hazardous conditions under which many Americans lived and worked. Inventive writers whose in-depth narratives made headlines for weeks at a stretch, these “girl stunt reporters” changed laws, helped launch a labor movement, championed women’s rights, and redefined journalism for the modern age.

In this rich and definitive study, renowned scholar Merry E. Wiesner-Hanks explores the history of women and the Reformations in full for the first time. Wiesner-Hanks travels the globe, examining well-known figures like Teresa of Avila, Elizabeth I, and Anne Hutchinson, as well as women whose stories are only now emerging.

In August 2021 a women's creative writing group in Afghanistan shared news of political turmoil and the Fall of Kabul. These women were in the process of publishing a short-story collection when their world was turned upside down by the Taliban. In staying connected via WhatsApp messages, they established a lifeline; a vital space to keep their creativity alive, support each other and bear witness to the events unfolding around them.

This is an exploration of feminine spirituality from the beginning of time to the present day. These extraordinary women have expressed their experiences of the agony and ecstasy of pursuing spiritual enlightenment through their poetry and prose, which is beautiful, inspirational, and very moving.

Most days, Shalene Gupta was the person she’d always aspired to be. She was hardworking, excelled at work, and had a long-term boyfriend who she desperately loved. Then, every month like clockwork, it all came crashing down in fits of rage and inconsolable sorrow. Work became meaningless, and she struggled to get through the day. The lows were subterranean. After years of struggling to get an answer from doctors, Shalene learned she was one of millions who live with premenstrual dysphoric disorder (PMDD), a severe form of PMS.

Normal Women is a radical retelling of our nation’s story – not of the rise and fall of kings and the occasional queen – but of social and cultural change, powered by the determination, persistence and effectiveness of women – from 1066 to modern times. Did women really do nothing to shape England’s culture and traditions in nine centuries of turmoil, plague, famine, religious reform and the rise of empire and industry?

We congratulate ourselves when we resist the donut in the office breakroom. We celebrate our restraint when we hold back from sending an email in anger. We feel virtuous when we wake up at dawn to get a jump on the day. We put others’ needs ahead of our own and believe this makes us exemplary. In On Our Best Behavior, journalist Elise Loehnen explains that these impulses—often lauded as unselfish, distinctly feminine instincts—are actually ingrained in us by a culture that reaps the benefits, via an extraordinarily effective collection of mores known as the Seven Deadly Sins.

Decades after the end of World War II, the name Ravensbrück still evokes horror for those with knowledge of this infamous all-women’s concentration camp, better known since it became the setting of Martha Hall Kelly’s bestselling novel, Lilac Girls. Particularly shocking were the medical experiments performed on some of the inmates. Ravensbrück was atypical in other ways as well, not just as the only all-female German concentration camp, but because 80 percent of its inmates were political prisoners, among them a tight-knit group of women who had been active in the French Resistance.

Offering a striking, dramatic journey unspooling over centuries and across continents, Witchcraft is a “well-rounded insight into some of the strangest and cruelest moments in history” (Buzz Magazine), giving voice to those who have been silenced by history.

Throughout the 20th century, the infamous 'Crippen murder' was told in such a way as to cast doubt on Crippen's guilt and to victim-blame his wife Cora, a music hall actress, for her own murder. It also astonishingly depicted Crippen's younger mistress Ethel as innocent of any involvement in the killing of her love rival. Not so, says Rubenhold. In fact, Ethel got away with murder, and the same Edwardian beliefs about women that demonised his wife also blinded society to Ethel's guilt.

In 1928, a young social worker and hobby pilot named Amelia Earhart arrived in the office of George Putnam, heir to the Putnam & Sons throne and hitmaker, on the hunt for the right woman for a secret flying mission across the Atlantic. A partnership—professional and soon otherwise—was born.

What happened when Jane Austen’s heroines and heroes were finally wed? Marriage is at the center of Jane Austen’s novels. The pursuit of husbands and wives, advantageous matches, and, of course, love itself, motivate her characters and continue to fascinate people today. But what were love and marriage like in reality for ladies and gentlemen in Regency England? Rory Muir uncovers the excitements and disappointments of courtship and the pains and pleasures of marriage, drawing on fascinating first-hand accounts as well as novels of the period.

From the birth of hip-hop in the 1970s to today, women have been just as integral to the growth and development of the rap game as their male counterparts. Nonetheless, they’re consistently shortchanged as artists, creators, renegades, and cultural visionaries in prevailing histories of the genre. The Motherlode changes that.

In Mythica Emily Hauser tells, for the first time, the extraordinary stories of the real women behind some of the western world’s greatest legends. Following in their footsteps, digging into the history behind Homer’s epic poems, piecing together evidence from the original texts, recent astonishing archaeological finds and the latest DNA studies, she reveals who these women – queens, mothers, warriors, slaves – were, how they lived, and how history has (or has not – until now) remembered them.

On Sarah A. Chrisman's 29th birthday, her husband, Gabriel, presented her with a corset. The material and the design were breathtakingly beautiful, but her mind immediately filled with unwelcome views. Although she had been in love with the Victorian era all her life, she had specifically asked her husband not to buy her a corset - ever. She'd heard how corsets affected the female body and what they represented, and she wanted none of it.

What does it mean to be someone's "muse"? Historically, to be called a “muse” among artistic circles has been marketed as a flattering title. But the very concept of a muse underestimates these women and their abilities. At its root, muse is a support role, the title a consolation prize that claims to recognize a woman’s greatness—but only in her support of another. I'm Not Your Muse reclaims the narrative of 31 of these extraordinary women.

Un agile e completo audiolibro per conoscere la vera storia della stregoneria. Vera e completa perché interamente basata su autentiche tradizioni popolari meticolosamente documentate dall'autore. Contenuti: Le origini della credenza nelle streghe – I sabba – Incantesimi, sortilegi e malefici – L'Inquisizione e la caccia alle streghe – I processi e le torture.

Shortly after a dismembered torso was discovered by a pond outside Philadelphia in 1887, investigators homed in on two suspects: Hannah Mary Tabbs, a married, working-class Black woman, and George Wilson, a former neighbor whom Tabbs implicated after her arrest. As details surrounding the shocking case emerged, both the crime and ensuing trial - which spanned several months - were featured in the national press. The trial brought otherwise taboo subjects such as illicit sex, adultery, and domestic violence in the Black community to public attention.

In Medical Bondage, Cooper Owens examines a wide range of scientific literature and less formal communications in which gynecologists created and disseminated medical fictions about their patients, such as their belief that black enslaved women could withstand pain better than white "ladies". Even as they were advancing medicine, these doctors were legitimizing, for decades to come, groundless theories related to whiteness and blackness, men and women, and the inferiority of other races or nationalities.