Résultats pour "Jazz" dans Amériques

An Economist Best Book of the Year An acclaimed music scholar presents an accessible introduction to the art of listening to jazz. “Mr. Gioia could not have done a better job. Through him, jazz might even find new devotees.” ―Economist In How to Listen to Jazz, award-winning music scholar...

An exciting social history encompassing music, culture, and real estate during the vital, artistically rich, and plain old fun period of the 1980s and ’90s in the Brooklyn neighborhoods of Fort Greene and Clinton Hill When Nelson George moved into 19 Willoughby Avenue in 1985, he was able to...

A masterpiece that brings to life the fascinating story of the quintessential American music—jazz. Visually stunning, with more than five hundred photographs, this companion volume to the acclaimed ten-part PBS TV series is an exploration of the music that celebrates all Americans at their...

He's the butt of political jokes, frequently subjected to ridicule, and almost never absent a "Worst Presidents" list where he most often ends up at the bottom. Historians have labeled him the "Worst President Ever," "Dead Last," "Unfit," and "Incompetent," to name but a few. Many contemporaries...

Jazz is more than a musical genre. It is a movement, an escape, and a form of rebellion—one whose mystery you can uncover through the fascinating musicians that shaped its history. Jazz doesn’t easily fit into any category owing to its diverse roots, incredible flexibility, and passion for improvisation. It is, therefore, ironic, yet somehow understandable, that this mysterious genre, so different even from other Black-inspired music, should be so well-loved by millions of people across the globe

It was a Roaring Twenties fatal attraction. Nettie Herskovitz was wealthy and widowed when she met Harry Diamond. The attentive, irresistibly sexy twenty-three-year-old suitor would become Nettie's fifth husband. He was also a bootlegger, pimp, and first-class hustler who thought he'd wed a goldmine. What Harry found instead was a fiercely independent older woman who was nobody's fool for long.

From T. J. English, the New York Times bestselling author of Havana Nocturne, comes the epic, scintillating narrative of the interconnected worlds of jazz and organized crime in 20th century America. "[A] brilliant and courageous book." —Dr. Cornel West Dangerous Rhythms tells the symbiotic...

Smith tells the joyful story of the musicians, the radio DJs, the record labels, and the live venues where jazz not only survived but thrived in the 1960s. In an era marked by turmoil and struggle, popular jazz offered a powerful outlet for joy, resilience, pride, and triumph.

At the height of the ideological antagonism of the Cold War, the US State Department unleashed an unexpected tool in its battle against Communism: jazz. From 1956 through the late 1970s, America dispatched its finest jazz musicians to the far corners of the earth, from Iraq to India, from the Congo to the Soviet Union, in order to win the hearts and minds of the Third World and to counter perceptions of American racism.

Thomas W. Jacobsen's The New Orleans Jazz Scene, 1970-2000 chronicles the resurgence of jazz music in the Crescent City in the years following Suhor's prophetic claim. Jacobsen, a New Orleans resident and longtime jazz aficionado, offers a wide-ranging history of the New Orleans jazz renaissance in the last three decades of the twentieth century, weaving local musical developments into the larger context of the national jazz scene.

From woman?s suffrage to Babe Ruth?s home runs, from Louis Armstrong?s jazz to Franklin Delano Roosevelt?s four presidential terms, from the finale of one world war to the dramatic close of the second, War, Peace, and All That Jazz presents the story of some of the most exciting years in U.S. history. With the end of World War I, many Americans decided to live it up, going to movies, driving cars, and cheering baseball games aplenty.

The compulsively readable and sometimes jaw-dropping story of the life of a notorious madam who played hostess to every gangster, politician, writer, sports star and Cafe Society swell worth knowing, and who as much as any single figure helped make the twenties roar—from the Pulitzer...

Samuel Charters has been studying and writing about New Orleans music for more than 50 years. A Trumpet around the Corner: The Story of New Orleans Jazz is the first book to tell the entire story of a century of jazz in New Orleans. Although there is still controversy over the racial origins and cultural sources of New Orleans jazz, Charters provides a balanced assessment of the role played by all three of the city's musical lineages - African American, white, and Creole - in jazz's formative years.

The grandson of a slave, Dr. Ossian Sweet moved his family to an all-white Detroit neighborhood in 1925. When his neighbors attempted to drive him out, Sweet defended himself, resulting in the death of a white man and a murder trial for Sweet. There followed one of the most important (and shockingly unknown) cases in Civil Rights history. Also caught up in the intense courtroom drama were legal giant Clarence Darrow and the newly formed National Association for the Advancement of Colored People (NAACP).

This Is Our Music, declared saxophonist Ornette Coleman's 1960 album title. But whose music was it? At various times during the 1950s and 1960s, musicians, critics, fans, politicians, and entrepreneurs claimed jazz as a national art form, an Afrocentric race music, an extension of modernist innovation in other genres, a music of mass consciousness, and the preserve of a cultural elite. This original and provocative book explores who makes decisions about the value of a cultural form and on what basis.

Black Music is a book about the brilliant young jazz musicians of the early 1960s: John Coltrane, Thelonious Monk, Miles Davis, Ornette Coleman, Cecil Taylor, Archie Shepp, Sun Ra, and others. It is composed of essays, reviews, interviews, liner notes, musical analyses, and personal impressions from 1959-1967. Also includes Amiri Baraka's reflections in a 2009 interview with Calvin Reid of Publishers Weekly.