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We look at the new documentary SHE WAS HERE about Heather O'Rourke, the child star of the POLTERGEIST movies, Serena catches up with the 28 YEARS LATER films, untangling the madness that happened at the BAFTAs, and is NIRVANNA THE BAND THE SHOW THE MOVIE an ultimate Toronto movie?

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America eats its young. With the world on edge, we turn to movies, taking a look at Luc Besson's Dracula, revisiting Tarsem's The Cell, uncovering new Scream 7 controversies, and the hassle of having to take bathroom breaks at IMAX movies. Plus, we reflect on James Van Der Beek and Serena has new advice for cinema programmers.

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With the world in chaos, we try to make sense of movies. We catch up on some of the Oscar nominees (HAMNET, THE UGLY STEPSISTER, THE VOICE OF RIND HAJAB), discuss the new ANACONDA, and consider celebrity beauty standards and how they affect a 60-year-old Brad Pitt in F1. Plus, when are your content-grievances just power trips and why is Hollywood so slow to embrace a changing youth landscape?

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New year. New Season.

We're back, talking about our favourite movies of 2025, whether people are overreacting to the Stranger Things finale, writing well in the age of AI, and studios being too selective with their advertising money.

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With the TEENAGE MUTANT NINJA TURTLES TRILOGY (1990-'93) new on Arrow Video 4K and Blu-ray, we're joined by two people who participated in this mammoth collection, special features producer and filmmaker Gillian Wallace Horvat and comic book expert Dave Baxter. We discuss the legacy of these films and the impact they had on a generation, the history of TMNT, and how you deliver for a fanbase on physical media.

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Above our heads, deals are negotiated for the future of entertainment culture. We look at the possible implications of either Netflix or Paramount buying Warner Brothers - how it could impact cinemas, physical media and what you see. Are all movies political? Tarantino vs. Dano. Everyone vs. everyone else.

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We look at how the 2020 pandemic caused a disruption in film culture, and reflect on the movies lost between the cracks of the COVID era. Also, why do movies look like that now? - examining claims of a popular YouTube film essay. And programming for a younger audience: What movies make GenZ nostalgic?

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In this lively discussion we talk what types of movies can end relationships and what ones have coloured our ideals of them. Plus, reviews of GOOD FORTUNE, Del Toro's FRANKENSTEIN, BLACK PHONE 2 and BUGONIA, all the movie sequel news, and Mark's epic discussion of monoculture he promised last time.