In this episode of the Plein Air Easton Podcast, we're joined by Carol Bean of the Eastern Shore Land Conservancy for a conversation about land, legacy, and the power of creative expression. Carol shares how ESLC works to protect the Eastern Shore's farms, forests, and waterways—and why preserving these landscapes matters now more than ever.

We also dig into the unique role artists can play in environmental advocacy, exploring how painting, storytelling, and visual documentation can inspire stewardship and spark meaningful conversations about conservation. It's a thoughtful look at how art doesn't just capture beauty—it can help protect it.

https://www.eslc.org

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This week on The Plein Air Podcast, we sit down with artist Murray Taylor, a man who has spent an impressive amount of time chasing light, landscapes, and the elusive "just one more brushstroke."

We talk about painting outdoors (yes, including wind sabotage), the strange joy of hauling art supplies into nature like a very optimistic pack mule, and what actually happens when reality refuses to match your reference photo. Murray shares stories from the field, hard-earned wisdom, and the kind of insight that only comes from staring at a horizon until it blinks first.

Expect laughs, honest talk about the creative process, and a reminder that plein air painting is part art form, part endurance sport. If you've ever painted outside—or thought, "That looks peaceful"—this episode will gently correct you.

🎧 Press play, grab a sketchbook, and prepare to feel seen.

Marie and Tim talk with first time Plein Air Easton juried artist Joshua Hoffman who won 3rd place in this year's festival with his painting "Youth". Joshua talks about the importance of mentorship, pursuing his passion, and the story behind his award winning painting.

"I have been studying art for over 20 years. I began oil painting in college where I quickly fell in love with landscape and plein air painting. There is something special about the connection a painter develops with their surroundings when they are routinely observing and practicing plein air painting, Through utilizing this process, I have learned to reflect not only my physical surroundings, but also my personal experiences, which often are expressed through my use of vibrant colors and bold brush strokes

Though I intensely studied art in college, after college I had a gap in my art pursuits from my mid 20's to my mid 30's through I did draw daily in this time. In 2015 I met my now wife and in 2017 we had our first daughter. it was at this time that I expected that my dreams of being a professional artists were not to be, I found a regular job and life was moving along. We had our second daughter in 2020, I had a cancer scare which has since been cured, and I was laid off from my office job. All during the pandemic days. It was through this rocky time that made the decision that I was gong to become a serious painter, and follow this dream. Because I have two children and needed to make money, I started a handyman service to give myself the ability to make my own schedule, doing this work 3 days per week and art as much as I could outside of this. It was such busy time, waking up at 3:30 or 4 am almost every day to paint, then off to do contracting work., it nearly broke me. But after about two years of this, my art work gained more traction, and I was able to fade out the handman business. These days, I am a full time painter and part time art teacher. Its a dream come true, and I couldn't be more grateful for those who have and who continue to support my work."

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To inquire about being a guest or sponsoring the Plein Air Easton Podcast, send us an email at info@pleinaireaston.com.

Music in this episode was generously provided by Blue Dot Sessions and Scott Gratton.

In the launch of our 5th season, Jess and Marie talk with the 2025 Grand Prize Winner Martin Geiger. Martin, an introspective and serious painter, reflects on his family of artists, how he approaches competition, and how painting for him is almost an addiction.

Martin Geiger studied in Philadelphia, Pennsylvania for four years at the Pennsylvania Academy of Fine Arts and now lives in Staunton, Virginia.

He is head assistant at Bronzecraft Foundry as well as an instructor at the Beverly Street Studio School and a trustee on the board of the Staunton Augusta Art Center, He recieved two Elizabeth Greenshields Foundation Grants, one in 2018 and one in 2022.

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To inquire about being a guest or sponsoring the Plein Air Easton Podcast, send us an email at info@pleinaireaston.com.

Music in this episode was generously provided by Blue Dot Sessions and Scott Gratton.

With Plein Air Easton right around the corner, Jess and Marie talk with the 2025 festival judge Peter Trippi. They discuss his early introduction to art history, his position as Editor-in-Chief at Fine Art Connoisseur magazine, and his approach to curation and judging.

