GR_Ep 13 Belonging
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This week we riff on access, privilege, and belonging in theatre, contrasting their politically charged mentors (apartheid-era rebel theatre and protest-hardened acting teachers) with today’s glossy, well-resourced private school productions and their ready-made industry networks.
We argue that whether you’re a kid in a prestige venue or a tiny regional school, making theatre still builds teamwork, grit, and community—but we draw a hard line between art-making and self-therapy, calling out the industry’s brutal mental-health load and the pressure to keep “feeding the machine” through social capital.
We also debate how disadvantage raises the entry-bar, how privilege can also stunt potential, and how elite circles often become the future investors of creative work. Bottom line: you’ve got agency, but always inside real constraints—and the education system’s “equity” story doesn’t match reality.
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