Résultats pour "Jazz" dans États-Unis

A "radiantly accomplished" (Wall Street Journal) music scholar presents an accessible introduction to the art of listening to jazz In How to Listen to Jazz, award-winning music scholar Ted Gioia presents a lively introduction to one of America's premier art forms. He tells us what to listen for...

Universally acclaimed as a musical genius, Miles Davis was one of the most important and influential musicians in the world. Here, Miles speaks out about his extraordinary life. Miles: The Autobiography, like Miles himself, holds nothing back. He speaks frankly and openly about his drug problem...

A masterpiece that brings to life the fascinating story of the quintessential American music—jazz. Visually stunning, with more than five hundred photographs, this companion volume to the acclaimed ten-part PBS TV series is an exploration of the music that celebrates all Americans at their...

Vivian Gordon went out before midnight in a velvet dress and mink coat. Her body turned up the next morning in a desolate Bronx park, a dirty clothesline wrapped around her neck. At her stylish Manhattan apartment, detectives discovered notebooks full of names—businessmen, socialites, gangsters. And something else—a letter from an anti-corruption commission established by Governor Franklin Delano Roosevelt.

Jazz is more than a musical genre. It is a movement, an escape, and a form of rebellion—one whose mystery you can uncover through the fascinating musicians that shaped its history. Jazz doesn’t easily fit into any category owing to its diverse roots, incredible flexibility, and passion for improvisation. It is, therefore, ironic, yet somehow understandable, that this mysterious genre, so different even from other Black-inspired music, should be so well-loved by millions of people across the globe

He's the butt of political jokes, frequently subjected to ridicule, and almost never absent a "Worst Presidents" list where he most often ends up at the bottom. Historians have labeled him the "Worst President Ever," "Dead Last," "Unfit," and "Incompetent," to name but a few. Many contemporaries...

From T. J. English, the New York Times bestselling author of Havana Nocturne, comes the epic, scintillating narrative of the interconnected worlds of jazz and organized crime in 20th century America. ""[A] brilliant and courageous book."" —Dr. Cornel West Dangerous Rhythms tells the symbiotic...

The history of black Freemasonry from Boston and Philadelphia in the late 1700s through the Civil War to the Civil Rights Movement Examines the letters of Prince Hall, legendary founder of the first black lodge Reveals how many of the most influential jazz musicians of the 20th century...

Smith tells the joyful story of the musicians, the radio DJs, the record labels, and the live venues where jazz not only survived but thrived in the 1960s. In an era marked by turmoil and struggle, popular jazz offered a powerful outlet for joy, resilience, pride, and triumph.

Thomas W. Jacobsen's The New Orleans Jazz Scene, 1970-2000 chronicles the resurgence of jazz music in the Crescent City in the years following Suhor's prophetic claim. Jacobsen, a New Orleans resident and longtime jazz aficionado, offers a wide-ranging history of the New Orleans jazz renaissance in the last three decades of the twentieth century, weaving local musical developments into the larger context of the national jazz scene.

From woman?s suffrage to Babe Ruth?s home runs, from Louis Armstrong?s jazz to Franklin Delano Roosevelt?s four presidential terms, from the finale of one world war to the dramatic close of the second, War, Peace, and All That Jazz presents the story of some of the most exciting years in U.S. history. With the end of World War I, many Americans decided to live it up, going to movies, driving cars, and cheering baseball games aplenty.

At the height of the ideological antagonism of the Cold War, the US State Department unleashed an unexpected tool in its battle against Communism: jazz. From 1956 through the late 1970s, America dispatched its finest jazz musicians to the far corners of the earth, from Iraq to India, from the Congo to the Soviet Union, in order to win the hearts and minds of the Third World and to counter perceptions of American racism.

The compulsively readable and sometimes jaw-dropping story of the life of a notorious madam who played hostess to every gangster, politician, writer, sports star and Cafe Society swell worth knowing, and who as much as any single figure helped make the twenties roar—from the Pulitzer...

Samuel Charters has been studying and writing about New Orleans music for more than 50 years. A Trumpet around the Corner: The Story of New Orleans Jazz is the first book to tell the entire story of a century of jazz in New Orleans. Although there is still controversy over the racial origins and cultural sources of New Orleans jazz, Charters provides a balanced assessment of the role played by all three of the city's musical lineages - African American, white, and Creole - in jazz's formative years.

In four words - "the capital of everything" - Duke Ellington captured Manhattan during one of the most exciting and celebrated eras in our history: The Jazz Age. Radio, tabloid newspapers, and movies with sound appeared. The silver screen took over Times Square as Broadway became America's movie mecca. Tremendous new skyscrapers were built in Midtown in one of the greatest building booms in history.

The grandson of a slave, Dr. Ossian Sweet moved his family to an all-white Detroit neighborhood in 1925. When his neighbors attempted to drive him out, Sweet defended himself, resulting in the death of a white man and a murder trial for Sweet. There followed one of the most important (and shockingly unknown) cases in Civil Rights history. Also caught up in the intense courtroom drama were legal giant Clarence Darrow and the newly formed National Association for the Advancement of Colored People (NAACP).

This Is Our Music, declared saxophonist Ornette Coleman's 1960 album title. But whose music was it? At various times during the 1950s and 1960s, musicians, critics, fans, politicians, and entrepreneurs claimed jazz as a national art form, an Afrocentric race music, an extension of modernist innovation in other genres, a music of mass consciousness, and the preserve of a cultural elite. This original and provocative book explores who makes decisions about the value of a cultural form and on what basis.

Vanity Fair’s Joe Pompeo investigates the notorious 1922 double murder of a high-society minister and his secret mistress, a Jazz Age mega-crime that propelled tabloid news in the 20th century. On September 16, 1922, the bodies of Reverend Edward Hall and Eleanor Mills were found beneath a...

Black Music is a book about the brilliant young jazz musicians of the early 1960s: John Coltrane, Thelonious Monk, Miles Davis, Ornette Coleman, Cecil Taylor, Archie Shepp, Sun Ra, and others. It is composed of essays, reviews, interviews, liner notes, musical analyses, and personal impressions from 1959-1967. Also includes Amiri Baraka's reflections in a 2009 interview with Calvin Reid of Publishers Weekly.