Résultats pour "Gilbert" dans Littérature du monde

Il y a tout juste un siècle (1903), les huit cents habitants de Cornemule, le gros bourg corrézien, ne s'éclairent qu'à la chandelle et à la lampe à pétrole, et s'en trouvent fort bien. Or voici qu'à l'approche des élections municipales, le maire, Valentin Lescure, proclame : "Je vais être celui qui fait briller le soleil à minuit." L'électricité à Cornemule ! On s'émeut, on tremble : les vaches vont crever, les hommes perdre leur virilité, etc. Mais on n'arrête pas le progrès et, un beau soir, la lumière jaillit sur la place.

On l'appelle la Mule. Elle est sourde et muette de naissance. Dans ce grand domaine de la haute Corrèze où elle est domestique, on la traite comme une bête ; on abuse d'elle, et de toutes les manières, assuré qu'elle ne saurait dénoncer ses tourmenteurs. Antoine Rolandier, de retour de captivité, la retrouve. Il sait que, tout enfant, Jeanne - c'est le nom de la jeune femme - ne quittait pas d'un pas Paul Rolandier, son grand-père, le plus riche meunier de la vallée de Bar.

The tale of King Alfred, the Christian king who in 878AD battled a Viking invasion that had conquered the rest of England and burnt some cakes. He then became the last holdout of resistance against the invaders and forced the conversion of the Danish king Guthrum to Christianity after the battle of Ethandun.

In Too Good to Be Altogether Lost, Wilder expert Pamela Smith Hill dives back into the Little House books, closely examining Wilder's text, her characters, and their stories. Hill reveals that these gritty, emotionally complex novels depict a realistic coming of age for a girl in the American West. This realism in Wilder's novels, once perceived as a fatal flaw, can lead to essential discussions not only about the past but about the present—and the underlying racism young people encounter when reading today.

Roland Keener is an aging hairstylist who’s lived and worked in Winnipeg all his life. He’s more or less content with the quiet and predictable days he shares with his partner of twenty-five years, Tony. That is, until he hears that Birdy O’Day—washed-up music icon and Roland’s childhood best friend and first love—is playing his first concert in Winnipeg since fleeing decades earlier. Holing up with a scrapbook of news clippings about Birdy, Roland recalls his childhood in the ’60s and his friendship with Birdy until the pair became estranged when Birdy left in pursuit of stardom.