Épisodes

  • Akinola Davies Jr. on My Father’s Shadow

    Akinola Davies Jr. on My Father’s Shadow
    Feb 26 2026
    Set in Nigeria in 1993, Akinola Davies Jr.’s elliptical, atmospheric My Father’s Shadow is a portrait of a country on the cusp of a political crisis. We experience these events through the eyes of the film’s young protagonists, two boys who spend a day in Lagos with their father. They’re thrilled at the prospect of some quality time with their often-absent old man—but they also sense that there’s trouble brewing around them, even if they don’t understand all the details. Film Comment Editor Devika Girish spoke with Davies, who just won a BAFTA for Outstanding Debut for the film, about the extent to which he drew upon family memories while writing the script with his brother, Wale; how the crew recreated the textures, sounds, and feel of 1990s Nigeria; and why it was important to have a children’s perspective at the heart of this story.
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    32 min
  • Ashley Clark on The World of Black Film

    Ashley Clark on The World of Black Film
    Feb 11 2026
    Across his contributions to Film Comment and other publications, and his programming as the Curatorial Director of the Criterion Collection, Ashley Clark has established himself as one of the smartest, sharpest taste-makers in the film scene in New York and beyond—particularly through his championing of underseen films by people of color. So we were very excited by the announcement of his new book, The World of Black Film, which comes out this week. The beautifully designed volume is a historical survey of a hundred significant films made by Black filmmakers or centering Black life. It adopts a rigorously critical and curatorial approach, taking care to define what a “Black cinema” can mean, and assembling a series of titles, accompanied by deft appreciations, that capture its breadth, depth, and diversity. Film Comment Editor Devika Girish invited Ashley on the Podcast to discuss his methods in researching and shortlisting films, titles that he discovered while writing the book, and what it meant for him to have legendary Black filmmaker Sir John Akomfrah write the book’s introduction.
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    46 min
  • Sundance 2026 #5, with Bilge Ebiri, Tim Grierson, and Madeline Whittle

    Sundance 2026 #5, with Bilge Ebiri, Tim Grierson, and Madeline Whittle
    Jan 31 2026
    It's late January, and the intrepid Film Comment crew has been on the ground reporting from an extra special edition of the Sundance Film Festival—the last to take place on the snowy slopes of Park City, Utah, the festival's home since 1981, before moving to Boulder, Colorado in 2027. For the past week, we’ve gathered the best critics on the scene to talk about each day’s premieres on the Podcast. For our final Podcast from Sundance 2026, critics Bilge Ebiri and Tim Grierson and programmer Madeline Whittle joined Film Comment Editor Devika Girish to close out the fest, discussing Padraic McKinley's The Weight (2:56), Noah Segan's The Only Living Pickpocket in New York (24:26), Dawn Porter's When a Witness Recants (28:46), Jason Osder and William Lafi Youmans's Who Killed Alex Odeh? (34:34), Josephine Decker's Chasing Summer (47:20), Walter Thompson-Hernández's If I Go Will They Miss Me? (1:05:46), Hossein Keshavarz and Maryam Ataei The Friend's House Is Here (1:10:28), Rafael Manuel's Filipiñana (1:14:05), and more. Catch up on all of our Sundance 2026 coverage at filmcomment.com
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    1 h et 22 min
  • Sundance 2026 #4, with Robert Daniels, Will Tavlin, and Natalia Winkelman

    Sundance 2026 #4, with Robert Daniels, Will Tavlin, and Natalia Winkelman
    Jan 27 2026
    It's late January, and the intrepid Film Comment crew is on the ground reporting from an extra special edition of the Sundance Film Festival—the last to take place on the snowy slopes of Park City, Utah, the festival's home since 1981, before moving to Boulder, Colorado in 2027. For the next week, we’ll be gathering the best critics on the scene to talk about each day’s premieres on the Podcast. For our fourth Podcast from the fest, critics Robert Daniels, Will Tavlin, and Natalia Winkelman joined Film Comment Editor Devika Girish to discuss William Greaves and David Greaves’s Once Upon a Time in Harlem (2:15), Michał Marczak’s Closure (22:30), Adam Meeks's Union County (31:03), and Kogonada's zi (41:35). Catch up on all of our Sundance 2026 coverage at filmcomment.com
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    52 min
  • Sundance 2026 #3, with Tim Grierson, Robert Daniels, and Monica Castillo

