Résultats pour "Adam" dans Fiction biographique

Takiej powieści o Mickiewiczu jeszcze nie było! To nie jest nudna biografia wieszcza, nic z tych rzeczy. To zeznanie pewnej tajemniczej postaci. W tej niesamowitej historii narratorem jest... No właśnie – kto? Bies, licho, a może sam... diabeł, opiekujący się Adamem od kołyski w Zaosiu po istambulskie łoże śmierci? Czy bez interwencji tego czarciego ducha nie mielibyśmy wieszcza oraz Polski – Chrystusa narodów? Mickiewicz nie jawi się tu wyłącznie jako geniusz, cudowne dziecko romantyzmu. Jest mężczyzną z krwi i kości – delikatnym i uduchowionym, ale też kochliwym, burkliwym, zadufanym w sobie, równie skłonnym do uniesień, jak i konfliktów.

Written as an autobiographical novel, this is the true story of an ordinary man's journey with an extraordinary woman. Starting in the sixties, it charts the evolution of a relationship where happiness constantly gives way to tragedy and tragedy is in turn, diluted by happiness. From the time of their first meeting, it's obvious to Adam and Eve that they view the world very differently, but they know that the deepest of love doesn't lie in perfection.

John Quincy Adams is the missing link in the classical era of American history which began with the Revolution and ended with Emancipation. Between these bookends lies the absorbing yet overshadowed epic of a new nation spearheading liberty's cause in a world skeptical of freedom arriving at all, much less in slaver's garb. M. B. Zucker takes listeners back to that adolescent country in the care of an enigmatic guide, John Quincy Adams, heir to one president by blood and another, Washington, by ideology.

In time for the 250th Anniversary of the birth of the United States comes a sweeping, intimate portrayal of Abigail Adams—wife of one president and mother to another—whose wit, willpower, and wisdom helped shape the fledgling republic. A stunning historical novel with modern-day implications...

Renie Lee has climbed the ladder in a man's world to be head of the Story Department at Warner Bros. Studios. Renie is an idealist who believes that "the perfect film" can be created. When she pulls an unproduced stage play set in Morocco out of the slush pile, she has a feeling this one is special, maybe not perfect but special enough to secure her place as an equal to the studio's most powerful men. No one agrees with her until two young studio writers, Julius and Philip Epstein, decide to back Renie's gamble and bring the Morocco story to the screen. Their screenplay's name: Casablanca.