What starts as a simple dive into media tracking apps quickly spirals into tangents about puzzles from hell, glamping with bison and mustangs, fistfights with Satan in Pittsburgh, and the glory days of scrobbling music. Along the way, Peter and Eden hash out their very different relationships with games, books, music, and movies—and why, at the end of the day, “the juice is not worth the squeeze” when it comes to tracking everything we consume.

Opening catch-up:

• Eden returns from travel and vents about the oppressive Midwestern humidity.
• Eden recounts a cursed puzzle vacation and a surreal HipCamp adventure that included glamping in a bus, staying at a mustang ranch, and hearing a wild coma story involving battling Satan.
• A detour into mobile gaming: Eden introduces the absurd yet addictive horse girl racing game Uma Musume.
• Peter shares his ongoing love for Taskmaster, Donkey Kong Bonanza on the Switch 2, and recent reading progress (Wind and Truth, Tiny Experiments).
• Music talk:
  • New releases from Carbomb, Abigail Williams, and Blackbraid.
  • Remembering Eric Wunder of Cobalt, with Peter realizing Slow Forever might be his true desert island album.

Main Topic: Media tracking apps and services.

• Video games: Eden dabbled with Backloggd but finds it too much work; Peter doesn’t see the appeal beyond Steam’s built-in history.
• Books: Eden logs reads in a notebook; Peter wrestles with StoryGraph, Hardcover, and Goodreads but finds the friction too high. Notion experiments fail; AI-summarized notes for nonfiction survive.
• Music: Nostalgia for scrobbling and Last.fm; frustrations with Spotify, Apple Music, and Plex setups. Peter praises Plexamp and Rune; Eden experiments with Cloud Beats and dreams of a NAS.
• Movies/TV: Eden dislikes fragmented platforms; Peter mentions using Sequel lightly but relies most on Call Sheet, an IMDb alternative. Eden uses League of Comic Geeks only to track physical comics in his collection.

Closing thoughts: both agree that while tracking can be tempting, talking to people and communities is a far more rewarding way to discover new media.

In this episode, Eden and Peter dive into Fantastic Four: First Steps, a surprisingly hopeful and aesthetically stunning addition to the MCU. They unpack the film’s utopian vision, its fresh take on superhero storytelling, and why it might be one of Marvel’s most emotionally resonant efforts to date. From retrofuturist aesthetics to character depth and non-violent resolutions, they explore how this movie dares to imagine a better world—and why that makes it so special.

Episode Show Notes:

Catching up: Peter’s travel chaos, shaving disasters, and reading Tiny Experiments by Anne-Laure Le Cunff
Reflections on creativity, late-stage capitalism, and the need for exploration and failure
Eden breaks down the odd digital logic of Japanese fantasy novels and the legacy of Dragon Quest
A detour into Star Wars Galaxies Restoration and its refreshing take on MMO life and Jedi origins

Main topic: Fantastic Four: First Steps

• Both hosts loved the movie and were surprised by how well it worked
• The mid-century retrofuturist aesthetic is a standout success
• The characters feel fully-formed and lived-in—no drawn-out origin story
• Sue Storm (Vanessa Kirby) emerges as the true heart and leader of the team
• Emphasis on creativity and intelligence over brute force
• A rare example of superheroes making the world better, not just protecting the status quo
• The story’s utopian tone sets it apart from typical superhero narratives
• Franklin Richards’ birth and future teased with major power implications
• Galactus and the Silver Surfer are compelling and visually stunning additions
• A shared sense of optimism and trust among the characters and the world
• Some minor nitpicks (Ben Grimm’s beard?) but overall glowing praise
• Post-credits Doom tease? Who cares.
• Nervousness about Avengers: Doomsday expectations
• Final thoughts: a hopeful, human, and character-driven superhero film that stands out

Episode Summary

This week on The Middle of Culture, Peter and Eden dive into Superman 2025—a movie they both expected to disappoint, but ultimately left them grinning. They discuss why this version of Superman finally understands the character, their favorite portrayals (hello, Nicholas Hoult’s Lex), and the messy charm of a movie that somehow pulls off being packed without tipping over. Along the way, they touch on camping with CPAPs, ADHD and habit formation, cello-driven metal, and why The Office still sucks. It’s a jam-packed, joyful takedown and celebration of what might be DC’s best swing in years.

Episode Notes

• Peter and Eden open with summer updates, including swim meets and car camping (aka “carmping”)
• Eden reviews the anime adaptation of City, praising Kyoto Animation’s hand-drawn excellence
• Discussion on ADHD and the reality of habit formation—Peter shares how journaling became a daily routine, while Eden relies on yelling reminder apps
• Peter recommends cello virtuoso Raphael Weinroth-Browne and shares excitement over new music from Paradise Lost
• A shared hatred of The Office and a love for Taskmaster
• Peter recounts his guest appearance on The Incomparable’s “Random Pursuit” episode

Main discussion: Superman 2025

• Initial low expectations gave way to genuine enjoyment
• Both agree: it finally gets Superman right—his compassion, moral compass, and fallibility
• Highlights include Nicholas Hoult’s intense, bitter Lex Luthor and Brosnahan’s sharp Lois Lane
• Critiques: missing Clark Kent moments, underused Daily Planet characters, weak soundtrack
• Praise for standout moments like the Kansas farm scene and Mr. Terrific’s mysterious cool
• Fun digs into comics lore with Guy Gardner, Hawk Girl, and Jimmy Olsen’s inexplicable ladykiller status
• Comparison to Thunderbolts (still the best superhero movie of the year so far) and some worry over Fantastic Four
• Wrap-up with Eden ready to rewatch Superman 1978 and wishing this one had a better name

Links:
Uncanny Magazine Year 12 Kickstarter
Random Pursuit on The Incomparable Game Show