Tarot isn’t just a way to predict outcomes, but a clear map for building a life you actually want to live. That’s the premise we dig into on Paranormal Yakker with Janis King—one of the UK’s most respected tarot readers—who takes us from a life-on-the-brink moment to a framework she calls the Life Code, where the Fool holds potential energy, the Magician sets it in motion, and the four suits become practical skills you can train.

Janis shares the story of her first startling reading with a mystic named White Dove in Camden Market, a trance-mediumship breakthrough at Arthur Findlay College, and a channeled collaboration with an entity she calls Obin. Those experiences led her to reimagine the deck’s architecture: cups as emotional literacy and connection, wands as will and direction, swords as clarity and problem-solving, and pentacles not as money, but as currency—our lived, tradable experience. From there, she built a spread that starts with a single Minor Arcana “you are here” card and organizes the next two steps with precision, guided by the Major Arcana as an instruction manual rather than a mythic parade.

We also dive into the surprising resonance between the majors and classical philosophy—Socrates, Plato, Aristotle—and why Aristotle’s golden mean visually echoes a path down the centerline culminating in the Sun. For Janis, tarot is open-source wisdom: no gatekeepers, just a global network carrying a shared code from kitchen tables to classrooms. The result is a fresh way to work with energy—less about forcing outcomes and more about dancing with constraints—so you can make changes from the inside out and see them hold in the real world.

If you’ve ever wanted a map for your next two steps—or wondered how to turn insight into action—this conversation is for you.

Send us a text

What if dying feels less like a blackout and more like pressing restart? Stan welcomes author and researcher Anthony Peake for a mind-bending tour through near-death experiences, deja vu, and the possibility that consciousness is more fundamental than the matter that seems to produce it. We trace his early fascination with hallucinations to a rigorous, science-first approach that challenges the default “it’s just hypoxia” explanation and asks a deeper question: how does the brain generate a self that can witness anything at all?

We dive into veridical NDEs, EEG spikes after flatline, and why time can stretch into lifetimes in a single instant. Along the way, Anthony connects the panoramic life review to memory architecture and neurochemistry, showing surprising overlap with experiences triggered by ketamine, DMT, and psilocybin. His provocative daemon–eidolon model frames deja vu as a memory from previous “runs” of your life, while many‑worlds and simulation logic offer a physics‑literate way to imagine branching choices rendering new realities on demand. The conversation widens across cultures: from children encountering cartoon guides to shamanic initiations and New Britain accounts that mirror modern abduction narratives, the motifs of guidance, review, and transformation persist even as their costumes change.

Grounded in neuroscience yet alive to anthropology, information theory, and the holographic principle, this episode asks whether consciousness is a field we tune into, not a byproduct we produce. If entities on DMT remember you and virtual worlds can feel more real than real, how certain are we that everyday life isn’t a curated rendering? Come curious, leave challenged, and bring your best questions about what a self is, where it goes, and why our most private experiences look so strangely universal. If this conversation expands your sense of what’s possible, follow, and share with a friend.

Send us a text

What if the most unsettling UFO stories aren’t random at all, but meticulously staged scenes meant to guide how we think? Paul Meehan, author of “The Alien Abduction Phenomenon: Science, Evidence and The Unknown” writes about that in his book and talks about it on the YouTube show/Podcast “Paranormal Yakker’. In the interview we dive into decades of encounters that look less like field research and more like theater: small beings collecting soil under bright headlights, vehicles immobilized on empty highways cleared by phantom road crews, and Men in Black in glossy Cadillacs that appear and vanish as if hitting a trapdoor. The pattern points to logistics, planning, and a deliberate performance that puts witnesses exactly where they’re meant to be.

Together we follow the evolution from 1950s contact tales to 1960s abductions, noting how costumes and settings shift with the message. The bulky diving suits disappear; clinical actors and telepathic shows take the stage. Eyewitnesses describe translocation, missing time, and even storerooms stocked with cones and detour signs—props for a roadside play. We unpack the Terry Lovelace saga, where implants, a woman in black, and telepathic recall intersect with a chilling command: do not seek proof. We also examine bizarre recruitment tactics—bogus interviews in empty buildings at odd hours—that echo grooming and isolation strategies, all while maintaining a careful, theatrical veneer.

The conversation spotlights researchers like Bud Hopkins and David Jacobs, whose work argues for a coordinated hybrid agenda rather than benevolent guidance. That stance isn’t comforting, but it’s consistent with reports of stolen and returned jewelry, police radio outages, and witnesses who feel watched long after the lights fade. Our takeaway is simple and serious: be curious, but be cautious. If someone wants to be seen, ask why—and who benefits from the scene. If this story resonates, follow the show and share it with a friend who loves high strangeness.

Send us a text