Today’s guest and First Assistant Accountant extraordinaire is Lisa Shillingburg. Some of Lisa’s film credits include Limitless, Munich, The Founder, Stillwater, and a small film you may have heard of called The Avengers. Her tv credits are equally impressive, with titles like Leverage, Constantine,  Devs, and Westworld all under her belt. In this episode Lisa gives us a tour of the Accountant world and helps us understand the importance of keeping proper receipts. 

Our guest this week is PA pro, Joel Burnham. Joel chats with our host, Alisha East, and lets you know everything you need to be ready for your first PA job. Some of Joel's credits include movies like Nightcrawler, Get Hard, and Taken 3 as well as television shows like Agents of Shield, Battle Creek, and The Mentalist.

Kale Whorton is a first assistant editor whose assistant editor credits include films Bumblebee and Black Panther as well as TV series The United States of Tara, Weeds, and Orange is the New Black. Kale spoke to Film Crew 101 about his job and the result was a great episode packed to the brim with insight for young editors.

The APOC works directly under the Production Office Coordinator in the production office. As a go-between between producers, the studio, and production, the production office is a hub that supports every department on a film. The APOC joins this office early on and will work to oversee the pas and the production secretary in the office as well as ensure that daily reports from set are delivered accurately and on time to the studio, legal teams, accounting departments, and producers.

Today, Kim Mott speaks with Kalisa Wade, whose production office credits include Painted Woman, The Christmas Trap, and Stillwater, as well as TV series Star, Black Lightning, and American Soul. Kalisa’s experience has given her great insight on how to help run the production office as well as tips on getting hired for a production.

Location Scout Jen Farris' location credits include the TV series Lovecraft Country, American Soul, Atlanta, Genius, and Sleepy Hollow. Jen has also worked in the location department on multiple films including Just Mercy, Game Night, The Immortal Life of Henrietta Lacks, and the upcoming film, Dear Evan Hansen. Today, she unpacks her role as a location scout. 

Matthew Mungle has over 200 film and tv credits to his name as a special effects and prosthetic makeup artist. Matthew has worked on Hillbilly Elegy, The Irishman, August Osage County, Frida, Schindler’s List, Outbreak, Casper, and the movie that won him his Oscar, 1992’s Dracula. In addition, Matthew has worked on numerous television series including The X-Files, CSI, John Adams, The Big Bang Theory, New Girl, and Salem. Today, Matthew talks with Toni about how he got started in the industry and shares some tips for how to set yourself up for success on any project. 

Host Amy Janes speaks with editor Stuart Levy, whose credits include "Any Given Sunday," "Red Eye," "Nim’s Island," "Foxcatcher," "Insurgent," "Allegiant," and "The Nutcracker and the Four Realms."

The sound utility is the third in line in the sound department, which is often comprised of the sound mixer, the boom op, and the sound utility. This role assists the sound department and acts as a liaison between the sound department and set during production. What do we mean by that? Well, here to help explain this role in full today is our host, Brian Gililland, and stellar Sound Utility Hank Martin, whose sound utility credits include TV shows Drop Dead Diva, The Resident, and Brockmire as well as blockbuster films The Hunger Games: Catching Fire, Selma, and Neighbors 2: Sorority Rising.