Episode #621: Please note that interview is intended solely as a record of Aki Ra’s personal experiences and historical demining work in Cambodia. His descriptions of past methods reflect what he personally did under very differentcircumstances and should not be understood as instructions, training, or advice for handling landmines, unexploded ordnance, or other explosives. Such devices are extremely dangerous and should only be approached, identified, or removed by properly trained and authorized professionals following current safety procedures.

Aki Ra was about ten years old when the Khmer Rouge forced him into military life, where he learned to plant landmines and survive in Cambodia’s war. After later fighting alongside Vietnamese forces, he eventually turned the same technical knowledge toward removing the explosives left behind. “I wanted to change from bad to be good,” he says. Since 1990, he has spent decades clearing mines and unexploded ordnance from Cambodian farmland and villages.

That experience gives his story particular relevance to Myanmar, where landmines are again shaping civilian life and will remain dangerous long after front lines move. The comparison becomes concrete around the small M14 anti-personnel mine, a weapon Aki Ra knows from his own clearance work. Touching upon the difficulty of detecting them in Myanmar, he emphasizes a distinction central to the work he does today: civilians should not search for, touch, or attempt to remove mines themselves. His education sessions instead teach people to recognize danger, mark or remember the location, and contact trained disposal teams.

Aki Ra also contrasts the conditions in Myanmar with his own memories of Cambodia. He says soldiers in his units warned villages about mined areas and tried to avoid homes, schools and religious buildings. Yet Cambodia also demonstrates how little protection wartime intentions ultimately provide. Decades after the fighting ended, mines and unexploded ordnance still remain in fields, still injure civilians, and still require organized clearance.

Aki Ra now works with trained teams, medics, metal detectors and formal safety procedures, while the Cambodia Landmine Museum near Siem Reap helps finance their work. The war that created Cambodia’s minefields is over; the labor of making the land safe is not. For Myanmar, that is perhaps the hardest part of the comparison: the mine crisis will not necessarily end when the fighting does.

Episode #620: “This was not just my family's mission, but it could also be mine through Jesus.” For Peter Eubank, that realization marks the shift that also defines the lives of his sisters, Sahale and Suuzanne: growing up inside the Free Burma Rangers bound together Burma, conflict, service, human rights, and Christian faith, but adulthood has required each of them to decide what part of that inheritance they will choose for themselves.

Their earliest memories hold danger and belonging together. Sahale remembers walking through the jungle at night without a headlamp so the Burma Army would not see the group, while holding a Karen elder’s hand and looking at the stars. Suuzanne remembers being five and packing water, a light, a lighter, and a snack as a village evacuated under approaching mortar fire. Peter remembers riding a horse while an elder taught him Karen, before he was old enough to understand that displacement was not simply ordinary life for his friends back in the United States.

After the 2021 coup, the siblings watched older divisions change as young Bamar people left universities and joined anti-coup resistance or the Free Burma Rangers. At the same time, Sahale and Suuzanne were studying in Texas, struggling with the distance as friends were killed and attacks intensified. They came to see education not as withdrawal from Burma but as preparation to return with skills: Sahale through emergency nursing and Suuzanne through veterinary medicine. Peter, who has worked in frontline medical logistics, is still deciding between missionary work, military service, or another path.

Their memories also refuse to reduce Burma to war. They recall monkeys causing chaos, meals assembled whatever could be found, hunted, or picked at hand, and relatives whose generosity shaped their idea of love. They all still hopes for a free, democratic Burma where visiting friends no longer means calculating the danger of jets, mortars, or gunfire. While the siblings choose separate futures, the people who raised them remain inside those choices.

Episode #619: “My motto is love is the most powerful magic,” says Elizabeth Yee, a Burmese medical doctor, writer, and activist who joined the Civil Disobedience Movement after the 2021 coup. Now living in Thailand, she works with the Assistance Association for Political Prisoners (AAPP) on mental-health and psychosocial support, while also branching into art.

As a child, Elizabeth devoured Chinese martial-arts novels that inspired her belief in justice and self-discipline. The work of one Burmese author, a physician-novelist, persuaded her to enter medical school, where she had the thought to “become a doctor and then write a lot of books.” Supported by Chinese-Burmese parents who broke with tradition to favor their daughter— based largely on her father’s belief that she was the reincarnation of his father— she excelled and became an assistant surgeon. Yet she rebelled against Myanmar’s military-controlled, politically-entangled medical system. She refused to take its restrictive exam and instead studied for the UK’s MRCP (Membership of the Royal Colleges of Physicians) qualification.

During the COVID pandemic, she began exploring digital education and saw the regime’s inefficiency firsthand. When the coup erupted, she resigned to join the protests. She was cited under Article 505A—effectively her arrest warrant. She fled her Yangon apartment and went underground while continuing to provide medical aid at demonstrations. Eventually, she fled to the countryside. After a year treating rural villagers, she crossed into Thailand, determined to stay there and not to abandon the revolution.

At AAPP, she combines medicine, psychology, and activism, learning from political-prisoner survivors and discovering feminism, which she defines as “justice with love.” She is now a dedicated artist, using AI to help compose music, and creating paintings that express her feelings and passions around the themes of feminism, ecology, and resistance. Art, she says, is both healing and defiance. “We need to fight until we are done,” she says quietly, “because there are so many unjust things.”