Résultats pour "Anna" dans Fiction biographique

Nella primavera 1944 Anna Banti ha quasi ultimato il suo racconto biografico dedicato all'artista seicentesca Artemisia Gentileschi, ma in agosto il manoscritto va distrutto nei bombardamenti tedeschi su Firenze. Con "ostinazione accorata" la scrittrice torna allora al suo personaggio, "pittrice valentissima" ma soprattutto "una delle prime donne che sostennero colle parole e colle opere il diritto al lavoro congeniale e a una parità di spirito fra i due sessi".

Set against the sprawling backdrop of 1930s Australia, Anna May Shahan is a wild child raised on a lush farm by the sea, always barefoot and playing in her neighbor’s secret garden. Her Aboriginal nanny teaches her the ways of the land, and she grows up to be a quirky, eccentric, and sweet woman. But she is not without her demons, as she struggles with bizarre behaviors and a haunting, dark side. Soon after marriage, Anna inherits Sugar Alexandria, her family’s sheep station, and she and her Irish husband James lead a simple, hardworking life.

Five Days in November, 1920: As the body of the Unknown Soldier makes its way home from the fields of Northern France, three women are dealing with loss in their own way: Hettie, who dances for sixpence a waltz at the Hammersmith Palais; Evelyn, who toils at a job in the pensions office, and Ada, a housewife who is beset by visions of her dead son. One day a young man comes to her door. He carries with him a wartime mystery that will bind these women together and will both mend and tear their hearts.

Un'aggressione violenta a Granada, e Luz in una notte perde tutto. Unico, misterioso lascito della madre: una scatola bianca con un logo a forma di labirinto, una lettera di presentazione fasulla e un biglietto per Venezia. È così che la ragazza, sedici anni e muta per scelta, si ritrova a lavorare per Mariano Fortuny, l'alchimista delle stoffe. Nel suo palazzo di campo San Beneto, già si stampano con tecniche segrete gli scialli knossos, ambiti dalla buona società di tutta Europa, ma il suo genio instancabile è ossessionato dalla creazione di un abito senza tempo.

Zrezygnowana i rozczarowana postawą najbliższych, Rozalia porzuca dotychczasowe życie i przenosi się do upragnionego domu na wsi. Jednak nawet ta decyzja nie pozwala jej żyć spokojnie. Wkrótce Róża musi zdecydować, czy ulec presji i poddać się namowom córki, czy być wierną swoim postanowieniom. Fabuła powieści rozgrywa się w dwóch planach czasowych – teraźniejszości, kiedy to Rozalia walczy o niezależność, oraz w latach 70. i 80., w czasie, na który przypadły jej młodość, pierwsza miłość, rozbudzone nadzieje i obciążone konsekwencjami decyzje.

Det här är romanen om människan, konstnären och gåtan Hilma af Klint. En berättelse om att följa sin inre röst, att försöka utföra det omöjliga.

She called herself Silent Anna, because she couldn’t tell anyone about what happened between her and her stepfather. Many years later, Anna breaks the silence to reveal the sexual abuse she suffered, its impact on her life and how she has finally managed to overcome it. This is the story of a young girl’s determination to survive and to overcome her traumatic childhood.

A young immigrant is abandoned in Dawson at the height of the Klondike Gold Rush. She’s penniless and unready to be among 100,000 stampeders. Circumstances soon force her to move to the cribs of Klondike City to survive.

'Alison Weir transforms Henry VIII's much-maligned fourth wife into a woman of passion, courage and mystery' Tracy Borman Alison Weir, historian and author of the Sunday Times bestsellers Katherine of Aragon: The True Queen, Anne Boleyn: A King's Obsession and Jane Seymour: The Haunted Queen...

After twelve years of marriage to English explorer James Cook, Elizabeth has yet to spend an entire year with her husband. In their house by the Thames, she moves to the rhythms of her life as a society wife, but there is so much more to her than meets the eye. She has the fortitude to manage the house and garden, raise their children, and face unbearable sorrow by herself - in fact, she is sometimes in thrall to her own independence.

En esta novela hay veranos, cigarrillos, piscinas, hospitales, caballos, azulejos, cemento, arena, cartas, plantas, fuego, vacaciones, amores, mentiras, verdades, vergüenzas... y también alcohol, que lo impregna todo, estropeándolo y deformándolo. Porque el padre es alcohólico. Y ella, la hija de un alcohólico.

April, 1912: It's the perfect finale to a Grand Tour of Europe—sailing home on the largest, most luxurious ocean liner ever built. For the Fortune sisters, the voyage offers a chance to reflect on the treasures of the past they've seen and contemplate the futures that await them. For Alice, there's foreboding mixed with her excitement. A fortune teller in Egypt gave her a dire warning about traveling at sea. And the freedom she has enjoyed on her travels contrasts with her fiance's plans for her return—a cossetted existence she's no longer sure she wants.

"Je m'appelle Anna Livia" est le récit âpre, tendu entre noir et lumière telle une tragédie grecque, de l'irracontable, l'inceste. Deux voix - celle d'une femme depuis longtemps partie du domaine, la mère d'Elisabeta, qui questionne ; celle du serviteur Josefino qui revit la découverte, un matin, du corps suicidé de son maître -, et un silence hanté : "Ainsi c'était déjà là. C'était là avant que de se faire. Comme dérivant à la surface d'un rêve obscur. Avant même qu'elle ait pu penser. Un jour peut-être."