Résultats pour "The Prince" dans Idéologies et doctrines

The Prince is a treatise that systematically charts the best strategies for successful governing. It unapologetically places realism above idealism, showing would-be kings how to get what they want while appearing to be generous and honourable, and advocates that the means — cruelty, duplicity and horror —justify the ends of secure monarchical rule. But it can also be read as the work of a secret republican subtly undermining the despotism of the ruling Medici family.

Brought to you by Penguin. This Penguin Classic is performed by Simon Callow, actor and director, known for his roles in Four Weddings and a Funeral, Shakespeare in Love, and the BBC adaptation of A Christmas Carol. As a diplomat in turbulent fifteenth-century Florence, Niccolò Machiavelli knew...

Here is the world's most famous master plan for seizing and holding power. Astonishing in its candor, The Prince is a disturbingly realistic and prophetic work on what it takes to be a prince, a king, a president.

Published in 1532 five years after Machiavelli’s death, the philosophies and implications introduced in the manifesto are continually referenced by today’s top business executives for insight into leadership, political theory, and ethics.

Perhaps one of the most influential and controversial books in history, Machiavelli’s The Prince raises issues that are still debated centuries after its publication. The theories he developed in The Prince were derived from his observation of the successes and failures of the ruling class. The Prince was designed as a practical guide for newly appointed rulers and is required reading for all persons in a position of authority who strive for grandeur in business and politics.

Given the tumultuous political era in which he lived, Niccolo Machiavelli (1469-1527), the Italian Renaissance author, philosopher, historian, and diplomat, had a front-row seat to observe the political machinations, power struggles, and dynastic changes in Renaissance Europe. He would compile these observations in "The Prince," which would swiftly gain a reputation both as a simple treatise on how to achieve and wield political power as well as an immoral by-the-numbers account of how tyrants can seize and maintain dictatorships.

La crisis económica ha acelerado el ritmo de los cambios políticos en todo el mundo: mayor imprevisibilidad electoral, regresiones autoritarias, surgimiento de nuevos partidos, dificultades para formar gobierno o aumento de las tensiones territoriales, todas ellas cuestiones al orden del día. Esta aceleración ha hecho que cada vez haya ganado más espacio en el debate público una figura hasta ahora ignorada: el politólogo.

With the growth of the U. S. national government under the Obama administration, the perennial debate over where to draw the line between public and private has come to the fore yet again. This time around, however, the stakes are higher than ever as unprecedented amounts of public money are poured into private corporations. In Drawing the Line, Andrew Stark takes a fresh and provocative look at how Americans debate the border between the public realm and the private.