Show Notes:

This week, we see that every author starts somewhere in Anton Chekhov, Earliest Stories: Stories, Novellas, Humoresques, 1880-1882. To talk about Chekhov’s earliest published stories, Cameron sits down with Elena Michajlowska and Rosamund Bartlett. The pair not only edited the collection, but also oversaw the unusual editing process that involved 83 other translators across the world.

They’ll talk about where Chekhov was this early in his career, the editing process and what kinds of stories we find among this juvanalia.

Book tickets for Rosamund and Elena’s event at Pushkin House here.

Follow the Anton Chekhov Foundation on Instagram @antonchekhovfoundation

Read more on the foundation’s blog here.

Check out their website antonchekhovfoundation.org

Learn more about the Early Chekhov Translation Project here

The music used in this episode was “Старое Кино / Staroye Kino,” by Перемотка / Peremotka. You can find more of their work on Bandcamp and Youtube.

Our links: Website | ⁠Discord⁠

Socials: Instagram⁠ | BlueSky | Twitter⁠ | Facebook

Questions, comments, want to hear your voice on a bonus episode? Send us an email at slaviclitpod@gmail.com.

Show Notes:

This week, Cameron talks a little bit about director Sergei Parajanov’s “Sayat Nova” (also known as The Color of Pomegranates), and five other films he really liked this year.

Want to see the video version of this episode? Check it out here: https://youtu.be/khXaVt0ilFc

Also, sorry, the name of the theater is Dreamland Cinema. I forgot to say that in the video.

An Analysis of the Color of Pomegranates by YouTuber Blythe

Sinners and the Death of Black art by YouTube F. D. Signifier

Goodnight Irene, dir. by Sterlin Harjo

The music used in this episode was “Старое Кино / Staroye Kino,” by Перемотка / Peremotka. You can find more of their work on Bandcamp and Youtube.

Our links: Website | ⁠Discord⁠

Socials: Instagram⁠ | BlueSky | Twitter⁠ | Facebook

Questions, comments, want to hear your voice on a bonus episode? Send us an email at slaviclitpod@gmail.com.

Show Notes:

This week, Cameron dives into the final entry into Ukrainian director Oleksandr Dovzhenko’s Silent Trilogy, “Earth” (1930). The film’s deceptively simple plot—of a tractor delivery to a collectivizing village in Ukraine is followed by the murder of a local Bolshevik organizer—doesn’t hinder its avant-garde stylings, employing a montage of loose logical associations better described as dream logic, moving from people to fruit to threshing in a way that demands your attention.

Yeah, that’s right — I’m arguing that a socialist realist work about tractors is super interesting. A novel concept for the podcast, I know.

You can watch Earth (1930) in excellent quality here: “Earth” (1930) x biju

Offscreen Dreams and Collective Synthesis in Dovzhenko’s Earth by Elizabeth A. Papazian

All in the Foreground: A Study of Dovzhenko’s Earth by Gilberto Perez

Dovzhenko: Folk Tale and Revolution by Gilberto Perez

Death and life on Alexander Dovzhenko by Jonathan Rosenbaum

The Dovzhenko Papers by Marco Carynnyk

Who is Hidden behind the Figure of a Genius? The Context of Dovzhenko’s Work by Anna Tsymbal

Subversions in Dovzhenko’s Earth by Romana M. Bahry

“Ukranian masterpieces: Earth (1930) - Dovzhenko”

Earth: Analysis of Film Form, Auteur Characteristics and Context

The music used in this episode was “Старое Кино / Staroye Kino,” by Перемотка / Peremotka. You can find more of their work on Bandcamp and Youtube.

Our links: Website | ⁠Discord⁠

Socials: Instagram⁠ | BlueSky | Twitter⁠ | Facebook

Questions, comments, want to hear your voice on a bonus episode? Send us an email at slaviclitpod@gmail.com.