Peter Trippi has edited Fine Art Connoisseur since 2006. Previously, he directed New York's Dahesh Museum of Art, which specialized in 19th-century European academic painting and sculpture. Before that, he held senior posts at the Brooklyn Museum and Baltimore Museum of Art.

In 2002, Phaidon Press published Trippi's monograph J W Waterhouse, which reassesses the Victorian painter best known for his Lady of Shalott at Tate Britain. Trippi went on to co-curate the Waterhouse retrospective that appeared 2008–10 in the Netherlands, England, and Canada. In 2016, Trippi co-curated the exhibition Lawrence Alma-Tadema: At Home in Antiquity, which visited museums in the Netherlands, Austria, and England. His 2021 curatorial projects were the 45-work exhibition Artful Stories: Paintings from Historic New England, in Milton, Massachusetts, and the five-artist show Flora Nova: Painting Nature Now at Sugarlift (New York City).

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To inquire about being a guest or sponsoring the Plein Air Easton Podcast, send us an email at info@pleinaireaston.com.

Music in this episode was generously provided by Blue Dot Sessions and Scott Gratton.

Following the inaugural Alumni Invitational through a partnership with the Eastern Shore Land Conservancy, Marie and Jess are joined by Communications Manager Caitlin Fisher, the brainchild behind the exhibition, to discuss the motivation behind the project and to debrief on how it went.

Founded in 1990, Eastern Shore Land Conservancy is a non-profit organization dedicated to conserving land on Maryland's Eastern Shore. From farm fields to marshes to woodlands and public trails, it is our mission to conserve, steward, and advocate for the unique rural landscape for generations to come.

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To inquire about being a guest or sponsoring the Plein Air Easton Podcast, send us an email at info@pleinaireaston.com.

Music in this episode was generously provided by Blue Dot Sessions and Scott Gratton.

LIVE from Plein Air Easton 2024, Tim and Jess talk with alumni artist Debra Huse. Debra brings her trademark joy to the conversation as she discusses the many projects she is involved with.

Debra Huse is a contemporary American Impressionist. She uses rich color and bold 
fluid strokes to capture the light and drama in 
her plein air and studio oil paintings. 
Debra enjoys painting on location and 
has painted in many plein air events across 
the country. Huse and her husband Randy 
enjoy traveling on their sport fishing boat GROUPER where Debra often paints scenes 
from the water.

Huse currently has a studio 
in a Newport Beach, CA Boatyard. 
Debra Huse has been featured in Southwest Art Magazine, Plein Air Magazine, 
Fine Art Connoisseur & Art of the West Magazine.

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To inquire about being a guest or sponsoring the Plein Air Easton Podcast, send us an email at info@pleinaireaston.com.

Music in this episode was generously provided by Blue Dot Sessions and Scott Gratton.

LIVE from Plein Air Easton 2024, Tim and Jess talk with alumni artist Mark Shasha. Mark is an interdisplenary artist that, beyond painting, also plays music and acts. He discusses his relationship with terror and how it fuels all of his artistic pursuits.

"Painting is a calling for me. It is a longing for those moments when the poetry happens when a sun beam caresses a snowbank, peeks into a glade or spills diamonds across the sea. I'm compelled by something deep in me to seize that energy and to express it as paint on canvas using my own calligraphy and the brevity of a few accurate brushstrokes. My reward is to have the viewer linger, to understand, to share as the canvas evokes and conveys a glimmer of that sublime natural beauty all around us."

Mark Shasha (b. 1961) is an award-winning American artist, author and educator.
His work has appeared in museums, galleries and publications for 40 years. His paintings are found in public and private collections around the world. And millions have read his children's books which he has written and illustrated.

After college at Rhode Island School of Design in 1983 Shasha was a frequent illustrator for the Boston Phoenix, The Globe and many other publications. His first children's book, Night of the Moonjellies (Simon & Schuster, 1992) won a Marion Vannett Ridgway Honor Award and was welcomed by Smithsonian Magazine as "a classic." It continues to appear on bestseller lists.

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To inquire about being a guest or sponsoring the Plein Air Easton Podcast, send us an email at info@pleinaireaston.com.

Music in this episode was generously provided by Blue Dot Sessions and Scott Gratton.