Jamie dies on the hill that the Star Wars prequels deserve more credit than they get. Richard disagrees. Then they tackle the bigger question, why does every piece of culture now need to be part of something larger, and when did standalone become a dirty word?

Richard did his Bee Gees homework and it's only made him worse. Jamie went to see Prima Facie. Then: are audiobooks actually reading? Richard says no. After that, long form vs short form gaming, the backlog problem, and what abandoning a save file says about you as a dad. Got a hill? We want it hello@nobodycarespodcast.co.uk or @ncwytpodcast on Instagram.

Richard is using Arts Council funding to experiment with creative recording sessions with musicians, starting with a harp player, and gets into the details of microphone placement and what he's trying to achieve. Jamie has been watching Pluribus on Apple TV and makes it his mission to get Richard on board. In "I Will Die on This Hill," Jamie argues that the moral panic around children's screen time is performative nonsense and what actually matters is what they're watching, then almost immediately admits he's not sure he fully believes his own argument. That leads into a proper conversation about Stranger Things finally ending, whether it sticks the landing, and the broader question of why so many beloved shows fall apart at the finish line. Fan expectations, showrunner pressure, and whether any ending can ever actually satisfy anyone.