This season I'm blowing the idea that ‘characters need arcs’ out of the water. Erin Brockovich is a constant character and she’s an underdog. With the odds against her, she does not change instead, she bends the world to suit herself. This is no mean feat, because the villain is powerful and wealthy. In underdog movies the speech in praise of the villain is essential. It's through this speech that we understand how powerful and how unlikely it is for our protagonist to come out on top. Join us as we unpack how a constant character and speeches in praise of the villain work together to deliver a deeply satisfying story. - M.

Acquire the power to write a bestselling story at storynerd.ca/courses

For access to writing templates and worksheets, and more than 70 hours of training (all for free), subscribe to Valerie's Inner Circle.

To learn to read like a writer, visit Melanie's website.

On the list of films that haven't aged too well, THE MAN WHO KNEW TOO MUCH is near the top. Because it's Hitchcock I'll get flack for saying that, but watch it first and then decide. In terms of study topics this season, I'm looking at The Speech in Praise of the Villain and Melanie is examining Constant Characters. Its portrayal of women and parenting aside, this movie offers up interesting insights on bits of story theory. Enjoy! -V.

Acquire the power to write a bestselling story at storynerd.ca/courses

For access to writing templates and worksheets, and more than 70 hours of training (all for free), subscribe to Valerie's Inner Circle.

To learn to read like a writer, visit Melanie's website.

Using a framing story in your novel? Maybe you're writing multiple plot lines. Or perhaps you want to know what truly masterful storytelling looks like. This week, we take a deep dive into THE PRINCESS BRIDE. Melanie and I were spoiled for choice in this What Went Right episode because, when you're dealing with a William Goldman story, pretty much everything is going right. Enjoy! -V.

Acquire the power to write a bestselling story at storynerd.ca/courses

For access to writing templates and worksheets, and more than 70 hours of training (all for free), subscribe to Valerie's Inner Circle.

To learn to read like a writer, visit Melanie's website.

If you’re wondering what NOT to do when adapting your novel, there are great tips in this episode. We've all experienced the feeling of walking out of a cinema and saying, the book was better. That's definitely the case for The Golden Compass. I’ve read the book and thoroughly enjoyed it plus the book won the Carnegie Medal which means it's excellent. So how did such a good children story go so wrong when it was adapted for film? That is the question we answer in this episode.

Acquire the power to write a bestselling story at storynerd.ca/courses

For access to writing templates and worksheets, and more than 70 hours of training (all for free), subscribe to Valerie's Inner Circle.

To learn to read like a writer, visit Melanie's website.

We're wrapping up Season 16 with our best advice, lessons learned and a-ha moments about The Shadow and The Hero's Monologue. If you didn't get a chance to listen to all the episodes this season, you'll definitely want to tune in and maybe even bookmark this episode! - V.

Acquire the power to write a bestselling story at storynerd.ca/courses

For access to writing templates and worksheets, and more than 70 hours of training (all for free), subscribe to Valerie's Inner Circle.

To learn to read like a writer, visit Melanie's website.

You control the shadows in your characters. This week we reveal how a negative shadow looms large despite being dead. Daphne du Maurier’s ‘Rebecca’ crushed everyone she came into contact with, even her allies. With our study of The Shadow drawing to a close, it’s time to look at how suppressed emotions break free and cause chaos. The Hero’s monologue is also treated differently in this film. See if you can pick where it is!

"The shadow isn't always bad character traits." - Melanie Hill

Related Story Nerd Episodes

• The Incredibles
• The Holdovers

Acquire the power to write a bestselling story at storynerd.ca/courses

For access to writing templates and worksheets, and more than 70 hours of training (all for free), subscribe to Valerie's Inner Circle.

To learn to read like a writer, visit Melanie's website.

Genre is enigmatic (at best). Writers, agents, readers, and editors, all have different perspectives, and sometimes they lead to heated debates. In this episode, which originally aired in Season 2, Melanie and I totally disagree on the genre. She thinks it's a horror, I think it's a thriller. Which of us is right? Tune in to find out. We'll be back next week with a brand new episode. Until then, Happy New Year! - V.

Acquire the power to write a bestselling story at storynerd.ca/courses

For access to writing templates and worksheets, and more than 70 hours of training (all for free), subscribe to Valerie's Inner Circle.

To learn to read like a writer, visit Melanie's website.

Did you know that the beginning of your story, and the end of your story, work together as a unit? This this episode, which originally aired back in Season 3, we explore how the powerhouse pairing of Jane Austen and Emma Thompson put this bit of theory into action. For the rest of your story, understanding sequences might just be the key to making your story sing! We'll be back on January 14, 2026 with a brand new episode. Until then, we wish you a happy, healthy, and prosperous new year! - V.

Acquire the power to write a bestselling story at storynerd.ca/courses

For access to writing templates and worksheets, and more than 70 hours of training (all for free), subscribe to Valerie's Inner Circle.

To learn to read like a writer, visit Melanie's website.