    Sundance 2026 #3, with Tim Grierson, Robert Daniels, and Monica Castillo
    Jan 26 2026
    It's late January, and the intrepid Film Comment crew is on the ground reporting from an extra special edition of the Sundance Film Festival—the last to take place on the snowy slopes of Park City, Utah, the festival's home since 1981, before moving to Boulder, Colorado in 2027. For the next week, we’ll be gathering the best critics on the scene to talk about each day’s premieres on the Podcast. For our third Podcast from the fest, Film Comment Editor Devika Girish invited critics and FC Podcast veterans Tim Grierson, Robert Daniels, and Monica Castillo to discuss some of this year’s buzziest premieres to date, including Cathy Yan’s art world–satire The Gallerist (3:00), Gregg Araki’s erotic romp I Want Your Sex (20:15), and Olivia Wilde’s couples' night dramedy The Invite (31:45, 42:40). Catch up on all of our Sundance 2026 coverage at filmcomment.com
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    52 min
  • Sundance 2026 #2, with Madeline Whittle and Will Tavlin

    Sundance 2026 #2, with Madeline Whittle and Will Tavlin
    Jan 26 2026
    It's late January, and the intrepid Film Comment crew is on the ground reporting from an extra special edition of the Sundance Film Festival—the last to take place on the snowy slopes of Park City, Utah, the festival's home since 1981, before moving to Boulder, Colorado in 2027. For the next week, we’ll be gathering the best critics on the scene to talk about each day’s premieres on the Podcast. For our second Podcast from the fest, Film Comment Editor Devika Girish sat down with programmer Madeline Whittle (Film at Lincoln Center) and critic Will Tavlin (n+1) to discuss Adam and Zack Khalil's Aanikoobijigan [ancestor/great-grandparent/great-grandchild] (1:54), John Wilson’s The History of Concrete (14:05), and Gabriela Osio Vanden and Jack Weisman's Nuisance Bear (28:11). Catch up on all of our Sundance 2026 coverage at filmcomment.com
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    41 min
  • Sundance 2026 #1, with Madeline Whittle, Robert Daniels, and Will Tavlin

    Sundance 2026 #1, with Madeline Whittle, Robert Daniels, and Will Tavlin
    Jan 24 2026
    It's late January, and the intrepid Film Comment crew is on the ground reporting from an extra special edition of the Sundance Film Festival—the last to take place on the snowy slopes of Park City, Utah, the festival's home since 1981, before moving to Boulder, Colorado in 2027. For the next week, we’ll be gathering the best critics on the scene to talk about each day’s premieres on the Podcast. To kick things off, Film Comment Editor Devika Girish invited programmer Madeline Whittle (Film at Lincoln Center) as well as critics Robert Daniels (RogerEbert.com) and Will Tavlin (n+1) to share their responses to the films premiering during the first few days of the fest. The group discusses the tongue-in-cheek Charli XCX mockumentary The Moment (3:30), Casper Kelly's dark comedy Buddy (20:15), and Beth de Araujo’s sophomore feature Josephine (29:50). Stay tuned for more of our Sundance 2026 coverage.
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    50 min
  • New Year, New Releases, with Beatrice Loayza and Mark Asch

    New Year, New Releases, with Beatrice Loayza and Mark Asch
    Jan 13 2026
    Every January, as we ring in the new year, we take a moment to take a look at some of the major new releases of the holiday season. This year, Film Comment Editors Devika Girish and Clinton Krute invited critics Beatrice Loayza and Mark Asch to focus on a select handful of titles that have recently graced the marquees of multiplexes, and which continue to stir up discourse. The group kicks things off with a deep dive into James Cameron’s latest 3D space opera, Avatar: Fire and Ash (4:00), before turning their attention to another epic, Josh Safdie’s Marty Supreme (33:34)—which both Beatrice and Mark have written great essays on in recent weeks. They also touch on James L. Brooks’s Ella McCay (51:15), which Mark reviewed for Film Comment just last week.
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    1 h et 8 min