Titres dans Art du conte

È il senso della stanchezza vitale, il sentimento che ho cercato di esprimere in questo brano, con il quale ho inteso rappresentare, come in un affresco, l'erudizione del pensiero melanconico e affranto. Il senso della vita è analizzato nei minimi particolari con una cura estenuante che sfocia nell'estemporaneità lessicale. L'ispirazione concettuale si colloca verso i "sentieri inesplorati", i quali convogliano verso il bisogno di ricevere risposte agli inevitabili quesiti scaturiti dall'Impossibilità di vivere questa strana "vita".

Preparation is one of the single most fundamental factors that will make your presentation successful! One thing that you have to realize is that a good presentation ensures that the content is well thought out. This means that you can effectively communicate to your audience with a great degree of confidence.

Tonight, don't read your child a story. Instead, dim the lights, lie down, and create storytelling magic. Weave a spell that will enchant your child. Tell Me a Story in the Dark provides you with every tool you need to tell great and entertaining stories. In a day when parents want to spend more quality time with their children, this shows you how to prepare and tell a story, communicates the enormous benefits ending the bedtime battle of wills, building vocabulary, making room for effective parenting moments, and more.

In Lost Sound, Jeff Porter examines the vital interplay between acoustic techniques and modernist practices in the growth of radio. Concentrating on the 1930s through the 1970s, but also speaking to the rising popularity of today's narrative broadcasts such as This American Life, Radiolab, Serial, and The Organist, Porter's close readings of key radio programs show how writers adapted literary techniques to an acoustic medium with great effect.

A classical collection of recitations by the master narrator Zia Mohyeddin.

John Riggi takes us to the old country and back in this funny, poignant tale of place and family.

A deeply funny story by Alan Zweibel about his relationship with the censor at Saturday Night Live, where he was one of the original Emmy-winning writers....

Judy's new guy is smart, Jewish, and incredibly good-looking. But is he The One?

Jon Kinnally changes his eternal child's psychic diaper.

A deeply funny story by Kevin Nealon about his new home. This is a rare chance to hear Kevin writing for himself, and discover that his wit is as bright as his house. This piece was recorded at Un-Cabaret's reading series, Say the Word, featuring great comedy writers reading their own original first-person nonfiction at the Skirball Cultural Center in Los Angeles.

Merrill gets healed by Buddhist monks at a clothing store in Malibu, plus the latest from Zantar Mozinki.

Here are the original performances of Julia Sweeney's stories about adopting a baby from China, which later become In the Family Way. JULIA SWEENEY launched her career by playing Pat on Saturday Night Live. She has gone on to write and star in acclaimed one-person shows, including God Said Ha!, In the Family Way, and Letting Go of God, all developed at the Un-Cabaret.

Eric Gilliland is so desperate for a job, that he takes a position as entertainment director at a club called The Snuggery. And it gets worse from there.

Jon Kinnally's deep, beautiful piece goes shallow and deep as he explores feline and human love.

Here are the original performances of Julia Sweeney's stories about adopting a baby from China, which later became In the Family Way.

JULIA SWEENEY launched her career by playing Pat on Saturday Night Live. She has gone on to write and star in acclaimed one-person shows, including God Said Ha!, In the Family Way, and Letting Go of God, all developed at the Un-Cabaret.

A deeply funny story by Stephen Glass about the lure of the forbidden shiksa and another about the mysterious Kegel muscle.

John Riggi's piece covers his pre-med career, modern science, and introducing his parents to his boyfriend's parents.

Jon Kinnally offers his interpretation of the Noah themes: animals (especially those freakish ostriches), re-creating 1970s disaster movies, and his own personal ark. JON KINNALLY was a writer and co-executive producer of Will & Grace and Ugly Betty. This piece was recorded at Un-Cabaret's reading series "Say the Word", featuring great comedy writers reading their own original first-person non-fiction at the Skirball Cultural Center in L.A.

Merrill reads a classic piece from her book, How to Be Hap-Hap-Happy Like Me, about attending a sales convention. Then she proposes her own anti-sales program.

Todd Hanson surprises himself with his own accomplishments.