Marty and Cindy talk about the Cold War comedy Dr. Strangelove and all the trivia associated with the movie.

Director: Stanley Kubrick

Source Material: Red Alert by Peter George

Starring: Peter Sellers, George C. Scott, Sterling Hayden, Slim Pickens, James Earl Jones

Genre: Political satire / Black comedy

Setting: The Pentagon War Room, a B-52 bomber, and Burpelson Air Force Base

Peter Sellers & Performance

· Paid $1 million—55% of the film’s budget.

· Originally cast in four roles but did not play Major Kong due to injury.

· Improvised the famous ‘Mein Führer! I can walk!’ line.

Military Realism & Impact

· The Pentagon refused cooperation with the production.

· B-52 cockpit recreated from a single magazine photograph.

· The film reportedly contributed to review of nuclear safeguards.

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Marty and Cindy chat about the home building comedy, Mr. Blanding Builds His Dream House

Director: H.C. Potter

Starring: Cary Grant, Myrna Loy, Melvyn Douglas

Genre: Domestic comedy / social satire

Setting: New York City and rural Connecticut

Based on the semi-autobiographical book by Eric Hodgins, the story draws directly from the author’s own disastrous attempt to build a house in Connecticut.

Hodgins was editor of Fortune magazine, bringing a professional-class perspective to postwar domestic anxiety.

The house built for the movie still exists in Malibu, California, at coordinates: 34 degrees 5' 41"N 118 degrees 42'43"W on the old 20th Century Fox Ranch.

Has had three remakes (in order of release): Hollywood's The Money Pit (1986) starring Tom Hanks and Shelley Long, Sweden's The Dream House (1993) starring Björn Skifs and Suzanne Reuter, and Hollywood's Are We Done Yet? (2007) starring Ice Cube and Nia Long.

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Marty and Cindy review the Peter O’Toole and Audrey Hepburn caper comedy How to Steal a Million

Production Background

· Directed by William Wyler, known for balancing sophistication, romance, and meticulous visual composition.

· Produced during a transitional era in Hollywood when glossy romantic capers were giving way to grittier New Hollywood films.

· Shot largely on location in Paris, giving the film an authentic European atmosphere rarely matched by studio backlots.

· The film blends genres: romantic comedy, heist film, and art‑world satire.

Casting & Performances

· Audrey Hepburn stars as Nicole Bonnet, playing against type as the daughter of a charming art forger.

· Peter O’Toole brings effortless wit and romantic charm as Simon Dermott, the suave burglar-turned-ally.

· Hugh Griffith provides broad comic relief as Charles Bonnet, whose fraudulent art collection drives the entire plot.

· The chemistry between Hepburn and O’Toole was a major critical selling point of the film.

Reception & Legacy

· The film was a commercial success and remains a staple of mid‑1960s romantic caper cinema.

· It is often remembered as one of Audrey Hepburn’s most charming late‑career performances.

· The movie influenced later romantic heist films that emphasize wit and elegance over realism.

· Its tone anticipates later art‑theft comedies and light capers rather than serious crime dramas.

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Cindy and Marty review the Hitchcock mystery Dial M for Murder

Film: Dial M for Murder (1954)

Director: Alfred Hitchcock

Based on: Frederick Knott’s stage play (and earlier television version)

Starring: Ray Milland (Tony Wendice), Grace Kelly (Margot Wendice), Robert Cummings (Mark Halliday), John Williams (Chief Inspector Hubbard), Anthony Dawson (Charles ‘Swann’ / Captain Lesgate)

Setting: Primarily one London apartment—by design

Cast Notes

The film’s tension depends on performance contrast: Ray Milland plays Tony as charming and measured—until the mask slips; Grace Kelly balances glamour with vulnerability; and John Williams gives us one of Hitchcock’s best ‘quiet logic’ detectives, a man who seems friendly and unassuming while he builds a case piece by piece.

John Williams recreated his stage role as Inspector Hubbard and had won a Tony for the part.

Anthony Dawson also returned from the stage production in a key supporting role.

Robert Cummings’ ‘outsider’ American energy pushes against the British restraint of the apartment and its social expectations.

Recommended Pairings (If You Want a Double Feature)

Rear Window (1954) – another ‘contained space’ Hitchcock suspense machine

Rope (1948) – controlled space + real-time tension experiment

To Catch a Thief (1955) – Grace Kelly in a very different Hitchcock register

A Perfect Murder (1998) – modern remake/variation that invites comparison

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Marty and Cindy review a favorite rom-com, The Awful Truth, with Cary Grant and Irene Dunne.

Title: The Awful Truth (1937)

Director: Leo McCarey

Screenplay: Viña Delmar, based on the play by Arthur Richman

Studio: Columbia PicturesRuntime: 91 minutes

Genre: Screwball Comedy / Romantic Comedy

Cary Grant — Jerry Warriner

Irene Dunne — Lucy Warriner

Ralph Bellamy — Dan Leeson

Alexander D’Arcy — Armand Duvalle

Mr. Smith the Dog — Played by Skippy

Jerry and Lucy Warriner divorce after mutualsuspicions of infidelity.

Their divorce decree includes a 90‑dayremarriage restriction.

