Résultats pour "The Wives" dans Classiques

Wives and Daughters, Elizabeth Gaskell's last novel, is regarded by many as her masterpiece. Molly Gibson is the daughter of the doctor in the small provincial town of Hollingford. Her widowed father marries a second time to give Molly the woman's presence he feels she lacks, but until the arrival of Cynthia, her dazzling stepsister, Molly finds her situation hard to accept. Intertwined with the story of the Gibsons is that of Squire Hamley and his two sons.

When her father remarries, the honest, innocent Molly Gibson suddenly finds herself with a new stepsister, Cynthia, who is beautiful, worldly and impetuous. This would be more than enough to deal with, but the new wife is the deeply snobbish (and darkly secretive) Hyacinth. Thwarted love, scheming ambition and small-town gossip underlie the warmth, irony and brilliant social observation which link the relationships and the inevitable conflicts as profound change comes to rural England.

Molly Gibson, the only daughter of a widowed doctor in the small provincial town of Hollingford, lost her mother when she was a child. Her father remarries wanting to give Molly the woman's presence he feels she lacks. To Molly, any stepmother would have been a shock, but the new Mrs. Gibson is a self-absorbed, petty widow, and Molly's unhappiness is compounded by the realisation that her father has come to regret his second marriage.

Set in English society before the 1832 Reform Bill, Wives and Daughters centres on the story of youthful Molly Gibson, brought up from childhood by her father. When he remarries, a new stepsister, Cynthia, enters Molly's quiet life. Loveable but worldly and troubling, Cynthia's arrival alters Molly's daily life. The narrative traces the development of the two girls into womanhood within the gossiping and watchful society of Hollingford.

Wives and Daughters follows the daily life of a widowed county doctor, Mr. Gibson, and his daughter, Molly. During our time with the Gibsons, Mr. Gibson decides to marry a woman who has a daughter near Molly's age, Cynthia. Molly and Cynthia grow up together, fall in love, and spend their days with the many characters in Hollingford.

Set in English society before the 1832 Reform Bill, Wives and Daughters centers on the story of youthful Molly Gibson, brought up from childhood by her father. When he remarries, a new stepsister enters Molly's quiet life, the loveable, but worldly and troubling, Cynthia. The narrative traces the development of the two girls into womanhood within the gossiping and watchful society of Hollingford.

Elizabeth Gaskell was one of Victorian England's pre-eminent female novelists. Admired by Charles Dickens, who described her as his 'dear Scheherazade', she mingled storytelling and social realism to superb effect in her highly acclaimed fiction. This comprehensive collection comprises dramas and readings of her finest works and some lesser-known pieces.

When her father remarries, the honest, innocent Molly Gibson suddenly finds herself with a new stepsister, Cynthia, who is beautiful, worldly and impetuous. This would be more than enough to deal with, but the new wife is the deeply snobbish (and darkly secretive) Hyacinth. Thwarted love, scheming ambition and small-town gossip underlie the warmth, irony and brilliant social observation which link the relationships and the inevitable conflicts as profound change comes to rural England.

The Old Wives' Tale is broken up into four parts, and the lives of two sisters are laid bare: one timid and unassuming, the other romantic and adventurous. From working as children in their family's drapery shop to their later years, Constance and Sophia's journey through life could not be more different. While one travels the world and defies male expectations, the other becomes a dutiful wife and mother.

Penguin Classics presents Elizabeth Gaskell, adapted for audio and available as a digital download as part of the Penguin English Library series. Read by Penelope Wilton. "Eh, miss, but that be a rare young lady! She do have such pretty coaxing ways ..." Seventeen-year-old Molly Gibson worships...

Born in 1832 in Pennsylvania, Louisa May Alcott was best known for Little Women, her phenomenal bestseller loosely based on her childhood experiences with her own sisters. Adapted numerous times for stage and screen, it is dramatised here alongside her follow-up novel Good Wives and the thrilling sensation story A Marble Woman.

Each of Sean's wives takes a moment to share a tale of their past while sitting around having a drink. Contains the Valens Legacy novellas Peg and Cali and Estrella and Other Stories.

Spanning nearly half a century, The Old Wives Tale is epic in scale and scope, tracing as it does the effects of time on two sisters and their surroundings. The novel is a domestic story told with tenderness, and is concerned not with heroic statesmen or soldiers, but with small details of daily life in a way which demonstrates Bennett’s great debt to French realist writers. The action is concentrated mainly within the provincial town of Bursley, a startling contrast to Paris where Sophia and Gerald elope.

Double-meanings, disguises and dirty laundry abound as Sir John Falstaff sets about improving his financial situation by wooing Mistress Page and Mistress Ford. But the ‘Merry Wives’ quickly cotton on to his tricks and decide to have a bit of fun of their own at Falstaff’s expense.

Following her critically acclaimed narration of Little Women Part One, narrator Anne Undeland picks up the story from where it left off with Good Wives aka Little Women Part Two. Three years after the curtain closed on the first book, we're brought back into the March family fold, opening with Meg’s wedding. No longer little girls dreaming of “castles in the air”, Meg, Jo, Beth, and Amy are now young women, each with her own share of joy and heartache, and each with her own path to forge.

In this biting comedy of errors, the hapless Arnolphe is undone by his own double dealing and double standards. The School for Wives was first performed at the Palais Royal theatre on December 26, 1662, and is considered by many to be Moliere's masterpiece. Richard Wilbur's subtle verse translation illuminates the great master of comedy at his wittiest.