In this gentle and honest conversation, Jenna shares what dancing has meant in her life. She talks about growing up in the U.S., dancing for the first time when someone accidentally has invited her to dance at prom when “Big Bad Voodoo Daddy” song came up, and how it slowly shaped everything from her friendships to the place she now calls home.

We explore what it’s like to dance with poor low‑light vision, how lighting can change safety and comfort on the floor, and why inclusive environments matter more than most people realize.

Jenna also opens up about:• why she dances• how she builds connection when leading and following• the influence of other dance styles• the beauty of bringing your whole self into the dance• what she wishes more dancers understood

This episode is soft, thoughtful, and full of insight for anyone who cares about community and connection on the dance floor.

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Here we are in Stockholm talking with Raya, who is based in Tallinn. We have shared a warm, honest conversation with Raya Bouslah: born in Tunisia, now building a dancing life in Estonia, and finding her way across lindy hop and blues.

Raya started right before Covid and never stopped (well, apart from when the Covid was in its bloom). She talks about how dancing helps her stay sane and how social dance became a special way to meet people and bond. She gives a shout‑out to Rostom, who first nudged her into the scene. We also talk openly about social anxiety: the first class felt great until the moment everyone was asked to grab a partner, then everything tightened. She stayed anyway. Which she reflects on as being a great way of moving through ansxiety. Classes being in Estonian sometimes felt alienating, yet social dancing opened a different part of her brain, almost like a contract of safe space.

We look at human connection on the dance floor and how often it gets sexualised, then turn toward the kind of connection that feels respectful, joyful, and clear. Raya shares memories from Bluesila and leaves thoughtful advice about finding your own language of dancing.

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Here we are at Snowball in Stockholm, sitting with Lindsey Ngo and Krystel Chevallier for an opposite of a small-talk. We had an open-hearted conversation about how swing dancing can become a place of belonging.

Krystel shares how she began dancing balboa ten years ago in Australia and how the dance community stepped into her life at a moment when she felt alone after her divorce. Dancing became the thing that stopped her mind from overthinking, the thing that made her feel alone. She talks about the partnership side of swing dancing, the joy of building Jurassic Bal event, and the sweet story of her future life partner taking a photo of her at her first dance event, in a moment of pure joy and that he later printed for her.

Lindsey came to Australia from the USA ten years ago and found her way into dancing six years back. She now helps run a small but warm local scene of about fifty dancers. For her, dancing began with loving the music as a kid, and it is the moment when she feels fully present. She shares a beautiful memory from a no shoe event, dancing softly to the music of Jessie Gordon and Mark Turner, in a room so quiet it felt almost magical.

They both share inspiring tips & stories, and answer Kristyna’s question from the previous episode about their very first memories of dancing swing.

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