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The Crime Cafe

The Crime Cafe

De : Debbi Mack
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Interviews and entertainment for crime fiction, suspense and thriller fans.© 2015 - 2021 Debbi Mack Art Sciences sociales
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  • Interview with Charles D’Amico – S. 12, Ep. 8

    Interview with Charles D’Amico – S. 12, Ep. 8
    Oct 4 2026
    This episode of the Crime Cafe features my interview with crime writer and independent publisher, Charles D’Amico. His Neil Baggio series has a villain, who’s got his own story, too. And you can learn more about that here! And you can download a PDF of the transcript here. Debbi (00:55): Hi everyone. My guest today is originally from Metro Detroit. He writes the award-winning Neil Baggio suspense series. In 2020, he founded the small press Blue Handle Publishing. It’s my pleasure to introduce Charles D’Amico. Hi, Charles. How are you doing today? Charles (01:16): Good. How are you doing? Debbi (01:18): Oh, I’m hanging in there. Not bad, considering I’ve been kind of nonstop all week doing something crazy of some sort, either editing a film, doing a book signing or being at someplace or other doing something that I haven’t. Charles (01:34): It’s always good stay busy though, right? Debbi (01:36): I suppose. Charles (01:37): Because some of us when we get quiet, we don’t know what to do. Debbi (01:40): Oh, I always know what to do if I’m quiet. That way I can pick up a book or watch a movie. It’s like, at last a quiet moment. I can read. So I was going to ask you about the Neil… Is it Neil Baggio? Charles (01:57): Yeah, Neil Baggio. Debbi (01:59): Baggio. Charles (02:00): Yeah. The original framework for what is the book I have coming out in November, Why I Kill is called the Neil Baggio series. And that started as an FBI agent, Neil Baggio, whose mentor goes on a killing spree. And the book picks up four years after that, the first one, where he didn’t catch him. He leaves the FBI and it picks up with that broken down anti-hero. He was piecing everything back together. The killer comes out of hiding and now he’s got to find that lane, work with the FBI. They have to work with him and figure out how he’s going to catch his old boss. And that’s the first book Veritas, and it kind of goes off from there, the next three books. And then for years people would ask me, “How does an FBI agent become a killer?” So I wrote it, which is Why I Kill, the Cappelano journals that comes out in November. (02:46): And it used to be actually really thick, but I was like, “To be that dark and that thick might not be the best idea.” So we kind of trimmed it. Debbi (02:54): Yeah. Kind of gradually get there? Charles (02:57): Yeah. If it kicks off, we’ll really see an unabridged version. Debbi (03:02): Wow. Yeah, I noticed that. I noticed those Frank journals and I was like, “Oh, what is this?” And I’m looking, I’m like, “Oh, how interesting. Okay.” Charles (03:14): I had a son who read the first version of that years ago and he kind of ducked my call for like three months. I was like, “Everything okay?” And he’s like, “Honestly, man.” He goes, “Didn’t know what to think that you thought of that stuff.” Debbi (03:29): Well, you got to come up with a reason why they turn out to be a villain. Charles (03:33): Exactly. It’s just a thought process. Debbi (03:37): Yeah, it’s just a thought process. Exactly. It’s a hypothetical exercise. Charles (03:42): You hope that an FBI profiler can think and understand the way a criminal does without being a criminal. Debbi (03:48): Exactly. Charles (03:49): I get it. Yeah. Debbi (03:51): Yeah, exactly. Yeah. It’s not like hearts and flowers stuff, if you’re going to write about killers. Which was very interesting because it makes me think of the old adage, every villain thinks they’re the hero of the story. So wouldn’t it be interesting to go back, look at all of my antagonists, my major ones, my killers and so forth, and just figure out what their story really is, go deep into it. That could get a little depressing, if I do it too much. Charles (04:20): I started off with him being reluctant and then him rationalizing certain decisions and certain things that he wouldn’t say. And I’ve talked about this before, so it’s not like it’s an Easter egg or anything, but in the first volume, he doesn’t say kill. He doesn’t want to admit that he’s killing people. He keeps rewording it. He’s just removed people from the mathematics of life. And he’s rationalizing these crazy ideas on what he’s actually doing. And then eventually there’s a turning point in the middle that really flips the switch and he goes all in on it and he’s even aware of the moment. In these testing moments where he’s cognizant enough of what’s going on and he’s like, “If I was normal, I should feel something here.” And I don’t. It’s kind of cool to just think through what someone who’s rational enough, but even admitting, “Well, there might come a time I won’t be.” And there’s a couple moments where he, because it’s told from his perspective where he’s having the thoughts that there will come a time where I’m not rational about the irrational decisions I’m making. Debbi (05:27): Yeah. Yeah. ...
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    31 min
  • Interview with Phil Halton – S. 12, Ep. 7

