This was a live meeting I had with the homie Yaotlito. Him and I have lots of history that you can check out on my Youtube Channel. He is the main inspiration and reason I decided to create and construct a whole entire recording studio within my closet. I got inspired when I saw him create a whole recording booth inside of his garage next to his dryer with foam and Christmas lights back in 2018/ 2019. Homie has inspired a lot of us in the valley, LA, and worldwide. It's always great talking to him because we both come from different worlds but we come to the same conclusions. One day I might have kids like him. Idk. Either way it's all love and homies a legend, and has played a part in a lot in the scene, music, and his life. I didn't really plan to have a guest on my show yet, but, this just sort of happened. I saw homie on a livestream, joined, and ended up talking for a while. I didn't want this meeting to go to waste. I always remember that even yesterday, last hour, last minute, last second is history to build upon. F all that perfectionist sh*t. Footage from the 90s, 80s, and 70s is still beautiful and impactful regardless of the "quality". Quality is subjective. I'd rather put out "imperfect" footage right now to build upon then wait for the perfect time and pass up on my experiences from yesterday. I always love to think about when I'm older in my 100's and 90's, what will I regret? Will I feel good about holding off on releasing my art, expression, and contnent to the world?, or will I regret not getting all out to look back on later and have everyone else discovering me and friends connect? What's better? Anyways, props to you for reading all this. Much love stay tuned for part 2 or 3? much love. Shouts out to Yaotl for the clout and helping get more content out.

THIS SONG IS A SONG THAT HAS LAYERED INSTRUMENTATION, AND NOT TO MANY DIFFERENT LYRICS, BUT THE MEANING IS EXPLAINED IN THIS PODCAST. THIS SONG SERVES AS A SORT OF INTERLUDE BECAUSE IT TRANSITIONS TO THE TITLE TRACK OF THE ALBUM, "CHURCH ON SUNDAY". I WANT TO LEAVE IMPACT WHILE I'M STILL HERE. IMPACT OVER PERFECTION. MUCH LOVE.

THIS EPISODE IS BREAKING DOWN THE CLOSING TRACK TO MY SUMMER ALBUM OF 2025, LABLED CRUISE CONTROL (AWAY GAMES PT. 2). THIS SONG IS A CONTRAST TO THE BEGINNING SONGS OF THE ALBUM, HAVING A WEST COAST FEEL BUT CRUISING, THIS ONE WAS MORE SO A WEST COAST SONG BUT A DANCING VIBE.

THIS IS BREAKDOWN OF MY TRACK CHURCH ON SUNDAY FROM MY ALBUM CHURCH ON SUNDAY.

This was my first ever multi stream where I use three different cameras than three different microphones to live stream. My podcast onto five different areas who knows? I might even do this more often into several different podcasting and lifestream platforms. I want to get the message out there I want to get the music out there and it was cool because during this I had people show love in different areas so you’ll hear me say thank you for the likes or thank you for the love or laughing to certain people‘s comments because I was directly interacting with people showing love right then and there live streaming is fun. There was even someone who tried to troll in the live chat on my TikTok and I converted them into a in audience member and follower you never know what’s gonna hit.

This is a breakdown of my song Friday night in parentheses low Rider music from my 2025 summer album cruise control away games part two this song is within the part of the album that shows love to a lot of West Coast influence especially this song, this song sounds like it sampled an Oldies song with and then had heavy bass from the low end from that Lofi song and then had some Zapp & Roger sounding collapse that are very signature to the West Coast sound especially within the 90s style hence the style of editing for this episode cover art this is one of my favorite tracks of all from this album and almost was the first song that I was going to put on here, but I decided that Southern California would be a better fit because it was just a lot more full and on top of that the song right here sounded like more of an Interlude than an introduction to the album, but that’s just me because this one is more uniform to fit a West Coast sound from the 90s and the Southern California song that I am amazed that ended up being the introduction, that one was more so alternative, but still had a West Coast flavor to it assembly by the fact that the drums were a little more acoustic rather than the classic claps and heavy bass as well as the guitars could’ve been used for country music, possibly with the electric field, but I made them to make them fit within that song however, with this song, it just touches my heart because the chorus is layered with a simple high-pitched synth and singing a layered with chanting signature to the West Coast choruses. I was releasing content from these podcast and never got to going and releasing the entire podcast so I figured it’s only Wright being done taking a small break from posting a bunch and instead of focusing more so on more longer form podcasts. Much love thanks for listening and stay tuned.

This was my first ever multi stream where I use three different cameras than three different microphones to live stream. My podcast onto five different areas who knows? I might even do this more often into several different podcasting and lifestream platforms. I want to get the message out there I want to get the music out there and it was cool because during this I had people show love in different areas so you’ll hear me say thank you for the likes or thank you for the love or laughing to certain people‘s comments because I was directly interacting with people showing love right then and there live streaming is fun. There was even someone who tried to troll in the live chat on my TikTok and I converted them into a in audience member and follower you never know what’s gonna hit.

This was a continuation of my first ever live podcast, my bad, I had to take a dump mid stream, but this was breaking down Washington (2019 pt. 2) lyric breakdown PT. 2 from my album Cruise Control (Away Games pt. 2)