The Motherpeace Tarot (familiarly known as “you know, the round deck” in the tarot community) is a foundational document of the modern tarot era. First self-published in 1981, the Motherpeace revolutionized the world of tarot decks. Its creators, Vicki Noble and Karen Vogel, set out to dismantle the patriarchal underpinnings of traditional tarot with cards that honored indigenous, pre-historic, and matriarchal cultures.

In today’s conversation, Motherpeace’s creators share a glimpse of the psychic foment of 1970’s Berkeley, California. They tell the story of how two feminist academics found the Goddess, and sought to express and uphold her presence by changing the practice of divination from the ground up.

In the reading we did at the end of the show, we drew the "Shaman of Wands" (equivalent to the King of Wands in Rider Waite Smith-type decks). Here is the image, for your reference.

• Pick up a copy of the Motherpeace Tarot:
• motherpeace.com

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😊 And...don't forget to like, rate, subscribe, and share!! 😊

Vicki Noble is a feminist healer and wisdom teacher, co-creator of Motherpeace and author of numerous books, including Shakti Woman and The Double Goddess. For decades she has traveled and taught internationally; her books are translated and published in various languages. Retired from teaching as a graduate professor in two Women’s Spirituality Masters Programs in California, she teaches regularly in Europe. At home she works as a professional astrologer and healer, adapting Tibetan Buddhist Dakini practices for her Goddess students and holding private intensives in Santa Cruz, California.

Karen Vogel, co-creator of Motherpeace, is widely known as as a tarot reader, teacher and writer as well as an extraordinary artist. She is the author of The Motherpeace Tarot Guidebook (1995), the novel Coyote Tails (2007), and the essays “Love of the Goddess” (Foremothers of the Womens Spirituality Movement ed. Miriam Robbins Dexter and Vicki Noble 2015) and “Female Shamanism, Goddess Cultures, and Psychedelics” (ReVision, winter 2003). The worldwide success of the Motherpeace Deck (currently over 500,000 in print) has afforded her the time to develop as an artist and sculptor of wood and stone as well as continue her exploration of the intermountain and far west. She has a degree in anthropology and a background in women’s studies, art and shamanism.