Résultats pour "music" dans Culture populaire

In extensive interviews with scene pioneers and mainstays, including Chris Carrabba (Dashboard Confessional), Geoff Rickly (Thursday), Frank Iero (My Chemical Romance), Gabe Saporta (Midtown/Cobra Starship), and Max Bemis (Say Anything), veteran music journalist Michael Tedder has crafted a once-in-a-generation exploration of emo and The Scene that is as forthright as it is tenderly nostalgic, taking to task the elements of toxic masculinity and crass consumerism that bled out of the early 2000s cultural milieu and ultimately led to the implosion of emo's first home, MySpace.

For half a century, Michael Jackson’s music has been an indelible part of our cultural consciousness. Landmark albums such as Off the Wall and Thriller shattered records, broke racial barriers, amassed awards, and set a new standard for popular music. While his songs continue to be played in...

An entertaining and deeply nostalgic dive into how female pop stars broke through the music industry in the 2000s and altered the cultural landscape forever, from the Ringer writer and Every Single Album podcast cohost “Hit Girls bridges our butterfly-clipped, bedazzled past with today’s...

From the legendary singer-songwriter of Bad Religion comes a historical memoir and cultural criticism of punk rock’s evolution. Greg Graffin is the lead vocalist and songwriter of Bad Religion, recently described as “America's most significant punk band.” Since its inception in Los Angeles...

A vibrant celebration of Andrew Lloyd Webber's Tony Award-winning masterpiece that explores its rich history, includes interviews with its cast, crew, and celebrity admirers, and features exclusive photos and archival materials. Since it's premire in 1986, Phantom of the Opera has become not...

Music Hall and Modernity offers a complex view of the new middle-class, middle-brow, mass culture of late-Victorian London and contributes to a body of scholarship on 19th-century urbanism. The book will also interest scholars concerned with the emergence of a professional managerial class and the genealogy of cultural studies.

“My mother prophesied years ago that my voice would take me places. She was certain that there was a reason I was able to sing. I am still discovering what that reason is, what it is that God wants to happen.” –CLAY AIKEN, from Learning to Sing When he was a kid singing in his church choir...

This audiobook is Nick Carter's autobiography and self-help hybrid, in which he chronicles his struggles with a dysfunctional family and the unimaginable rigors of becoming an internationally successful pop-star at the age of 12. From his battle with addiction to serious health complications and the pain of his younger sister's tragic death, Nick leaves nothing to the imagination and offers true and heartfelt advice to help listeners overcome obstacles in their own lives.

An in-depth exploration of the lessons and affirmations of Beyoncé’s work and how she continues to speak for the historically unspoken for. This is not a Beyoncé biography. This is a love letter to a musician whose songs star in our first dances, our workout playlists, and our justice...

Black Music is a book about the brilliant young jazz musicians of the early 1960s: John Coltrane, Thelonious Monk, Miles Davis, Ornette Coleman, Cecil Taylor, Archie Shepp, Sun Ra, and others. It is composed of essays, reviews, interviews, liner notes, musical analyses, and personal impressions from 1959-1967. Also includes Amiri Baraka's reflections in a 2009 interview with Calvin Reid of Publishers Weekly.

In this of-the-moment essay collection, celebrated music journalist Andrea Warner explores the ways in which Céline Dion, Shania Twain, Alanis Morissette, and Sarah McLachlan became bona fide global superstars while revolutionizing ’90s music. In an era when male-fronted musical acts dominated radio and were given serious critical consideration, these four women were reduced, mocked, and disparaged by the media and became pop culture jokes, even as their albums were topping the charts and demolishing sales records.

Smith tells the joyful story of the musicians, the radio DJs, the record labels, and the live venues where jazz not only survived but thrived in the 1960s. In an era marked by turmoil and struggle, popular jazz offered a powerful outlet for joy, resilience, pride, and triumph.

This Must Be the Place introduces and examines music's relationship to cities. Not the influence cities have on music, but the powerful impact music can have on how cities are developed, built, managed, and governed.

""Definitive...Not just for Talking Heads fans—it’s a masterful dive into downtown New York in the 70s, and the changing face of rock music.”—Town & Country ""Riveting""—New York Post ""A masterful achievement."" —Booklist (starred review) On the 50th anniversary of Talking Heads...

In his 1967 megahit "San Francisco," Scott McKenzie sang of "people in motion" coming from all across the country to San Francisco, the white-hot center of rock music and anti-war protests. At the same time, another large group of young Americans was also in motion, less eagerly, heading for the jungles of Vietnam.

Hearts on Fire is about the creative explosion in Canadian music of the early 2000s, which captured the world's attention in entirely new ways. The Canadian wave didn't just sweep over one genre or one city, it stretched from coast to coast, affecting large bands and solo performers, rock bands and DJs, and it connected to international scenes by capitalizing on new technology and old-school DIY methods.

The kaleidoscopic story of how an underground American subculture reshaped the global fashion industry. The world now calls it “streetwear.” This is the story of how this fiercely guarded counterculture launched a lifestyle and fashion movement that has endured for nearly fifty years. It was...

With their unforgettable melodies, timeless messages, and stylistic indebtedness to both jazz and Broadway, American popular standards have proven to be among the most widely performed and enjoyed songs of the past century. Shaped in many ways by the technological and cultural developments of the early twentieth century, they have also managed to transcend these origins and become an enduring part of the American musical landscape.

The national debate over popular music's effect on character is both furious and confused. Conservatives complain primarily about lyrics, appealing to public decency and safety. Liberals, swift to the defense of any self-expression, simultaneously celebrate rock's liberating ethos and deny its cultural influence.

Of all the white American pop music groups that hit the charts before the Beatles, only the Beach Boys continued to thrive throughout the British Invasion to survive into the 1970s and beyond. The Beach Boys helped define both sides of the era we broadly call the sixties, split between their early surf, car, and summer pop and their later hippie, counterculture, and ambitious rock.