In this evocative Season 2 episode of Drag Me To Heaven, we venture into the surreal and sacred universe of La Faust, an alternative drag artist from Goa whose work is redefining the edges of drag, spirituality, and pedagogy. Known for crafting hauntingly beautiful and religiously charged visuals, La Faust explores the rich tension between ritual and rebellion, sacredness and subversion.

Through performance, La Faust becomes both priest and prophet—using alt-drag as a form of ritualized storytelling, queer resistance, and spiritual invocation. In our conversation, we delve into how her drag persona channels religious imagery, spirit possession, and alternative learning to breathe life into queer expression in postcolonial, faith-bound spaces like Goa.

We discuss the importance of spirituality as a private and political act, the aesthetic of faith-based drag, and how embracing the mystical can empower queer artists to heal, resist, and transform. From ancestral echoes to divine drag transformations, La Faust’s journey invites us to see drag not just as performance—but as a sacred rite of becoming.

✨ Join us for a meditative, magical, and mind-opening dialogue with one of India’s most enigmatic and powerful voices in alternative drag.
🎧 Listen now on Spotify and wherever you get your podcasts.

In this thought-provoking episode of Drag Me to Heaven, I sit down with LaWhore Vagistan, the dazzling and unapologetic drag persona of Kareem Khubchandani—a researcher, performer, and activist whose work spans queer nightlife, South Asian diaspora, ethnography, and performance studies. As an academic and artist, Khubchandani seamlessly weaves together storytelling, stand-up comedy, body art, and digital media, using drag as both a pedagogical and performative tool.

Our conversation delves into three transformative themes that define LaWhore Vagistan’s work: the Aunty as a symbol of resistance to drag as political activation and challenges of appropriations . We explore how the figure of the Aunty—often seen as a gatekeeper of culture and tradition—can also be reclaimed as a site of defiance, humor, and survival, embodying both power and subversion in South Asian communities. Through this lens, LaWhore Vagistan challenges the boundaries between gender discipline, queerness, and cultural identity, reimagining the Aunty as a force of resilience rather than repression.

Beyond performance, LaWhore Vagistan’s work is deeply political, using drag as a site of activism and resistance. We examine how she disrupts colonial, gendered, and heteronormative narratives through her academic work, public performances, and community organizing. From reimagining South Asian queer nightlife in Ishtyle: Accenting Gay Indian Nightlife to performing at global festivals and queer spaces, her work bridges academia and activism, demonstrating how drag can be a tool for social change.

This episode is a powerful reflection on the radical potential of drag as more than just entertainment—it is a cultural statement, a spiritual journey, and a political act. LaWhore Vagistan’s insights challenge us to rethink performance as a space of resistance, joy, and liberation. Tune in for an enlightening conversation that reshapes the way we view drag, faith, and the power of South Asian queer identity.