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Let's Face the Music

Let's Face the Music

De : Ryan Breegle / We Own This Town
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The stories behind the standards of the Great American Songbook.©2021 We Own This Town Art Musique
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    Épisodes
    • “Tea for Two”
      Mar 2 2021

      For an ode to innocence and domestic bliss, the story of “Tea For Two” surprisingly leads us to financial embezzlement, the Manson murders, a dilapidated East Hampton mansion, and heroin addiction.

      But no dramatic life event should overshadow the talent and spirit of vocalists Doris Day, Anita O’Day, and Edith Beale; each woman brought something unique to “Tea For Two.” And in telling the story of the song, we are treated to the insights of legendary Nashville jazz pianist Beegie Adair.

      Sources:
      “Tea For Two,” Marion Harris, 1924
      “Let Me Off Uptown,” the Gene Krupa Band with Anita O’Day and Roy Eldridge, 1942
      “Tea For Two,” Duke Ellington, 1943
      “Tea For Two,” the Gene Krupa Band with Anita O’Day, 1946
      “It’s A Great Feeling,” Doris Day, 1949
      “Tea For Two,” Doris Day, 1950
      “Have You Met Miss Jones,” Ella Fitzgerald, 1956
      “Let’s Face The Music and Dance,” Anita O’Day, 1956
      “Tea For Two,” Anita O’Day, 1958
      “Tea For Two (live at the 1958 Newport Jazz Festival),” Anita O’Day, 1958
      “Pillow Talk,” Doris Day, 1959
      “The Way You Look Tonight,” Anita O’Day, 1959
      “Have You Met Miss Jones,” Anita O’Day, 1960
      “The Way You Look Tonight,” Ella Fitzgerald, 1963
      “God Only Knows (instrumental),” The Beach Boys, 1966
      “Tea For Two,” Edith Beale from the film Grey Gardens, 1975
      “Tea For Two,” Beegie Adair and Jack Jezzro, 2010

      Dick Cavett, March 1979
      The Tomorrow Show with Tom Snyder, January 1980
      60 Minutes, June 1980
      Fresh Air with Terry Gross, 1987

      “Anita O’Day: Yesterday and O’Day,’ Lara Pellegrinelli Jazz Times April 25, 2019
      Singing Jazz: The Singers and Their Styles, Bruce Crowther and Mike Pinfold
      Heroes and Villians: Essays on Music, David Hajdu
      High Times, Hard Times, Anita O’Day
      “Doris Day’s Public Image,” Hadley Freeman The Guardian May 14, 2019
      The Poets of Tin Pan Alley, Philip Furia

      Theme Songs
      “Let’s Face The Music And Dance,” Ella Fitzgerald, 1958
      “Let’s Face The Music And Dance,” Nelson Riddle, 1966

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      38 min
    • “Have Yourself a Merry Little Christmas”
      Dec 8 2020

      For this special holiday episode of Let’s Face The Music, we discover the origin of the happiest sad Christmas song. First introduced by Judy Garland, the song was recorded three times by Frank Sinatra – most shockingly for a war film, soundtracking a brutal execution scene.

      Sources:
      Chris Willman, “The history of a popular holiday song,” January 8, 2007
      Seamus Sweeney, “Have Yourself A Merry Little Christmas: The Execution Scene from The Victors,” December 20, 2018

      Audio
      Hugh Martin and Ralph Blane, Fresh Air, NPR 1989
      Hugh Martin, Fresh Air, NPR 2006

      Judy Garland Lux Radio Theater, December 2, 1946
      Judy Garland The Judy Garland Show, December 22, 1963
      Frank Sinatra “Have Yourself a Merry Little Christmas,” 1949
      Frank Sinatra “Have Yourself a Merry Little Christmas,” 1957
      Frank Sinatra “Have Yourself a Merry Little Christmas,” 1963
      Dave Brubeck “The Trolley Song,” 1955
      Percy Faith, “Have Yourself a Merry Little Christmas,” 1966

      Theme Songs
      “Let”s Face The Music And Dance,” Ella Fitzgerald, 1958
      “Let”s Face The Music And Dance,” Nelson Riddle, 1966

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      21 min
    • “They Can’t Take That Away From Me”
      Nov 24 2020

      On this episode of Let’s Face The Music, we hear early versions of “They Can’t Take That Away From Me” that left those involved bitter and disappointed. And we find out from Nashville composer and arranger Larissa Maestro how Ella Fitzgerald and Louis Armstrong were able to bring new life to the tune, one of the last songs George Gershwin ever wrote.

      Sources:
      Philip Furia, Ira Gershwin: The Art of the Lyricist, 1996
      Charles Waring, “Cheek To Cheek: Celebrating The Perfect Partnership of Ella and Louis,” April 9, 2010
      Tad Hershorn, Norman Granz: The Man Who Used Jazz for Justice, 2011
      Michael Feinstein, The Gershwins And Me, 2012
      Tom Maxwell, “The Story of Ella and Louis: 60 Years Later,” Nov 7, 2016

      audio:
      Fred Astaire “They Can”t Take That Away From Me,” 1937
      Fred Astaire “Shall We Dance,” 1937
      Shall We Dance excerpts 1937
      Ella Fitzgerald and Louis Armstrong “You Won”t Be Satisfied (Until You Break My Heart),” 1946
      Thelonious Monk “Nice Work If You Can Get It,” 1947
      Frank Sinatra “They Can”t Take That Away From Me,” 1954
      Ella Fitzgerald and Louis Armstrong “They Can”t Take That Away From Me,” 1956
      Ella Fitzgerald and Louis Armstrong “Stompin At The Savoy,” 1957
      Jimmy Smith “”S Wonderful,” 1957
      Art Pepper “Fascinating Rhythm,” 1957
      Ella Fitzgerald “The Song Is Ended,” 1958
      Ella Fitzgerald “They Can”t Take That Away From Me,” 1959
      Oscar Peterson Trio “Easter Parade” 1960

      Norman Granz, interview with Binny Lum, 1960
      Louis Armstrong, Desert Island Discs, BBC, 1968
      Ella Fitzgerald, interview with Bill McNeil, 1971
      Michael Feinstein, Broadway or Bust, PBS, 2012

      Theme Music:
      “Let”s Face The Music And Dance,” Ella Fitzgerald, 1958
      “Let”s Face The Music And Dance,” Nelson Riddle, 1966

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      43 min
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