Both attempt to move on with new romanticpartners.

Jealousy, misunderstanding, and emotional attachment persist.

Their shared dog becomes a central emotional and legal battleground

Established the core conventions of screwballcomedy.

Marked Cary Grant’s emergence as a comedic leading man.

Demonstrated the creative power of improvisation.

Shifted romantic comedy toward remarriage rather than courtship.

Influenced decades of romantic and marital comedies.

Won the Academy Award for Best Director.

Selected for the National Film Registry in 1996.

Regularly ranked among the greatest comedies ever made.

Part of the Criterion Collection.Led to two further Cary Grant–Irene Dunne collaborations.

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Cindy and Marty look at the classic film noir Double Indemnity and have a new appreciation for excessive smoking in movies.

Double Indemnity was released in 1944 by Paramount Pictures and directed by Billy Wilder. The screenplay was written by Wilder and Raymond Chandler, based on a novella by James M. Cain. The film stars Fred MacMurray, Barbara Stanwyck, and Edward G. Robinson and is widely regarded as the defining work of film noir.

Production & Development

• Based on a real 1927 murder involving Ruth Snyder and Judd Gray, whose crime centered on an insurance policy with a double-indemnity clause.

• The story faced years of resistance from the Production Code due to adultery and murder themes.

• Billy Wilder filmed an alternate ending showing Walter Neff in a gas chamber, but cut it before release.

Awards, Legacy & Influence

• The film received seven Academy Award nominations but won none.

• It was selected for the U.S. National Film Registry in 1992.

• Frequently ranked among the greatest films ever made by AFI.

• Helped define the visual and narrative language of film noir.

• Inspired countless neo-noir films and crime dramas.

Casting & Performances

• Fred MacMurray was known for wholesome roles and initially resisted playing Walter Neff.

• Many stars including James Cagney, Alan Ladd, and Gregory Peck turned down the role.

• Barbara Stanwyck’s blonde wig was intended to look artificial and unsettling.

• Edward G. Robinson hesitated to accept third billing but was paid equally with the leads.

• Fred MacMurray accidentally wore his real wedding ring despite playing a bachelor.

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Cindy and Marty discuss facts and fun from the Doris Day / Rock Hudson pairing in Send Me No Flowers

Quick Facts

· Release Year: 1964

· Genre: Romantic Comedy / Farce

· Director: Norman Jewison

· Screenplay: Julius J. Epstein (Oscar winner for Casablanca)

· Source Material: Broadway play by Norman Barasch and Carroll Moore

· Studio: Universal Pictures

· Running Time: 100 minutes

· Color: DeLuxe Color

· Music: Frank De Vol

· Title Song: 'Send Me No Flowers' by Hal David and Burt Bacharach, sung by Doris Day

Principal Cast

· Rock Hudson — George Kimball

· Doris Day — Judy Kimball

· Tony Randall — Arnold Nash

· Edward Andrews — Dr. Ralph Morrissey

· Paul Lynde — Mr. Akins

· Patricia Barry — Linda Bullard

· Hal March — Winston Burr

· Clint Walker — Bert Power

Brief Synopsis

George Kimball is a devoted but chronically hypochondriac husband who mistakenly believes he is terminally ill after overhearing a doctor discussing another patient. Convinced he has little time left, George secretly begins making arrangements for his wife Judy’s future—including identifying a potential new husband. His secrecy triggers suspicion, emotional distance, and escalating misunderstandings that threaten the very marriage he is trying to protect.

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Cindy and Marty speak about Billy Wilder’s The Apartment with lots of movie trivia and the portrayals done by Lemmon. MacLaine, and MacMurray

Quick Facts

Release Year: 1960Runtime: 125 minutesFormat: Black-and-whiteStudio / Distributor: United ArtistsDirector: Billy WilderScreenplay: Billy Wilder & I.A.L. DiamondMusic: Adolph DeutschSetting: New York City (corporate offices, Upper West Side apartment)

Principal Cast

Jack Lemmon — C.C. “Bud” Baxter, an ambitious insurance clerk trading his apartment for advancementShirley MacLaine — Fran Kubelik, an elevator operator navigating emotional vulnerability and power imbalanceFred MacMurray — Jeff D. Sheldrake, Baxter’s boss and the embodiment of corporate entitlementRay Walston — Joe Dobisch, a middle manager benefiting from Baxter’s arrangementEdie Adams — Miss Olsen, Sheldrake’s secretary and unseen stabilizer of his life

Production Notes & Context

The Apartment pushed the boundaries of mainstream romantic comedy by foregrounding infidelity, power imbalance, and emotional neglect. Fred MacMurray was deliberately cast against type, subverting his wholesome screen persona. The film’s visual design emphasizes repetition and anonymity—rows of desks, identical hats, crowded elevators—mirroring the dehumanizing logic of corporate life. Though framed around the holidays, the seasonal setting functions as a moral checkpoint rather than sentimental decoration.

Awards & Legacy

The film won five Academy Awards, including Best Picture, Best Director, and Best Original Screenplay. It remains a foundational influence on romantic comedies that balance humor with moral seriousness, and is frequently cited as one of Billy Wilder’s most accomplished works.

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