Résultats pour "Anna" dans Fiction biographique

Five Days in November, 1920: As the body of the Unknown Soldier makes its way home from the fields of Northern France, three women are dealing with loss in their own way: Hettie, who dances for sixpence a waltz at the Hammersmith Palais; Evelyn, who toils at a job in the pensions office, and Ada, a housewife who is beset by visions of her dead son. One day a young man comes to her door. He carries with him a wartime mystery that will bind these women together and will both mend and tear their hearts.

Un’aggressione violenta a Granada, e Luz in una notte perde tutto. Unico, misterioso lascito della madre: una scatola bianca con un logo a forma di labirinto, una lettera di presentazione fasulla e un biglietto per Venezia. È così che la ragazza, sedici anni e muta per scelta, si ritrova a...

A crown won in the eye of a storm. A queen who refuses to be broken... Princess Anna of Denmark sails for Scotland to marry King James VI, but storms ravage her fleet, igniting a deadly obsession with witchcraft in her new home. Arriving in a strange and paranoid court, Anna finds her new husband’s bed is a treacherous place. Surrounded by whispering courtiers and shifting alliances, Anna refuses to remain a passive pawn. When the court takes her children to raise them away from her, the young queen draws her line in the sand.

Nella primavera 1944 Anna Banti ha quasi ultimato il suo racconto biografico dedicato all'artista seicentesca Artemisia Gentileschi, ma in agosto il manoscritto va distrutto nei bombardamenti tedeschi su Firenze. Con "ostinazione accorata" la scrittrice torna allora al suo personaggio, "pittrice valentissima" ma soprattutto "una delle prime donne che sostennero colle parole e colle opere il diritto al lavoro congeniale e a una parità di spirito fra i due sessi".

After twelve years of marriage to English explorer James Cook, Elizabeth has yet to spend an entire year with her husband. In their house by the Thames, she moves to the rhythms of her life as a society wife, but there is so much more to her than meets the eye. She has the fortitude to manage the house and garden, raise their children, and face unbearable sorrow by herself - in fact, she is sometimes in thrall to her own independence.

The Instant #1 BESTSELLER . . . Inspired by a TRUE STORY . . . Soon to be a MAJOR MOTION PICTURE! Semifinalist for the KINDLE BOOK AWARD "An intense and emotional read!" - Rhys Bowen, New York Times bestselling author of The Tuscan Child Reminiscent of The Thorn Birds, The Light Between Oceans...

Det här är romanen om människan, konstnären och gåtan Hilma af Klint. En berättelse om att följa sin inre röst, att försöka utföra det omöjliga.

Heinrich Berlingen, Baron von Satten, braucht einen Erben für seinen Titel und sein Lebenswerk, aber will sich nicht binden. So kommt Niklas von Altenmark, ein siebenjähriger preußischer Krautjunker zu dem ruhelosen älteren Herrn, und das, obwohl er doch niemals von daheim fort wollte. Unter den Fittichen des Barons reist Niklas über Berlin ins vorrevolutionäre Paris, erlebt die letzte Blüte des Rokokos, bevor der Ausbruch der Französischen Revolution sie nach London treibt, und von dort über den halben Kontinent.

A young immigrant is abandoned in Dawson at the height of the Klondike Gold Rush. She’s penniless and unready to be among 100,000 stampeders. Circumstances soon force her to move to the cribs of Klondike City to survive.

Zrezygnowana i rozczarowana postawą najbliższych, Rozalia porzuca dotychczasowe życie i przenosi się do upragnionego domu na wsi. Jednak nawet ta decyzja nie pozwala jej żyć spokojnie. Wkrótce Róża musi zdecydować, czy ulec presji i poddać się namowom córki, czy być wierną swoim postanowieniom. Fabuła powieści rozgrywa się w dwóch planach czasowych – teraźniejszości, kiedy to Rozalia walczy o niezależność, oraz w latach 70. i 80., w czasie, na który przypadły jej młodość, pierwsza miłość, rozbudzone nadzieje i obciążone konsekwencjami decyzje.

"Makes Game of Thrones look like a nursery rhyme." —Daisy Goodwin, New York Times bestselling author of The Fortune Hunter “[Alpsten] recounts this remarkable woman’s colourful life and times." —Count Nikolai Tolstoy, historian and author Before there was Catherine the Great, there was...

She called herself Silent Anna, because she couldn’t tell anyone about what happened between her and her stepfather. Many years later, Anna breaks the silence to reveal the sexual abuse she suffered, its impact on her life and how she has finally managed to overcome it. This is the story of a young girl’s determination to survive and to overcome her traumatic childhood.

'Alison Weir transforms Henry VIII's much-maligned fourth wife into a woman of passion, courage and mystery' Tracy Borman Alison Weir, historian and author of the Sunday Times bestsellers Katherine of Aragon: The True Queen, Anne Boleyn: A King's Obsession and Jane Seymour: The Haunted Queen...

April, 1912: It's the perfect finale to a Grand Tour of Europe—sailing home on the largest, most luxurious ocean liner ever built. For the Fortune sisters, the voyage offers a chance to reflect on the treasures of the past they've seen and contemplate the futures that await them. For Alice, there's foreboding mixed with her excitement. A fortune teller in Egypt gave her a dire warning about traveling at sea. And the freedom she has enjoyed on her travels contrasts with her fiance's plans for her return—a cossetted existence she's no longer sure she wants.

"Je m'appelle Anna Livia" est le récit âpre, tendu entre noir et lumière telle une tragédie grecque, de l'irracontable, l'inceste. Deux voix - celle d'une femme depuis longtemps partie du domaine, la mère d'Elisabeta, qui questionne ; celle du serviteur Josefino qui revit la découverte, un matin, du corps suicidé de son maître -, et un silence hanté : "Ainsi c'était déjà là. C'était là avant que de se faire. Comme dérivant à la surface d'un rêve obscur. Avant même qu'elle ait pu penser. Un jour peut-être."

En esta novela hay veranos, cigarrillos, piscinas, hospitales, caballos, azulejos, cemento, arena, cartas, plantas, fuego, vacaciones, amores, mentiras, verdades, vergüenzas... y también alcohol, que lo impregna todo, estropeándolo y deformándolo. Porque el padre es alcohólico. Y ella, la hija de un alcohólico.