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The Lydian Spin

The Lydian Spin

De : Lydia Lunch
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 A series of lively, deep and often hilarious interviews conducted by Lydia Lunch, one of the most vocal spoken word artists of this or any century and Tim Dahl, musician and general know it all.Copyright The Lydian Spin All Rights Reserved Art Sciences sociales
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    Épisodes
    • Episode 336 Kavus Torabi

      Episode 336 Kavus Torabi
      Jan 16 2026
      Kavus Torabi is a British musician, composer, broadcaster, and DJ known for a "bent path" songwriting style. He's worked with Knifeworld, Gong, Guapo, and Cardiacs, and now focuses on structure-driven songs, home recording, and steering clear of cliché while bringing the music in his head to life.
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      1 h et 9 min
    • Episode 335 Writer Mishka Shubaly

      Episode 335 Writer Mishka Shubaly
      Jan 9 2026
      Mishka Shubaly is a nonfiction writer and storyteller known for essays on addiction, recovery, endurance, and reinvention. After earning an MFA in fiction from Columbia University, he toured as a musician before returning to writing. His seven Amazon Kindle Singles all became bestselling titles, praised for grit, dark humor, emotional honesty, and vulnerability. Each summer, Mishka teaches a nonfiction writers workshop at Yale Summer Session, helping writers refine their craft.
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      1 h et 9 min
    • Episode 334 Byron Coley

      Episode 334 Byron Coley
      Jan 2 2026
      This week's episode features a conversation with critic, Byron Coley, whose work has covered experimental music and independent culture. Byron discusses Now Jazz Now, the newly published, fully illustrated 270-page softcover book edited by Eva Prinz, with a preface by Neneh Cherry and an afterword by Joe McPhee. Now Jazz Now brings together the perspectives of Mats Gustafsson, Neneh Cherry, Joe McPhee, Thurston Moore, and Byron, compiling personal archival selections of recorded works that orbit free jazz and free improvisation. Structured around 100 essential releases presented chronologically—but explicitly rejecting hierarchy or competition—the book foregrounds album art, labels, liner notes, and collector reflections as lived history rather than canon. Byron discusses record collecting as a lifelong practice, the cultural conditions that shaped free music, and the idea of listening as an act grounded in curiosity, memory, and freedom.
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      1 h et 12 min
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