Field Marshals are queuing up to draw their pensions – it’s the first time they ever really wanted to go to the front. But Gunner Ned Seagoon, former Ablutions Orderly at Alamein, has other ways of making a mint. He’s writing his memoirs and reckons they’ll earn him a fortune. For – shock horror – they reveal the truth about the hygiene of the General Staff and the secrets of the military laundry.

Written by himself and Maurice Wiltshire, this was the last Goon Show script Larry Stephens ever worked on (he died the following month) and although it has its moments it rarely rises above the average. Tyler and returning guest Andy Bell talk about its highlights and lowlights, the career of Maurice Wiltshire and whether More Goon Show Scripts should be on the school curriculum.

An annual tradition dating back to the year the Titanic went down – a useful metaphor to describe some of the subsequent acts who sank without trace – the Royal Variety Performance brings together entertainers from around the world to perform in front of faintly bored members of the Royal Family for charity.

Arguably the most memorable and significant show was in 1963, when a group from Liverpool took to the stage and belted out four numbers for the Queen Mum. This was the height of Beatlemania, yet John, Paul, George and Ringo were still sufficiently awed by the occasion that John’s well-rehearsed spontaneous quip about jewellery was delivered with a rather nervous, impish grin.

Harry Secombe bookended the television coverage and also appeared on stage with the cast of Pickwick, wearing a bald wig so wrinkled and skew-whiff that it looked like a piece of ham on the turn with barbershop sweepings. He also closed the show with a joke about the Fab Four that nearly brought the house down. And speaking of ham, Pinky and Perky showed up too.

The likes of Steptoe & Son (including Paul’s future grandfather), Marlene Dietrich and Eric Sykes are still remembered today, but whither Susan Maughan, Los Paraguayos and Buddy Greco in the public’s collective memory? Certainly, Goon Pod listeners will be familiar with the work of Flanders & Swann, Tommy Steele and even – gah! – Charlie Drake, but how many of them recall Dickie Henderson?

Steven Cockcroft, erstwhile co-host of Nothing Is Real, describes the event as the ‘British Ed Sullivan Show’, introducing a much wider audience at home to the Beatles and giving them a rather sanitised look at what all the fuss was about. As one viewer wrote in a letter to The Daily Mail: “It was possible, for once, to hear as well as see the Beatles. What a pleasant change to be able to hear the celebrated Mersey Sound without the inevitable accompaniment of adolescent hysteria that passes weirdly these days.”

Join Tyler and Steven as they navigate this bloated extravaganza of singers, funsters, jugglers and dancers. Fans of Elvis Costello may want to tune in too for some shameless name-dropping and his familial connection to the show.

The first half of the 1970s was not a particularly fruitful period for Peter Sellers, at least in terms of critical and commercial success. He made a slew of films which failed to take off or, in some cases, weren't even released. Some of his worst films date from this period, chiefly the execrable Where Does It Hurt?, which we previously covered on Goon Pod with Paul Litchfield and Jeremy Limb.

Those two return this week to tackle Sellers' 1974 wartime 'comedy' Soft Beds, Hard Battles, in which he takes on six roles – an elderly French General, a gung-ho British Major, a sinister Gestapo officer, a Japanese Prince, the President of France and, er, Adolf Hitler.

While not as bad as Where Does It Hurt? (few things are), SBHB is a bit of a slog, an attempt by the Boulting Brothers to cash in on the then-vogue for sex comedies without fully committing, while weighing the film down with ill-judged set-pieces such as a group of German officers farting, belching and dying.

It was during the production that Sellers embarked upon a six-week romance with Liza Minnelli, which was front-page news and rather got in the way of filming. An unhappy affair all round, the Boultings ended up losing a lot of money, the film was generally panned and didn't do much business at the box office.

Join Jeremy, Paul and Tyler as they try to make sense of it all!