    Interview with Phil Halton – S. 12, Ep. 7
    Sep 20 2026
    This episode of the Crime Cafe podcast features my interview with crime fiction and nonfiction author, Phil Halton His website poses a question: How do we create meaning in the face of chaos? Riddle me that, eh? 🙂 You can download a copy of the transcript here. Debbi (00:52): Hi everyone. Today I have a guest who says he didn’t plan to become a writer, but as a soldier and later a security consultant, he’s traveled extensively throughout the world to most places and situations that very few people get to witness. What better background for a writer, I say. (01:16): It’s my pleasure to introduce my guest, Phil Halton. Did I say that right? Phil (01:22): Perfect. Debbi (01:23): Phil Halton? Phil (01:24): Perfectly. Debbi (01:25): Excellent. Good. Good to have you here, Phil. How are you doing? Phil (01:29): Good, good. It’s good to be here though as it’s odd to be here on the 11th of September. Debbi (01:35): Yes, it is. Very odd indeed. The whole day has felt slightly strange for that reason, that it’s the 25th anniversary and all, because I remember the day it happened a little too well for comfort. So you didn’t plan to be a writer, so what made you decide to be one? Phil (01:59): In some ways I kind of fell into it. I identify I think more as a storyteller, and so I was always the guy who had the stories. I had a bunch of experiences that I didn’t want to write about directly, but I though, oh, I can rework some of this and tell some stories that I think are actually of use as well, of value. Because my first novel in some ways is kind of the origin stories of the Taliban. It ends when the Taliban begins and it’s based on my experiences working with former Taliban and others in Afghanistan. And so I had things I wanted to say, I had things I wanted to express, and so that’s how I decided to do it. Debbi (02:43): Sounds like you got some very interesting inside information in your work. Phil (02:49): Yeah. Well, I think too that when I dig and dig and dig and dig in these things, I always find humans at the base of it. And so I think of my stories as really human-centered stories, even if they’re in strange places and with strange customs and strange. It doesn’t matter. You can always find the human element of it. Debbi (03:12): Yeah. Yeah, absolutely. I think that’s absolutely true. I think that’s what draws us into reading the books. If you can’t find the humanity in the character, how are you going to care? Phil (03:23): Yeah, I think so. I think so. And I think in the end, that’s a positive message that we all have this common humanity and perhaps aren’t so different after all. Debbi (03:35): I love that message. I wish there were more of that out there. Were there certain steps you took to get started as a writer or did you just fall into it naturally and know how to tell a story from the get-go? Well, Phil (03:51): Well, I don’t know about that, but yeah, certainly I started with writing screenplays and I worked with an established screenwriter, and so we partnered up on a couple projects that actually didn’t really go anywhere. People loved them and didn’t want them. And so we did that a couple of times and I decided I’m going to write my own thing here, my own screenplay. And again, people loved it, nobody wanted it. And so I realized this might do better as a novel, so I rewrote it as a novel and wouldn’t you know that I sold the novel and the screenplay within a week of each other. Debbi (04:32): Wow. Phil (04:33): Yeah. Debbi (04:34): My goodness. That is remarkable. Phil (04:38): It is. The screenplay was never produced. It died in production hell, but that’s okay. I got paid and the novel was published and became This Shall Be a House of Peace. Then from there I just kept building on my experiences and kept working at it, though my military background really gave me a mindset about professional development, that that’s important. I pursued that as well as a writer. I just finished a doctorate in English literature and I see it as my development as a writer. Debbi (05:17): Well, that’s going to develop you all right. That sounds like quite the program. A lot of people don’t go through that kind of rigorous development for sure. How do you choose your particular topics and your particular characters? Are they based on people you’ve known, situations you’ve been in or just made up? Phil (05:45): Well, I think like a lot of writers, I’ve got 20 stories in my drawer here that I’m trying to pick which one I’m going to do next. So it’s never a shortage of stories. It’s always like will I live long enough to tell all these stories? And they’re typically not drawn directly from any experience of mine. The characters are often kind of a hybrid of people I know, and sometimes it’s kind of surprising that there’s a villain in a book and someone’s like, “Well, who are they based on? They seem really realistic.” And it’...
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  • Interview with Matt Witten – S. 12, Ep. 6

