In this episode of Ear Expansion, LaMont Hamilton engages in a deep and expansive conversation with interdisciplinary artist, musician, and theorist DeForrest Brown Jr. They discuss Brown's early musical influences, the integration of black history and techno within his work, and the critical intersections of race, class, and cultural history in America. Brown talks extensively about his major projects, including 'Assembling a Black Counterculture,' 'Black Nationalist Sonic Weaponry,' and 'Techxodus,' highlighting the themes of empathy, trauma, and the sonic futures of black America. Additionally, they delve into the intricacies of Brown's collaborations and his reflections on techno as a form of black cultural production, as well as his innovative blending of music, writing, and activism.

In this episode of Ear Expansion, host LaMont Hamilton speaks with multidisciplinary artist, DJ and theorist Ryan C. Clarke about his practice, which integrates sedimentology, coastal geomorphology, black electronic music studies, blues epistemologies, ethnomusicology, regional environmental history, and more. Clarke shares his early influences, from his grandparents' gospel radio to video games, and explains deltaic thinking, a framework connecting black music's social histories with geological processes. They discuss blues epistemologies, the relationship between blackness and ecologies under colonial pressures, and the deep time concepts in techno music. Clarke also highlights his work with the Dweller festival to support black electronic artists and foster community.

In this episode of Ear Expansion, host LaMont Hamilton engages in a conversation with artist and sonic explorer Bonnie Han Jones. They explore Bonnie’s artistic journey, particularly her experimental work in sound and language. Bonnie shares her unique approach to instrumentation, her experiences in diverse musical communities, and the conceptual frameworks that guide her exploration of sound and language. The conversation also delves into her interests in the materiality of sound and her projects that examine the complexities of transnational adoption and identity, the concept of sonic citizenship, and her ongoing engagement with sound and language as a medium for personal and cultural storytelling.