This episode is a conversation between performing arts researcher, Victoria Pérez Royo, choreographer and artist Andrea Božić, and visual artist Julia Willms. Andrea and Julia have collaborated since 2003 making in-disciplinary works that re-organise space, attention and perception; exploring how spectatorship, imagination and spectacle are intertwined and embodied.

The conversation was recorded in a studio in Amsterdam and together, they explore the nature and practice of capturing and interpreting dreams, they discuss research on dreams, dream logic, and the immersive virtual environments that dreams create.

To find a full transcript of this episode, and resources mentioned, visit our website.

This episode is part of a mini-series, Dreaming Communities, curated by performing arts researcher, Victoria Pérez Royo. She defines the series as "a group of people having conversations around what we call the dreaming substance, meaning all the work developed around images that do not appear on a material surface outside of the body." You can read more about Victoria's curation on our website.

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This episode is a conversation between artists Wu Tsang and Tosh Basco. Wu is an award ­winning filmmaker and performance artist, whose works explore hidden histories, marginalised narratives, and the act of performing itself. Tosh is a multidisciplinary performance artist and photographer, whose work enfolds language, becoming, and representation together; within spaces where these are typically understood as discrete entities.

In the conversation, Wu and Tosh discuss their collaboration, emphasising relationality and care in times of crisis. They reflect on their various works exploring life, death, and rebirth. They touch on the impact of capitalism, societal collapse, the fluidity of identity and memory. This conversation was recorded in a studio in London.

To find a full transcript of this episode, and resources mentioned, visit our website.

This episode is part of a mini-series,Choreographing the Apocalypse, which is guest curated by Mine Kaplangı, a Folkestone-based curator and art mediator from Istanbul.

It forms part of their ongoing research into queer and trans imaginaries of the apocalypse(s). They will be inviting artists, thinkers, and somatic practitioners to explore apocalyptic thinking through speculative world-building and radically intimate frameworks.

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This episode is a conversation between Rohan Ayinde and Suley, both based in London. Rohan is part of the first cohort of the Rose Choreographic School, and he is an anadisciplinary artist and poet. Suley is a playwright, painter, lawyer and lecturer who uses world building as a radical tool of investigation.

This conversation was recorded in a studio in London and it was the first meeting between these two artists. They reflect on what world building signifies within their practices, articulating how this concept informs their individual research and methodologies. Together, they examine the convergence of their practices, and how speculative fiction, poetry, collectivity and black holes can function as a lens for understanding and imagining alternative futures.

This episode is part of a new series,Choreographing the Apocalypse, which is guest curated by Mine Kaplangı, a Folkestone-based curator and art mediator from Istanbul.

It forms part of their ongoing research into queer and trans imaginaries of the apocalypse(s). They will be inviting artists, thinkers, and somatic practitioners to explore apocalyptic thinking through speculative world-building and radically intimate frameworks.

To find a full transcript of this episode, and resources mentioned, visit our website.

Hosted on Acast. See acast.com/privacy for more information.