    Interview with Matt Witten – S. 12, Ep. 6
    Sep 6 2026
    Hi there! 🙂 On the Crime Cafe this week, we have my interview with Matt Witten, who’ll tell us all about his latest novel, 51%, which will (with any luck) be adapted, produced, and distributed to a television set screen near you. He is also optimistic in the face of the insanity we’ve all been subjected to about the future, which is somewhat reassuring. For a copy of the transcript, click here. Debbi (00:54): Hi everyone. My guest today has worked in a wide variety of media, from writing novels, writing for television, writing for the stage, and producing film. His latest novel, 51%, has the most intriguing concept, which I will let him tell you about. As of this moment, it’s still science fiction, I believe, I hope. It’s my pleasure to have with me the author of 51%, Matt Witten. Hey Matt, how are you doing? Matt (01:25): Great. Thank you, Debbi. It’s so good to be here. Debbi (01:27): Excellent. It’s great to have you on. Oh, you look so relaxed and happy out there on that porch. That looks nice. I should be on my porch right now except that it’s kind of sweltering out there a little bit from what I understand. Where are you located? Matt (01:42): I’m in the Adirondacks. I used to live in Los Angeles and our house was in the Palisades Fire last year, so we were very fortunate that we had this small second home in the Adirondacks. So this is where we live now. Debbi (01:55): Oh my gosh. Well, that’s nice. Very nice. Tell us about your latest book. I am so hooked on the concept already. Matt (02:04): Thank you very much. It’s called 51%. Here’s a picture of the cover. And it’s about a world 20 years from now. I used to say 30 years, but after one year of Trump, I’ve decided that it’s more like 20 years. And sometimes after I describe the concept to people, they say, “Oh, it sounds more like 10 years.” Anyway, it’s a world where the big six corporations, they own just about everything. They own schools, they own parks, they own the post office, just about everything’s been privatized and they even own people. So our hero, our two heroes are homicide detectives for the New York Police Department Incorporated, because in this world, even the police department is private. So for instance, if you want to investigate a murder, you have to raise money to investigate the murder because you got to raise money for your own salary and half goes to you and half goes to the corporation that owns the police department. (03:01): So you raise money from the victim’s spouse, their partner, their friends, their neighbors, their family. You might do a Kickstarter campaign in order to raise money for the murder. And so yeah, we have two heroes. One’s a homicide detective and the other is his partner and she’s a crime marketing expert. She’s the one that raises the money. Debbi (03:28): Wow. Interesting. It’s just so intriguing to listen to you describe this concept because it’s so similar to something I’m working on in certain ways. Matt (03:36): Okay. All right, good. Well, we should join forces. Debbi (03:39): I’m a little more optimistic in terms of when this happens in the future. Matt (03:44): You put it further away? Debbi (03:45): I’m being a little more hopeful, I guess. Matt (03:48): Yeah. Debbi (03:49): Let’s give us a minor bit of hope here. Matt (03:51): Well, I try to be hopeful in this in the sense that I describe them as the two main characters, but really the homicide detective’s ex-girlfriend is leading the resistance and the resistance is fighting the forces of evil. And she’s got this big action that she’s going to do on Saturday night at midnight, and hopefully it will jumpstart a revolution against the forces of evil. So there’s a lot of hope and love stories to give us hope also. I try to be hopeful in this in the sense that I describe them as the two main characters, but really the homicide detective’s ex-girlfriend is leading the resistance and the resistance is fighting the forces of evil. Debbi (04:22): Well, that’s great. That’s wonderful. And I understand that you will be writing an adaptation of this for somebody for television? Matt (04:29): Yes, I did. Yeah, I wrote an adaptation of it for TV, co-wrote with Charlie Greg, a showrunner for NBC. So that was very exciting. And we have some meetings scheduled the next month, so we’ll never count our chickens too quickly, but— Debbi (04:48): Oh, absolutely not. Matt (04:49): That’s exciting. Debbi (04:50): That is an amazing bit of news though. Matt (04:53): Yeah. Debbi (04:53): And it sounds like things are progressing as opposed to stalling. Matt (04:57): Yes. Well, yeah, I think so. Yes. Debbi (05:01): That’s fantastic. Congratulations. That’s a big win for you. Matt (05:05): Yeah, thank you. Debbi (05:07): I really want to see this thing. I want to read this book too. Let’s see. What really inspired you to write this book? She said somewhat like a dumb ...
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